ISI Library

Annotation: Slavica Helsingiensia is published by the Department of Slavonic and Baltic Languages and Literatures at Helsinki University. The series was founded in 1983, and 31 volumes have appeared so far.... The volume is dedicated to Professor Pekka Pesonen on the occasion of his sixtieth birthday. It includes 38 articles, written by Professor Pesonen’s friends and colleagues – Finnish, Estonian, Russian and American scholars and also representatives of Professor Pesonen’s Finnish School. The topics covered by the articles range from general and theoretical questions concerning mainly Russian literature, culture and semiotics to specific and detailed analyses of Russian literary his-tory. The thematic variety (varietas) reflects Professor Pesonen’s keen interest in the study of literature and culture, the semiotics of Russian cultural history and the analysis of Texts (literary and cultural) within their social contexts. But his interests never have been bounded only by the pure scientific goals and Pekka Pesonen is widely known as a translator, literary critic, great ad-mirer of Russian culture and a part of it himself. The unity and agreement (concordia) of these different approaches is to be found in а search for understanding, – understanding literature, un-derstanding the specifics of Russian culture. Ultimately, it is а quest for understanding the emer-gence and the narration of Texts in history.

Identifier: 9789521038310

Status: Available

Other title information: Narrative Strategies and Cultural Frames

Annotation: Marina Grishakova belongs to the younger generation of scholars of the Tartu-Moscow school of semiotics. Her book is part of a semio-narratological tradition of a single author or a single work research that tackles issues of wider theoretical import: applicability of the concept of "modeling" in the humanities, theory of mimesis and the function of experimental literature in ( post)modernist culture. By drawing on Y. Lotman's conception of artistic models, the book adopts the semiotic perspective on modeling as an open-ended heuristic process underlying the logic of discovery and creative thinking. The book discusses the models of time and memory in modernist culture (Nietzsche's and Bergson's philosophy of time, Minkowski's research on the psychopathological types of temporality) and their relevance to Nabokov's fiction; popular-scientific notions of serialism and the fourth dimension; thematizations of the observer in modernist philosophy and arts; visual "prostheses" and "machines" (Eco), particularly the "camera vision" metaphor, its relation to Bergson's notion of automatism and the popular idea of ​​the criminal use of hypnosis. Vision is also thematized as a means of seduction and noncoercive control. Even before Foucault, Baudrillard and other critics of modernity, Nabokov noticed that advertising, political propaganda and erotic seduction alike employ implicit forms of suggestion. The book revises Rorty's dilemma of "autonomy" and "solidarity" as applied to Nabokov's work and offers new readings. It considers categories of narrative poetics as forms of cultural encoding that broaden and transform reader's modes of perception and sense-making. Micro-models active in certain contexts or in the works of certain authors function as mobile interfaces between individual sensibilities and complex cultural chrono- and spatio-types where time and space take on conceptual meaning.

Status: Available

Other title information: The European Tradition

Annotation: While being concerned with the theory and forms of early narrative, the present collection of essays presents a history of narrative rather than poetics of narrative. Rather than offering to write a coherent narrative about the historical development of narrative before " the rise of the novel", the volume presents stages in the development towards that elusive and unstable form of narrative, giving the reader what in another context has been referred to as an "exemplary history" (Reed 1981) of narrative.

Identifier: 3110138832

Status: Available

Other title information: Tel Quel

Annotation: The present work will examine the constitution of Tel Quel's multipositionality (Boltanski 1973: 3-26), or funtion as a geometric locus, as the social creation of a symbolic good that combined all signs of intellectual radicality characteristic of the period. My aim is to analyze Tel Quel as a relatively heterogenous and changing object by exploring in a specific context its constitution, ascension, and decline as an intellectual avant-garde.

Identifier: 3110139529

Status: Available

Annotation: The picture of America and its arts emerging from these pages is an artful composite, no less truthful for its fragmentation and open-endedness, challenging the reader all the more to complete it.

Identifier: 9070289830

Status: Available

Annotation: This book centres on Longfellow's well-known poem Evangeline, first published in 1847, and the biblical ancestry of its heroine. We shall read this romance against a backdrop of scriptural images of the model woman of the Old and New Testaments.

Identifier: 3110122243

Status: Available

Annotation: Un palimpseste est litéralement, un parchemin dont on a gratté la première inscription pour lui en substituer une autre, mais où cette opération n'a pas irrémédiablement effacé le texte primitif, en sorte qu'on peut y liter l'ancien sous le nouveau, comme par transparence. Cet état de choses montre, au figuré, qu'un texte peut toujours en cacher un autre ,ais qu'il le dissimule rarement tout à fait, et qu'il se prête le plus souvent à ine double lecture où se superposent, au moins un hypertexte et son hypotexte - ainsi, dit-on l'Ulysse de Joyce et l'Odysée d'Homère. J'entends ici par hypertextes toutes les œvres dérivées d'une œvre antérieure, part transformation, comme dans la parodie, ou par imitation, comme dans le pastiche. Mais pastiche et parodie ne sont que les manifestations à la fois les plus visibles et les plus mineures de cette hypertextualité, out littérature au second degré, qui s'écrit en lisant, et dont la place et l'action dans le champ littéraire - et un peu au-delà - sont généralement, et fâcheusement, méconnunes. Jëntreprends ici d'explorer ce territoire. Un texte peut toujours en lire un autre, et ainsi de suite jusqu'à la fin des textes. Celui-ci n'échappe pas à la règle : il l'expose et s'y expose. Lira bien qui lira le dernier. A palimpsest is literally a parchment from which the first inscription has been scratched out to replace it with another, but where this operation has not irremediably erased the original text, so that the old can be read under the new, as if by transparency. This state of affairs shows, figuratively, that a text can always hide another, but that it rarely conceals it completely, and that it most often lends itself to a double reading where at least one hypertext and its hypotext are superimposed - thus, we say, Joyce's Ulysses and Homer's Odyssey. I mean here by hypertexts all works derived from an earlier work, by transformation, as in parody, or by imitation, as in pastiche. But pastiche and parody are only the most visible and minor manifestations of this hypertextuality, a literature of the second degree, which is written by reading, and whose place and action in the literary field - and a little beyond - are generally, and unfortunately, unknown. I undertake here to explore this territory. One text can always read another, and so on until the end of the texts. This one does not escape the rule: it exposes it and exposes itself to it. He who reads last, will read well. (translated with Google translate)

Identifier: 2020061163

Status: Available

Other title information: Four essays

Annotation: These essays reveal Mikhail Bakhtin (1895-1975)—known in the West largely through his studies of Rabelais and Dostoevsky—as a philosopher of language, a cultural historian, and a major theoretician of the novel. The Dialogic Imagination presents, in superb English translation, four selections from Voprosy literatury i estetiki (Problems of literature and esthetics), published in Moscow in 1975. The volume also contains a lengthy introduction to Bakhtin and his thought and a glossary of terminology. Bakhtin uses the category "novel" in a highly idiosyncratic way, claiming for it vastly larger territory than has been traditionally accepted. For him, the novel is not so much a genre as it is a force, "novelness," which he discusses in "From the Prehistory of Novelistic Discourse." Two essays, "Epic and Novel" and "Forms of Time and of the Chronotope in the Novel," deal with literary history in Bakhtin's own unorthodox way. In the final essay, he discusses literature and language in general, which he sees as stratified, constantly changing systems of subgenres, dialects, and fragmented "languages" in battle with one another.

Identifier: 9780292715349

Status: Available