ISI Library

Notes: preface by Eero Tarasti

Annotation: This book is an introduction to Eero Tarasti's works on music, as well as musical semiotics in general. It covers a wide range of sources from multiple disciplinary fields in order to familiarize the reader with the basic language and common references of semiotic inquiries in music. Starting with the basics of structural and Peircean semiotics, theories of discourse, topic theory and others, and their application to music, the book moves on to discuss their interpretation in Tarasti's decade-long oeuvre.

Identifier: 9789526906157

Status: Available

Annotation: This book is a unique attempt to systematize the latest research on all that music connotes. Musicological reflections on musically expressive content have been pursued for some decades now, in spite of the formalist prejudices that can still hindermusicians and music lovers. The author organizes this body of research so that both professionals and everyday listeners can benefit from it – in plain English, but without giving up the level of depth required by the subject matter. Two criteria have guided his choice among the many ways to speak about musical meaning: its relevance to performance, and its suitability to the teaching context. The legacy of the so-called art music, without an interpretive approach that links ancient traditions to our present, runs the risk of missing the link to the new generations of musicians and listeners. Complementing the theoretical, systematic content, each chapter includes a wealth of examples, including the so-called popular music.

Identifier: 9783030524951

Status: Available

Other title information: Popular Music, Politics and Social Protest

Annotation: This monograph offers a unique analysis of social protest in popular music. It presents theoretical descriptions, methodological tools, and an approach that encompasses various fields of musicology, cultural studies, semiotics, discourse analysis, media studies, and political and social sciences. The author argues that protest songs should be taken as a musical genre on their own. He points out that the general approach, when discussing these songs, has been so far that of either analyzing the lyrics or the social context. For some reason, the music itself has been often overlooked. This book attempts to fill this gap. Its central thesis is that a complete overview of these repertoires demands a thorough interaction among contextual, lyrical, and musical elements together. To accomplish this, the author develops a novel model that systemizes and investigates musical repertoires. The model is then applied to four case studies, those, too, chosen among topicsthat are little (or not at all) frequented by scholars.

Identifier: 9783319505374

Status: Available

Other title information: Numanistic Approaches to Music

Annotation: This edited book covers many topics in musicological literature, gathering various approaches to music studies that encapsulate the vivid relation music has to society. It focusses on repertoires and geographical areas that have not previously been well frequented in musicology. As readers will see, music has many roles to play in society. Music can be a generator of social phenomena, or a result of them; it can enhance or activate social actions, or simply co-habit with them. Above all, music has a stable position within society, in that it actively participates in it. Music can either describe or prescribe social aspects; musicians may have a certain position/role in society (e.g., the “popstar” as fashion leader, spokesman for political issues, etc.). Depending on the type of society, music may have a certain “meaning” or “function” (music does not mean the same thing everywhere in the world). Lastly, music can define a society, and it is not uncommon for it to best define a particular historical moment.

Identifier: 9783319470597

Status: Available

Other title information: early Soviet musical culture and the musicological theory of Boris Asafiev (1884–1949)

Annotation: This is the first English language analytical and critical monograph to examine Asafiev's literary output during 1916-1930. The author explores Asafiev's critical and musicological works both against the backfrop of Russian cultural history, an within the Western Europen intellectual historical context. She demonstrates how Asafiev became an established Soviet cultural theorietician of music, a celebrated but also a persecuted Soviet musicologist.

Identifier: 9789526825779

Status: Available

Other title information: musical microhistories

Annotation: In the current global world the interaction between cultures penetrates into musical practices and discourses, radically affecting the sociocultural imagination and altering the established shapes of cultural territories. Yet the history of music demonstrates that the dynamics of cultural encounters and segregations has always been a key factor in the formation of individual and collective identities and in the understanding of other cultures. Cultural expansions and, conversely, the trajectories of displacement of cultural expression are to a varied extent affected by the political, economic, technological and other dimensions of dissemination of musical practices and traditions. In the modern age, the extramusical factors are of equal significance to textual (creation) and contextual (dissemination and reception) configurations of sociocultural interactions. The understanding of sociocultural interactions and borders plays an important role in the appropriation of the musical past and the revival of cultural memory.

