A unified academic catalogue for books, journal articles, book chapters, proceedings papers, conference abstracts and semiotic research materials.
A unified academic catalogue for books, journal articles, proceedings papers, collection articles and semiotic research materials. Search across the full database; results are shown with pagination.
... the essential being of language cannot be anything linguistic — Martin Heidegger
In: Semiotica 1982, Issue 2024-01-04 00:00:00
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Identifier: DOI: 10.1515/semi.1982.41.1-4.135
An American horror myth: Night of the Living Dead
In: Semiotica 1982, Issue 2024-01-02 00:00:00
- Pages
- 1-16
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Identifier: DOI: 10.1515/semi.1982.38.1-2.1
An eighteenth-century view of animal communication
In: Semiotica 1982, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1982.39.1-2.55
Autobiographical textuality: The case of Thoreau’s Walden
In: Semiotica 1982, Issue 2024-01-04 00:00:00
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Identifier: DOI: 10.1515/semi.1982.41.1-4.257
C. S. Peirce’s phaneroscopy and semiotics
In: Semiotica 1982, Issue 2024-01-04 00:00:00
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Identifier: DOI: 10.1515/semi.1982.41.1-4.169
Changes in the discourse of Hustler: A study of rhetoric, vocabularies of motive, and ideology
In: Semiotica 1982, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1982.39.3-4.243
Cinders
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Annotation: Cinders is among Derrida's most remarkable and revealing of this distinguished author's many writings. While Derrida customarily devotes his powers of analysis to exacting readigs of texts from Plato to Aristotle and Freud to Heidegger, readers of Cinders will soon discover that Derrida is engaged in a poetic self-analysis.
Identifier: 0803216890
Status: Available
Code and code-shifting in film communication
In: Semiotica 1982, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1982.39.3-4.315
Compte rendu
In: Semiotica 1982, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1982.39.3-4.343
Conceptions of folklore in the development of literary semiotics
In: Semiotica 1982, Issue 2024-01-02 00:00:00
- Pages
- 1-20
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Identifier: DOI: 10.1515/semi.1982.39.1-2.1
Edgework: Frame and boundary in the phenomenology of narrative communication
In: Semiotica 1982, Issue 2024-01-04 00:00:00
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Identifier: DOI: 10.1515/semi.1982.41.1-4.277
Experience, signification, and reality: The boundaries of cultural semiotics
In: Semiotica 1982, Issue 2024-01-04 00:00:00
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Identifier: DOI: 10.1515/semi.1982.41.1-4.73
Frameworks for a science of texts: The compleat semiotician
In: Semiotica 1982, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1982.39.3-4.193
Hermeneutic and ethnomethodological formulations of conversational and textual talk
In: Semiotica 1982, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1982.38.1-2.91
Human nature: Of communication, of structuralism, of semiotics
In: Semiotica 1982, Issue 2024-01-04 00:00:00
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Identifier: DOI: 10.1515/semi.1982.41.1-4.25
Iconicity and narrative: The Vertov-Eisenstein controversy
In: Semiotica 1982, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1982.39.3-4.297
Introduction: Two philosophies of communication
In: Semiotica 1982, Issue 2024-01-04 00:00:00
- Pages
- 1-4
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Identifier: DOI: 10.1515/semi.1982.41.1-4.1
La communication épistolaire comme stratégie romanesque
In: Semiotica 1982, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1982.39.1-2.21
La sémantique des phrases absurdes
In: Semiotica 1982, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1982.39.3-4.285
On the cognitive underpinnings of language
In: Semiotica 1982, Issue 2024-01-04 00:00:00
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Identifier: DOI: 10.1515/semi.1982.41.1-4.107
Palimpsestes
- Dependent title
- la littérature au second degré
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Annotation: Un palimpseste est litéralement, un parchemin dont on a gratté la première inscription pour lui en substituer une autre, mais où cette opération n'a pas irrémédiablement effacé le texte primitif, en sorte qu'on peut y liter l'ancien sous le nouveau, comme par transparence. Cet état de choses montre, au figuré, qu'un texte peut toujours en cacher un autre ,ais qu'il le dissimule rarement tout à fait, et qu'il se prête le plus souvent à ine double lecture où se superposent, au moins un hypertexte et son hypotexte - ainsi, dit-on l'Ulysse de Joyce et l'Odysée d'Homère. J'entends ici par hypertextes toutes les œvres dérivées d'une œvre antérieure, part transformation, comme dans la parodie, ou par imitation, comme dans le pastiche. Mais pastiche et parodie ne sont que les manifestations à la fois les plus visibles et les plus mineures de cette hypertextualité, out littérature au second degré, qui s'écrit en lisant, et dont la place et l'action dans le champ littéraire - et un peu au-delà - sont généralement, et fâcheusement, méconnunes. Jëntreprends ici d'explorer ce territoire. Un texte peut toujours en lire un autre, et ainsi de suite jusqu'à la fin des textes. Celui-ci n'échappe pas à la règle : il l'expose et s'y expose. Lira bien qui lira le dernier. A palimpsest is literally a parchment from which the first inscription has been scratched out to replace it with another, but where this operation has not irremediably erased the original text, so that the old can be read under the new, as if by transparency. This state of affairs shows, figuratively, that a text can always hide another, but that it rarely conceals it completely, and that it most often lends itself to a double reading where at least one hypertext and its hypotext are superimposed - thus, we say, Joyce's Ulysses and Homer's Odyssey. I mean here by hypertexts all works derived from an earlier work, by transformation, as in parody, or by imitation, as in pastiche. But pastiche and parody are only the most visible and minor manifestations of this hypertextuality, a literature of the second degree, which is written by reading, and whose place and action in the literary field - and a little beyond - are generally, and unfortunately, unknown. I undertake here to explore this territory. One text can always read another, and so on until the end of the texts. This one does not escape the rule: it exposes it and exposes itself to it. He who reads last, will read well. (translated with Google translate)
