A unified academic catalogue for books, journal articles, book chapters, proceedings papers, conference abstracts and semiotic research materials.
A unified academic catalogue for books, journal articles, proceedings papers, collection articles and semiotic research materials. Search across the full database; results are shown with pagination.
Cognitive Semiotics
In: Zeitschrift für Semiotik 2022, Volume 44, Issue 3-4: Italian Semiotics II
- Pages
- 157-182
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Identifier: https://doi.org/10.14464/zsem.v44i3-4.853
Inner speech in meaning-making through verbal and artistic discourses
In: Sign Systems Studies 2022, Volume 50, Issue 2/3
- Pages
- 286-316
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Identifier: 10.12697/SSS.2022.50.2-3.05
Semiotics of Food
In: Zeitschrift für Semiotik 2022, Volume 44, Issue 1-2: Italian Semiotics I
- Pages
- 133-152
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Identifier: https://doi.org/10.14464/zsem.v44i1-2.821
Sociosemiotics: Theories, Explorations, Perspectives
In: Zeitschrift für Semiotik 2022, Volume 44, Issue 1-2: Italian Semiotics I
- Pages
- 105-132
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Identifier: https://doi.org/10.14464/zsem.v44i1-2.820
The world, the body and the sign: Group μ at the sources of meaning
In: Sign Systems Studies 2022, Volume 50, Issue 2/3
- Pages
- 453-457
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Identifier: 10.12697/SSS.2022.50.2-3.11
An introduction: use and meaning – a special issue of <i>Semiotica</i> devoted to Jerzy Pelc
In: Semiotica 2021, Issue 240
- Pages
- 1-4
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Identifier: DOI: 10.1515/sem-2021-0033
Omnipresent meaning-interdependence and ubiquitous analyticity
In: Semiotica 2021, Issue 240
- Pages
- 317-334
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Identifier: DOI: 10.1515/sem-2021-0010
Mapping Musical Signification
- Edition
- 1 edition
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Annotation: This book is a unique attempt to systematize the latest research on all that music connotes. Musicological reflections on musically expressive content have been pursued for some decades now, in spite of the formalist prejudices that can still hindermusicians and music lovers. The author organizes this body of research so that both professionals and everyday listeners can benefit from it – in plain English, but without giving up the level of depth required by the subject matter. Two criteria have guided his choice among the many ways to speak about musical meaning: its relevance to performance, and its suitability to the teaching context. The legacy of the so-called art music, without an interpretive approach that links ancient traditions to our present, runs the risk of missing the link to the new generations of musicians and listeners. Complementing the theoretical, systematic content, each chapter includes a wealth of examples, including the so-called popular music.
Identifier: 9783030524951
Status: Available
Multiculturalism as Multimodal Communication
- Edition
- 1 edition
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Other title information: A Semiotic Perspective
Annotation: This highly readable book develops a numanistic, and specifically semiotic approach to multiculturalism. It reveals how semiotics provides fresh and valuable insights into multiculturalism: in contrast to the binary logic of dualistic philosophy, semiotic logic does not understand the value of truth in rigid terms of ‘true’ or ‘false’, ‘right’ or ‘wrong’ only. The value of truth resides in meaning, which is a dynamic, evolutionary phenomenon, rooted, nevertheless, in factuality. Drawing on recent developments in biosemiotics, the book presents a theoretical approach to multiculturalism, regarding the lives of people living in multicultural environments. Rather than analyzing political or economic phenomena, it offers a semiotic analysis of multiculturalism and discusses its educational implications. It also invites readers to regard learning as a phenomenon of ecological sign growth and to understand multiculturalism along the same lines. As such, it brings together the life and social sciences and the humanities in a unified perspective, in an approach fitting postmodernism.
Identifier: 9783030178826
Status: Available
Spaces and Meanings
- Edition
- 1 edition
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Other title information: Semantics of the Cultural Landscape
Annotation: This book examines the problem of relationships between culture and space. Highlighting the use of semiotics of culture as a basic concept of research, it describes the power of the cultural landscape in the context of culture philosophical research. Opening with a discussion of the existence of culture in space, it establishes basic concepts such as noosphere and pneumatosphere. The author acknowledges the early contributions of thinkers like Vladimir Vernadsky and Pierre Teilhard de Chardin, who first observed that human activity has become a geological force.