Identifier: 9786098071290

Status: Available

Annotation: In the years 2008-2009 The Finnish Academy of Sciences funded a research project entitled PHILOSOPHIES OF PERFORMANCE - Finnish music, art and avant-garde. The project focused on temporal, i.e. performing arts, their background philosophies and signifying processes. The empirical material was mostly about Finnish art. Yet, the idea was to develop also "universal" theoretical models relevant to other traditions and fields. Music served as the core phenomenon but it was also scrutinised in its intertextual connections. This anthology offers some results but also contributions from other scholars whom the project stimulated. The authors are Aurea Dominiguez, Joan Grimalt, Sergio Lanza, Otto Lehto, Grisell Macdonel Dario Martinelli, Bogumila Mika, Lina Navickaté-Martinelli, Pärttyli Rinne, Filip Sikorski, Eero Tarasti, Juha Torvinen, Alessia R. Vitale and Nayden Yotof.

Identifier: 9525431371

Status: Available

Other title information: proceedings of the 11th International Congress on Musical Signification, 27 IX – 2 X 2010, Krakow, Poland, Volume 2

Annotation: Proceedings of the 11th international congress on musical signification ICMS XI.

Identifier: 9788362743193

Status: Available

Other title information: The world of Music in Relation to itself

Annotation: This book is a collection of scientific studies by Mirjana Veselinović-Hofman, Tijana Popović Mlađenović, Tiana Marković, Ivana Ili and Marija Masnikosa. Identities: The World of Music in Relation to Itself is interdisciplinary work in musicology which presents analytical ans synthetic studies of music and cultural identities.

Identifier: 9788688619219

Status: Available

Annotation: Zawartość: I. W perspektywie czasu i miejsca na ziemi 1. Sztuka w objęciach historii 2. O drodze twórczej, jej progach i fazach, przemianach i fiksacjach – po raz wtóry II. Szymanowski i inni 3. Szymanowskiego „ścieżki nocy” 4. Każde niech żyje! zawiera w sobie precz z! III. Wspomnienia, zadziwienia, zamyślenia 5. Kisielewski: muzyka i polityka 6. Wspominając Lutosławskiego 7. Świat Henryka Mikołaja Góreckiego 8. Prostota, światło i głębia. W zamyśleniu nad muzyką Marka Stachowskiego IV. Z archiwum 9. Miłość Józefa Kofflera 10. Konstantego Regameya Pieśni perskie 11. Ekspresja i forma u Lutosławskiego 12. Siedem pytań wokół Pendereckiego Nota źródłowa Indeks nazwis

Identifier: 9788362743063

Status: Available

Annotation: In this study, Gabriel Pareyon presents a theory of musical meaning formation in the context of intersemiosis, that is, the translation of meaning from one cognitive domain to another cognitive domain (e.g. from mathematics to music, or to speech or graphic forms). From this perspective, the degree of coherence of a musical systems relies on a synecdochic intersemiosis: a system of related signs within other comparable and correlated systems. The author analyzes the modalities of such correlations, exploring their general and particular traits, and their operational bounds. Accordingly, the notion analofy is used as a rich concept through its two definitions quoted by the classical literature - proportion and paradigm, enormously valuable in establishinf mesurement, likeness and affinity criteria. At the same time, original arguments by Benoit B. Mandelbrot (1924-2010) are revised, alongside a systematic critique of the literature on the subject. In fact, connecting Charles S. Peirce!s synechism with Mandelbrot's fractality is on of the main developnets of the presents study.

Identifier: 9789525431322

Status: Available

Other title information: proceedings from the 10th International congress of the International project on musical signification : Vilnius, 21-25 October 2008

Annotation: A collection of conference papers from the 10th International congress of the International project on musical signification, focused on "archeology" of music and its after-life

Identifier: 9789986503934

Status: Available

Annotation: The pupose of this book is twofold: First, being epistemological in nature, it is concerned with identifying methodologically and philosophically valuable achievements of contemporary musical semiotics. The second purpose is a pragmatic one. It stems from the need to interpret the theoretical thought of Eero Tarasti. There is no doubt that today's semiotic-musical thought, in the most general terms, is dominated by two central names and the theories behind them. The names are Jean-Jacques Nattiez and Eero Tarasti. While reconstructing Tarasti's theory, I use the text interpretation method suggested by Gunter Grimm. It originaterd with the general theory of reception formulated by E.D. Hirsch.

Identifier: 9789525431278

Status: Available

Other title information: Essays in honour of Gino Stefani

Annotation: Essay collection in honor of Gino Stefani

Identifier: 9789525576085

Status: Available

Other title information: an abductive theory of the musical composition process

Annotation: Space in Musical semiotsis examines key issues of musical signification. It employs C. S. Peirce's semiotics and cognitive metaphor theories to establish a theory of the musical composisiton process, an epitome of musical signification.