Identifier: 2020061163
Status: Available
Peirce and Hjelmslev: Man-as-sign/man-as-language
In: Semiotica 1982, Issue 2024-01-04 00:00:00
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Identifier: DOI: 10.1515/semi.1982.41.1-4.183
Phenomenology and deconstructive strategy
In: Semiotica 1982, Issue 2024-01-04 00:00:00
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Identifier: DOI: 10.1515/semi.1982.41.1-4.5
Philosophy as a sign-producing activity: The metastable Gestalt of intentionality
In: Semiotica 1982, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1982.39.1-2.45
Publications received
In: Semiotica 1982, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1982.39.1-2.187
Review article
In: Semiotica 1982, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1982.39.1-2.115
Semiotic phenomenology in Plato’s Sophist
In: Semiotica 1982, Issue 2024-01-04 00:00:00
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Identifier: DOI: 10.1515/semi.1982.41.1-4.221
Semiotics or history: From content analysis to contextualized discursive praxis
In: Semiotica 1982, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1982.40.3-4.229
Sonstiges
In: Semiotica 1982, Issue 2024-01-04 00:00:00
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Identifier: DOI: 10.1515/semi.1982.41.1-4.u
Sonstiges
In: Semiotica 1982, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1982.39.1-2.u
The analysis of conversational topic sequence structures
In: Semiotica 1982, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1982.39.1-2.75
The concretization of meaning: Roman Ingarden
In: Semiotica 1982, Issue 2024-01-04 00:00:00
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Identifier: DOI: 10.1515/semi.1982.41.1-4.247
The family camps out: A study in nonverbal communication
In: Semiotica 1982, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1982.39.3-4.331
The joke’s on you, Goldilocks: A reinterpretation of The Three Bears
In: Semiotica 1982, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1982.39.3-4.269
The phenomenology of verbal communication: A classical Indian view
In: Semiotica 1982, Issue 2024-01-04 00:00:00
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Identifier: DOI: 10.1515/semi.1982.41.1-4.207
The ritual of photography
In: Semiotica 1982, Issue 2024-01-02 00:00:00
- Pages
- 1-26
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Identifier: DOI: 10.1515/semi.1982.40.1-2.1
The Structure of a Twin Myth In Māhavamsa
In: The American Journal of Semiotics 1982, Volume 1, Issue 4
- Pages
- 47-62
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Toward inhabited space: The semiotic structure of camera movement in the cinema
In: Semiotica 1982, Issue 2024-01-04 00:00:00
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Identifier: DOI: 10.1515/semi.1982.41.1-4.317
Turn-taking and interruption in political interviews: Margaret Thatcher and Jim Callaghan compared and contrasted
In: Semiotica 1982, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1982.39.1-2.93
Vers la phénoménologie sémiotique
In: Semiotica 1982, Issue 2024-01-04 00:00:00
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Identifier: DOI: 10.1515/semi.1982.41.1-4.41
An indigenous theory of meaning and its elicitation in performative context
In: Semiotica 1981, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1981.34.1-2.113
Color naming by art students and science students: A comparative study
In: Semiotica 1981, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1981.35.3-4.303
La théorie du signe à Port-Royal
In: Semiotica 1981, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1981.35.3-4.267
Le texte et son interprétation théâtrale
In: Semiotica 1981, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1981.33.3-4.201
Review article
In: Semiotica 1981, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1981.35.3-4.317
The Dialogic Imagination by M. M. Bakhtin
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Other title information: Four essays
Annotation: These essays reveal Mikhail Bakhtin (1895-1975)—known in the West largely through his studies of Rabelais and Dostoevsky—as a philosopher of language, a cultural historian, and a major theoretician of the novel. The Dialogic Imagination presents, in superb English translation, four selections from Voprosy literatury i estetiki (Problems of literature and esthetics), published in Moscow in 1975. The volume also contains a lengthy introduction to Bakhtin and his thought and a glossary of terminology. Bakhtin uses the category "novel" in a highly idiosyncratic way, claiming for it vastly larger territory than has been traditionally accepted. For him, the novel is not so much a genre as it is a force, "novelness," which he discusses in "From the Prehistory of Novelistic Discourse." Two essays, "Epic and Novel" and "Forms of Time and of the Chronotope in the Novel," deal with literary history in Bakhtin's own unorthodox way. In the final essay, he discusses literature and language in general, which he sees as stratified, constantly changing systems of subgenres, dialects, and fragmented "languages" in battle with one another.
Identifier: 9780292715349
Status: Available
The function of art as ′iconic text′: An alternative strategy for a semiotic of art
In: Semiotica 1981, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1981.36.1-2.135
The relation of logic to semiotics
In: Semiotica 1981, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1981.35.3-4.193
The semiotic of modern culture
In: Semiotica 1981, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1981.35.3-4.287
A description of a deaf-mute sign language from the Enga Province of Papua New Guinea with some comparative discussion
In: Semiotica 1980, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1980.32.1-2.81