Identifier: 9783030151676
Status: Available
Structural Units of Mass Culture Mythology
- Edition
- 1 edition
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Other title information: A Cultural Semiotic Approach
Annotation: My dissertation focuses on the study of myths and their semiotic mechanisms that appear in contemporary mass culture texts. Although myths and mass culture as a whole have been widely discussed from the perspectives of various disciplines, there are no studies that deal with the systematization of mass culture mythology and the semiotic definition of mythic markers. The topic of this dissertation is interesting not only from a general theoretical, philosophical, anthropological and semiotic perspective, but also for practical reasons. I believe that I can convincingly show in my work that the study and identification of semiotic mechanisms of mass culture myths is applicable in the field of marketing semiotics and social communication. In my dissertation, I first compare mass culture mythology from a sociological, philosophical-anthropological and semiotic perspective. This allows me to combine the two main epistemological approaches to myth research and treat myth as a holistic meta-concept on the one hand, and approach myth as a cultural text on the other. Based on the framework I have created, I will analyze various texts of mass culture in my work and focus on identifying the most common and enduring structural units of mass culture mythology. How do I define a smaller unit of myth? In defining it, I will rely on two structural principles of myth: the emic unit, which I denote by the concept of mythologeme, and the hybrid unit, which I denote by the concept of mytheme. In the course of the analysis, I will highlight the following mythologemes: Fate, Journey, Universality, Catastrophe, Golden Age and Mother Nature, and the mythemes: Transformation and Return. In addition to distinguishing the aforementioned mythologemes and mythemes, I will highlight their value and function in mythological discourse. Fate and Journey help to integrate the life of the individual into the whole. The mythologeme of Mother Nature is associated with the existential need of a person to search for authenticity and identity. The mythologemes of the Universe, Catastrophe and Golden Age constitute the human time-spatial past-present-future triad. The latter are related to human questions about the origin of the world, nostalgia for the past and fears about the future. The mythologeme of Transformation points to the idea of miracle and the mythologeme of Return to the time-spatial axis of the human semiosphere, to orderliness. The last chapter of the work applies the theoretical framework developed in the dissertation to specific case studies. The first of them is dedicated to the analysis of the TV political marketing of the Ukrainian politician Darth Vader, and there I show how archetypal mythological meanings were included in the structure of the political narrative. The second case study focuses on the development of a specific brand, which I did in collaboration with the well-known Russian pop artist Manizha, and where I apply the mythologeme of Mother Nature.Further research into mythologemes and mythemes could open up new semiotic markers and thereby expand the field of application of semiotics, as well as help to better understand the mythological basis of culture. This dissertation presents a semiotic study of myth revealing in contemporary mass cultural texts and exploration of its inner semiotic machinery. Although a variety of studies have been devoted to myth, and quite a few studies have tackled mass culture issues, less attention has been given to the systematic articulation of mass cultural mythology and its markers, which reveal its inner semiotic machinery. Those issues are relevant not only from a general theoretical philosophical, anthropological, and semiotic point of view, but also have concrete applicability in marketing semiotics and social communications. Firstly, I discuss mass culture under an emancipatory umbrella approach and explore mass culture mythology from the sociological, philosophical-anthropological and semiotic perspectives. Secondly, I combine two main epistemological attitudes of myth and integrate a holistic object of research – which appears as a meta-concept – from one side, and a text of culture – mass cultural narratives around brands conveying their main values – from the other side . Thirdly, I discuss the smallest units of mass culture mythology and explore its most widespread structural units. I classify the smallest units of myth by their structural principles: the emic units (mythologemes) and the hybrid ones (mythemes). There are the mythologemes of Fate, Course, Universe, Catastrophe, Golden Age, and Mother Nature, and the mythemes of Transformation and Backtracking considered in detail. The main existential values of those smallest mythological units are discussed. The mythologemes of Fate and Course help to understand individual life as a part of an integral whole. The mythologeme of Mother Nature relates to the existential search for inner authenticity and identity. The mythologemes of Universe, Catastrophe, and Golden Age constitute an integral triadic idea about time and space (past-present-future) and reflect the human existential quest for an explanation of the world origin, nostalgia for the past and fears about the future. The mytheme of Transformation represents the idea of mythological miracle, and the mytheme of Backtracking appeals to the idea of a mastered time and space. Fourthly, I extend the process to find more minimal units of myth in cultural texts of different genres. The first case is dedicated to close analysis of the television communication of the Ukrainian politician Darth Vader. This case demonstrates the combination of archaic meanings and contemporary forms of myth within a narrative, producing new powerful connotations. The second case applies the Mother Nature mythologeme as a branding tool for building a coherent image of a musical artist. The further exploration of the mythologemes and mythemes and articulation of other semiotic markers of myth systematically enriches a profound understanding of human mind and culture.