Identifier: 9789525431285

Status: Available

Accompanying materials: Includes a CD

Annotation: Miten atomi? Milliasta on avaruuden mussikki? Mita sikio kuulee? Minakalaista musiikikia tekevat robotit ja mita ovat musibotit? Aanen eXtreme on uraaurtava esitys aanimaailman ihmeista. Se luo katsauksen aanien tuottamisen historiaan, kokooa yhteen viimeisinta tietoa aanituutkimuksen, aanitaiteen ja digitaalisen musiikin ulottuvuuksista seka kartoittaa aanimaailmojen reuna-alueita tietessa ja taitessa. Teoksen hahmottelemassa aaniversumissa perinteiset kasitykset musiikista menettavat merkityksena ja lukja sinkoutuu ulottuvuuksiin, joissa korvaa ei saastella.

Identifier: 9524717131

Status: Available

Annotation: Individando nel pensiero musicale del Seicento archetipi correnti della comunicazione passionale attraverso i suoni, il volume ricompone le fila di un dibattito ideale sull'identita del segno musicale che lo misurava con quello linguistico o con la creaziobne poetica, non senza riportarlo al codice espressivo degli animali o al canto degli uccelli.

Identifier: 8820731991

Status: Available

Other title information: Précis de sémiotique musicale

Notes: Edited and expanded edition partly of the book Signs of Music (2002), added is a then not published text about synesthesia.

Annotation: This volume is intended to serve as a "practical guide" to musical semiotics, that is, to the study of music as sign and communication. It includes both a history of this relatively new discipline as well as new contributions of my own invention. The book was originally much longer, but some chapters, such as those dealing with Wagner, have been deleted, and reserved for another volume. I hope that what is retained here will encourage readers, whether they are students of music, musicology, or semiotics, more established researchers, or inquiring minds of any kind, to learn more about musical semiotics. The field is currently undergoing fascinating processes of formation, growth, and diversity.

Identifier: 2296004091

Status: Available

Other title information: Volume II

Annotation: Music, in some forms, declares itself autonomous and absolute. But semiotics has taught us that no sign system can function alone, isolated from other texts. Correspondences and interrelationships of arts have always been fertile soil from which musical meanings to grow. Thus, among the topics of these proceedings, one finds music and painting, ekphrasis, interpretation, semiotic theory of music, pragmatism, aesthetics, topics, narrativity, music and media, opera, cinema, literature, music history, hermeneutics, dance and music psychology. Musical Signification is a world-wide research project that tries to open new avenues for an innovative science of music as a meaningful practice throughout the ages.

Identifier: 9525431096

Status: Available

Other title information: virtues and vices of vocal translation

Annotation: Vocal translation is an old art, but the interpretive feeling, skill and craft have expanded into a relatively new area in translation studies. Vocal translation is the translation of the poetic discourse in the hybrid art of the musicopoetic (or poeticomusical) forms, shapes and skills. This symbiotic construct harmonizes together the conflicting roles of music and language in face-to-face singing performances. The artist sings in an accurate but free flow, but sung in a language different from the original lyrics.

Identifier: 9042016876

Status: Available

Annotation: This book presents a study of music notation and its computer representation. Music notation is prehaps the most complex notational system invented by a man. As a consequence, its processing by the computer poses complex, but nevertheless interesting problems. The author addresses the question of computer representation of music notation with the aid of another representation tool: object-oriented analysis.

Identifier: 952543107X

Status: Available

Annotation: Systems of Musical Sense breathes new life into the field of music semiotics in its intuitive mix of logical rigor and hermeneutical interpretation and unique approach to paradigmatic analysis (Ruwet, Nattiez) and established theories of tinal music (Schoenberg). More significantly, te authors lay out an entirely new and innovative theory in their concept of musical homestasis, a phenomenon closely related to the fundamental law of physics which states that all things set in motion, organic and inorganic, tend to return to their initial point of rest. In tonal music, which also incorporates teology, this can take place at different levels, embodied by various parameters. The sensitive analyses here demonstrate ramifications of this axiom and cast new light on the structuring and effects de sens of tinal genres ranging in diversity from Bach chorales to Wagnerian opera. The culmination of mera tha a decade of research by this tea of widely published music scholars, the book is also a starting point: cognitivists, theorists, musicologists, and others can use the analytic methos "as is", develop it further, or transform it.The systems unvailed here need not be confined to tonal, "common-practice" art music. As universal axiom at least as dependable as the gestaltists "law of good continuation", the theory of homeostasis reveals new dimensions in earlier musical style and thos of more contemporary vintage.

Identifier: 9525431061

Status: Available

Other title information: Four Essays

Annotation: Angielska wersja książki Krzysztof Penderecki i jego muzyka. Cztery eseje. Uaktualniona bibliografia oraz spis twórczości kompozytora.The English version of the book Krzysztof Penderecki i jego muzyka. Cztery eseje. Updated bibliography and the list of works.

