ISI Library

Other title information: traditions and innovations in contemporary music

Notes: This book was originally published under the title Musica mathematica. Tradicijos ir inovacijos šiuolaikineje muzikoje by Lithuanian Academy of Music and Theater (Vilnius: Lietuvos muzikos ir teatro akademija, 2013, ISBN 978-609-8071-10-8)

Annotation: The concept of musica mathematica seeks to accurately examine the itnersection of two seemingly radically different subject areas. From the perspective of a European perception, the definition of the science of music was a result of the Pythagorean concept of universal harmony. The Pythagoreans were the first in European culture to raise the issue of uniting music and mathematics, sound and number. In the three parts of the monograph, versatile cases of the itnersection of music and mathematics are displayed, moving from philosophical and aesthetic considerations about mathesis to practical studies, discussing the interaction between music and other kinds of art (architecture, painting, poetry and literature) and providing a practical research of contemporary music compositions.

Identifier: 9783631713815

Status: Available

Other title information: early Soviet musical culture and the musicological theory of Boris Asafiev (1884–1949)

Annotation: This is the first English language analytical and critical monograph to examine Asafiev's literary output during 1916-1930. The author explores Asafiev's critical and musicological works both against the backfrop of Russian cultural history, an within the Western Europen intellectual historical context. She demonstrates how Asafiev became an established Soviet cultural theorietician of music, a celebrated but also a persecuted Soviet musicologist.

Identifier: 9789526825779

Status: Available

Annotation: In the years 2008-2009 The Finnish Academy of Sciences funded a research project entitled PHILOSOPHIES OF PERFORMANCE - Finnish music, art and avant-garde. The project focused on temporal, i.e. performing arts, their background philosophies and signifying processes. The empirical material was mostly about Finnish art. Yet, the idea was to develop also "universal" theoretical models relevant to other traditions and fields. Music served as the core phenomenon but it was also scrutinised in its intertextual connections. This anthology offers some results but also contributions from other scholars whom the project stimulated. The authors are Aurea Dominiguez, Joan Grimalt, Sergio Lanza, Otto Lehto, Grisell Macdonel Dario Martinelli, Bogumila Mika, Lina Navickaté-Martinelli, Pärttyli Rinne, Filip Sikorski, Eero Tarasti, Juha Torvinen, Alessia R. Vitale and Nayden Yotof.

Identifier: 9525431371

Status: Available

Annotation: In this study, Gabriel Pareyon presents a theory of musical meaning formation in the context of intersemiosis, that is, the translation of meaning from one cognitive domain to another cognitive domain (e.g. from mathematics to music, or to speech or graphic forms). From this perspective, the degree of coherence of a musical systems relies on a synecdochic intersemiosis: a system of related signs within other comparable and correlated systems. The author analyzes the modalities of such correlations, exploring their general and particular traits, and their operational bounds. Accordingly, the notion analofy is used as a rich concept through its two definitions quoted by the classical literature - proportion and paradigm, enormously valuable in establishinf mesurement, likeness and affinity criteria. At the same time, original arguments by Benoit B. Mandelbrot (1924-2010) are revised, alongside a systematic critique of the literature on the subject. In fact, connecting Charles S. Peirce!s synechism with Mandelbrot's fractality is on of the main developnets of the presents study.

Identifier: 9789525431322

Status: Available

Annotation: The pupose of this book is twofold: First, being epistemological in nature, it is concerned with identifying methodologically and philosophically valuable achievements of contemporary musical semiotics. The second purpose is a pragmatic one. It stems from the need to interpret the theoretical thought of Eero Tarasti. There is no doubt that today's semiotic-musical thought, in the most general terms, is dominated by two central names and the theories behind them. The names are Jean-Jacques Nattiez and Eero Tarasti. While reconstructing Tarasti's theory, I use the text interpretation method suggested by Gunter Grimm. It originaterd with the general theory of reception formulated by E.D. Hirsch.

Identifier: 9789525431278

Status: Available

Annotation: Systems of Musical Sense breathes new life into the field of music semiotics in its intuitive mix of logical rigor and hermeneutical interpretation and unique approach to paradigmatic analysis (Ruwet, Nattiez) and established theories of tinal music (Schoenberg). More significantly, te authors lay out an entirely new and innovative theory in their concept of musical homestasis, a phenomenon closely related to the fundamental law of physics which states that all things set in motion, organic and inorganic, tend to return to their initial point of rest. In tonal music, which also incorporates teology, this can take place at different levels, embodied by various parameters. The sensitive analyses here demonstrate ramifications of this axiom and cast new light on the structuring and effects de sens of tinal genres ranging in diversity from Bach chorales to Wagnerian opera. The culmination of mera tha a decade of research by this tea of widely published music scholars, the book is also a starting point: cognitivists, theorists, musicologists, and others can use the analytic methos "as is", develop it further, or transform it.The systems unvailed here need not be confined to tonal, "common-practice" art music. As universal axiom at least as dependable as the gestaltists "law of good continuation", the theory of homeostasis reveals new dimensions in earlier musical style and thos of more contemporary vintage.

Identifier: 9525431061

Status: Available

Annotation: A study interested in the frames and the margins of musical analysis.

Identifier: 9525431002

Status: Available

Annotation: Live Samba takes as its main topic the pagode movement, which apperead in the 1980s as a re-invention of the samba tradition. Deeply grounded in the most idiosyncratic musical patterns of samba, pagode countered the hegemony of the samba-schools and their media appeal. Pagode, too, became a major commercial success. It appeared in a transitional period, at the moment the music industry was shifting its focus towards lowe classes of the population. As a result, pagode and other local-based styles led the way to a recoinfiguration of Brazilian music. The transitional nature of this moment is reflected in the ambivalent nature of tpagode meanings. Those meanings were firmly attached to the local sphere, while at the same time open to communocation with translocal levels. In Live Samba, the author analyses pagode as a practice comprising both musical traits and symbolic associations with other spheres of Brazilian culture. The book looks at pagode songs through the frames of the samba tradition, of Brazilian society, of the commodity environment, and of musical signification, and it provides an introductory survey of samba and of the Brazilian music indurstry.

Identifier: 9519865497

Status: Available