Identifier: 9789949032150
Status: Available
Asmuo ir idėjos
- Edition
- 1 edition
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Annotation: The book is intended to comprehensively present the most important and most important part of the theoretical legacy of the famous semiotician, mythologist, linguist, culture and society critic and essayist Algirdas Julius Greimas (1917-1992), without which he would not be what he was, is and will remain in the history of humanitarian and social thinking. – his semiotics research project and extensions of this project. The principles of semiotics and its areas of study are critically reviewed, and the philosophical and personal existential dimension and meaning of Greimas' thinking are revealed. His closest students and collaborators, as well as later followers in France, Italy, Lithuania and elsewhere, describe the most important varieties and branches of semiotics after Greimas, their current state and future prospects.
Identifier: 9786094700880
Status: Available
Building Communication Theory From Cybersemiotics
In: Cybernetics & Human Knowing 2017, Volume 24, Issue 1: Evolution and Communication—Heterodox Rethinkings
- Pages
- 9-32
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Mimicry and Meaning
- Edition
- 1 edition
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Other title information: Structure and Semiotics of Biological Mimicry
Annotation: The present book analyses critically the tripartite mimicry model (consisting of the mimic, model and receiver species) and develops semiotic tools for comparative analysis. It is proposed that mimicry has a double structure where sign relations in communication are in constant interplay with ecological relations between species. Multi-constructivism and toolbox-like conceptual methods are advocated for, as these allow taking into account both the participants’ Umwelten as well as cultural meanings related to specific mimicry cases. From biosemiotic viewpoint, mimicry is a sign relation, where deceptively similar messages are perceived, interpreted and acted upon. Focusing on living subjects and their communication opens up new ways to understand mimicry. Such view helps to explain the diversity of mimicry as well as mimicry studies and treat these in a single framework. On a meta-level, a semiotic view allows critical reflection on the use of mimicry concept in modern biology. The author further discusses interpretations of mimicry in contemporary semiotics, analyses mimicry as communicative interaction, relates mimicry to iconic signs and focuses on abstract resemblances in mimicry. Theoretical discussions are illustrated with detailed excursions into practical mimicry cases in nature (brood parasitism, eyespots, myrmecomorphy, etc.). The book concludes with a conviction that mimicry should be treated in a broader semiotic-ecological context as it presumes the existence of ecological codes and other sign conventions in the ecosystem.
Identifier: 9783319503158
Status: Available
Sounds, Societies, Significations
- Edition
- 1 edition
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Other title information: Numanistic Approaches to Music
Annotation: This edited book covers many topics in musicological literature, gathering various approaches to music studies that encapsulate the vivid relation music has to society. It focusses on repertoires and geographical areas that have not previously been well frequented in musicology. As readers will see, music has many roles to play in society. Music can be a generator of social phenomena, or a result of them; it can enhance or activate social actions, or simply co-habit with them. Above all, music has a stable position within society, in that it actively participates in it. Music can either describe or prescribe social aspects; musicians may have a certain position/role in society (e.g., the “popstar” as fashion leader, spokesman for political issues, etc.). Depending on the type of society, music may have a certain “meaning” or “function” (music does not mean the same thing everywhere in the world). Lastly, music can define a society, and it is not uncommon for it to best define a particular historical moment.
