ISI Library

Other title information: George Herbert’s Poetry as Cognitive Behaviour

Annotation: This book provides a cognitive analysis of the poetry of George Herbert (1593- 1633). From Herbert’s own thinking, recorded in his prose treatises, can be deduced that his poems should serve a specific function: teaching self-knowledge to his readers. Self-knowledge is a necessary skill, to be applied in one’s strife for ‘temperance’: the regulation of body, house, church, mind, and community. To Herbert, the meaning of his poems is subservient to this function: poetry should aid his readers to temper their lives. The cognitive framework applied here can serve to explain this function. Following Merlin Donald’s theory of cognitive evolution, art serves the purpose of mimetic meta-cognition: a specific cognitive strategy at the disposal of a county priest. Moreover, a cognitive framework can serve to explain why the Herbert-tradition has paid so little attention to this artistic function; this tradition operates within specific confines, the same confines that Herbert sought to compensate with his poetry and his thinking.

Identifier: 9783034313780

Status: Available

Other title information: The European Tradition

Annotation: While being concerned with the theory and forms of early narrative, the present collection of essays presents a history of narrative rather than poetics of narrative. Rather than offering to write a coherent narrative about the historical development of narrative before " the rise of the novel", the volume presents stages in the development towards that elusive and unstable form of narrative, giving the reader what in another context has been referred to as an "exemplary history" (Reed 1981) of narrative.

Identifier: 3110138832

Status: Available

Annotation: This book centres on Longfellow's well-known poem Evangeline, first published in 1847, and the biblical ancestry of its heroine. We shall read this romance against a backdrop of scriptural images of the model woman of the Old and New Testaments.

Identifier: 3110122243

Status: Available

Other title information: Family Systems and Semiotics of Story

Annotation: The study which follows proposes a reconstruction of semiotic theory of narrative in light of certain current accounts – psychoanalytic, Proppian, feminist, deconstructive – of the story-telling process. Starting from classical semiotic assumptions – that fictional narrative constitutes a discursive field rather than simply a collocation of texts –, the discussion isolates relational patterns informing various modellings of the story process, outlines a framework for integrating these into a matrix of combinational possibilities and suggests on that basis some vantage points from which to address a number of still pending issues within narrative studies.

Identifier: 0899256244

Status: Available

Other title information: Explorations in the Contruction of Text

Annotation: This book offers an analysis of narrative of children's literature by using discourse analysis.

Identifier: 3110122898

Status: Available

Annotation: Un palimpseste est litéralement, un parchemin dont on a gratté la première inscription pour lui en substituer une autre, mais où cette opération n'a pas irrémédiablement effacé le texte primitif, en sorte qu'on peut y liter l'ancien sous le nouveau, comme par transparence. Cet état de choses montre, au figuré, qu'un texte peut toujours en cacher un autre ,ais qu'il le dissimule rarement tout à fait, et qu'il se prête le plus souvent à ine double lecture où se superposent, au moins un hypertexte et son hypotexte - ainsi, dit-on l'Ulysse de Joyce et l'Odysée d'Homère. J'entends ici par hypertextes toutes les œvres dérivées d'une œvre antérieure, part transformation, comme dans la parodie, ou par imitation, comme dans le pastiche. Mais pastiche et parodie ne sont que les manifestations à la fois les plus visibles et les plus mineures de cette hypertextualité, out littérature au second degré, qui s'écrit en lisant, et dont la place et l'action dans le champ littéraire - et un peu au-delà - sont généralement, et fâcheusement, méconnunes. Jëntreprends ici d'explorer ce territoire. Un texte peut toujours en lire un autre, et ainsi de suite jusqu'à la fin des textes. Celui-ci n'échappe pas à la règle : il l'expose et s'y expose. Lira bien qui lira le dernier. A palimpsest is literally a parchment from which the first inscription has been scratched out to replace it with another, but where this operation has not irremediably erased the original text, so that the old can be read under the new, as if by transparency. This state of affairs shows, figuratively, that a text can always hide another, but that it rarely conceals it completely, and that it most often lends itself to a double reading where at least one hypertext and its hypotext are superimposed - thus, we say, Joyce's Ulysses and Homer's Odyssey. I mean here by hypertexts all works derived from an earlier work, by transformation, as in parody, or by imitation, as in pastiche. But pastiche and parody are only the most visible and minor manifestations of this hypertextuality, a literature of the second degree, which is written by reading, and whose place and action in the literary field - and a little beyond - are generally, and unfortunately, unknown. I undertake here to explore this territory. One text can always read another, and so on until the end of the texts. This one does not escape the rule: it exposes it and exposes itself to it. He who reads last, will read well. (translated with Google translate)

Identifier: 2020061163

Status: Available