Identifier: 8387182478

Status: Available

Annotation: A study interested in the frames and the margins of musical analysis.

Identifier: 9525431002

Status: Available

Annotation: Live Samba takes as its main topic the pagode movement, which apperead in the 1980s as a re-invention of the samba tradition. Deeply grounded in the most idiosyncratic musical patterns of samba, pagode countered the hegemony of the samba-schools and their media appeal. Pagode, too, became a major commercial success. It appeared in a transitional period, at the moment the music industry was shifting its focus towards lowe classes of the population. As a result, pagode and other local-based styles led the way to a recoinfiguration of Brazilian music. The transitional nature of this moment is reflected in the ambivalent nature of tpagode meanings. Those meanings were firmly attached to the local sphere, while at the same time open to communocation with translocal levels. In Live Samba, the author analyses pagode as a practice comprising both musical traits and symbolic associations with other spheres of Brazilian culture. The book looks at pagode songs through the frames of the samba tradition, of Brazilian society, of the commodity environment, and of musical signification, and it provides an introductory survey of samba and of the Brazilian music indurstry.

Identifier: 9519865497

Status: Available

Other title information: Actes du quatrième Congrès international sur la signification musicale

Annotation: L'opportunité et la valeur des textes rassemblés ici se reconnaissent à l'universalité des grands thèmes abordés, à leur diversité cohérente, à l'écho qu'ils donnent aux circonstances musicales mondiales actuelles. Les problèmes de la signification musicale sont permanents à travers toute l'histoire de la création et de l'interprétation, en ce que la musique ne se donnerait qu'à elle-même signification. Cependant, la présence, aussi évidente qu'apparemment insaisissable, d'une pensée musicale intime au compositeur, interne à l'œuvre, demeure par là même une fascination de tout auditeur, mais aussi la gageure presque utopique de toute analyse. Ces problèmes sollicitent donc une recherche et une lutte constantes pour tenter de reconnaître ou du moins d'approcher cette signification, à la lumière des démarches et clartés nouvelles. La signification musicale appelle d'urgence notre attention et se pose des problèmes nouveaux, bien au-delà de ceux des analyses traditionnelles. On saisira qu'une telle mutation des données ait appelé une vision nouvelle des Universaux qui règnent sur l'essence même d'un art organiquement, consubstantiellement uni à la perception pure et à la Connaissance. Ouvrage publié avec le concours du Centre national du livre et de Poly-Art international.

Identifier: 285944355X

Status: Available

Other title information: Studia, interpretacje, rekonesanse.

Annotation: Mieczysław Tomaszewski (1921–2019), muzykolog i edytor. Profesor Akademii Muzycznej w Krakowie, kierownik Katedry Teorii i Interpretacji Dzieła Muzycznego. Reprezentował muzykologię zorientowaną humanistycznie.

Identifier: 9788387182908

Status: Available

Notes: 1

Annotation: This book is about the meaning of liturgical songs. Everybody who sings liturgical songs knows what liturgical songs is and also what it means. But when we start to talk about them, things become confused. We know too much and there are too many languages in which we can express what we think their meaning is. And what is worse, other people seem no to understand what we say and immediately reply that we may know a lot but not what they know. Then the discussion turns into a quarrel amongst people who know too much and cannot communicate what they know. A wise person may enter into the quarrel and say that communication about liturgical songs can only succeed when we sing together. Then we will sing together, confused and angry, because we now also know that the other people may sings very well, but do not understand what they are doing. This is what has been happening for decades in the Dutch churches. Perhaps we should be silent and start to look and listen very carefully to liturgical songs, while developing a language in which the songs themselves can speak, communicating what they have to say. The looking and listening will take much time and energy: there are no more easy answers. And the language will be so difficult that we are forced to be silent, waiting and hoping for a word to come. -back cover

Identifier: 9039005117

Status: Available

Annotation: Offers a fresh approach to the problem of expressive meaning in music. Beginning with an analysis of the slow movement of the Hammerklavier piano sonata, this book examines the roles of markedness, Classical topics, expressive genres, and musical tropes in fostering expressive interpretation at various levels of structure.

Identifier: 0253327423

Status: Available

Notes: Essays selected and translated by Stephen Heath

Annotation: Image-Music-Text brings together major essays by Roland Barthes on the structural analysis of narrative and on issues in literary theory, on the semiotics of photograph and film, on the practice of music and voice.

Identifier: 0006861350

Status: Available