Identifier: 9783319470597
Status: Available
A note on the meanings of junk food
In: Semiotica 2016, Issue 211
- Pages
- 127-137
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Identifier: DOI: 10.1515/sem-2016-0094
Deontic meaning making in legislative discourse
In: Semiotica 2016, Issue 209
- Pages
- 323-340
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Identifier: DOI: 10.1515/sem-2016-0002
Does one truly need to belong?: A case for the need to meaningfully exist
In: Semiotica 2016, Issue 210
- Pages
- 251-257
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Identifier: DOI: 10.1515/sem-2016-0026
Food meaning: From tasty to flavorful
In: Semiotica 2016, Issue 211
- Pages
- 187-201
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Identifier: DOI: 10.1515/sem-2016-0103
Hidden meanings of the words “religion” and “religious” in legal discourse
In: Semiotica 2016, Issue 209
- Pages
- 341-355
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Identifier: DOI: 10.1515/sem-2016-0014
Identifying the meanings hidden in legal texts: The three conditions of relevance theory and their sufficiency
In: Semiotica 2016, Issue 209
- Pages
- 99-123
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Identifier: DOI: 10.1515/sem-2016-0005
Introduction: Hidden meanings in legal discourse
In: Semiotica 2016, Issue 209
- Pages
- 1-3
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Identifier: DOI: 10.1515/sem-2016-0011
Meaning-making across disparate realities: A new cognitive model for the personality-integrating response to fairy tales
In: Semiotica 2016, Issue 213
- Pages
- 397-418
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Identifier: DOI: 10.1515/sem-2015-0141
Meaning, Narrativity, and the Real
- Edition
- 1 edition
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Other title information: The Semiotics of Law in Legal Education IV
Annotation: This book examines the concept of meaning and our general understanding of reality in a legal and philosophical context. Starting from the premise that meaning is a matter of linguistic and other forms of articulation, it considers the inherent philosophical consequences. Part I presents Klages’, Derrida’s, Von Hofmannsthal’s and Wittgenstein’s explorations of silence as a source of articulation and meaning. Debates about 20th century psychologism gave the attitude concept a pivotal role; it illustrates the importance of the discovery that a word is globally qualified as ‘the basic unit of language’. This is mirrored in the fact that we understand reality as a matter of particles and thus interpret the real as a component of an all-embracing ‘particle story’. Each chapter of the book focuses on an aspect of legal semiotics related to the chapter’s theme: for instance on the meaning of a Judge’s ‘Saying for Law’, on law students training in varying attitudes or on the ties between law and language. Part II of the book illustrates our general understanding of reality as a matter of particles and partitioning, and examines texts that prove that particle thinking is basic for our meaning concept. It shows that physics, quantum theory, holism, and modern brain research focusing on human linguistic capabilities, confirm their ties to the particle story. In contrast, the book concludes that partitions and particles are neither a fact in the history of the cosmos nor a determinant of knowledge and the sciences, and that meaning is a process: a constellation rather than a fixation. This is manifest once one understands meaning as the result of continuously changing attitudes, which create our narratives on cosmos and creation. The book proposes a new key for meaning: a linguistic occurrence anchored in dimensions of human narrativity.
Identifier: 9783319281742
Status: Available
Taste and meaning
In: Semiotica 2016, Issue 211
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Identifier: DOI: 10.1515/sem-2016-0106
The culinary and social-semiotic meaning of food: Spicy meals and their significance in Mexico, Italy, and Texas
In: Semiotica 2016, Issue 211
- Pages
- 247-269
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Identifier: DOI: 10.1515/sem-2016-0108
The hidden meanings in the case law of the European Court for Human Rights
In: Semiotica 2016, Issue 209
- Pages
- 209-230
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Identifier: DOI: 10.1515/sem-2016-0009
The rise and fall of metaphor: A study in meaning and meaninglessness
In: Semiotica 2016, Issue 213
- Pages
- 419-433
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Identifier: DOI: 10.1515/sem-2015-0131
Uncovering hidden meanings in legal discourse on the elderly: A semioethical perspective
In: Semiotica 2016, Issue 209
- Pages
- 301-321
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Identifier: DOI: 10.1515/sem-2016-0018
Heroizability
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Other title information: An anthroposemiotic theory of Literary characters
Annotation: It is commonly believed that some approaches of structural semiotics, narratology and cognitive science have not yet succeeded in constructing a complete and coherent theory of literary character. The author argues that the primary explanation of the failure is the artificial separation between characters and their actions. One of the chief implications of such separation is treating characters in terms of structures, agents, actants, functions, roles, and signs, which obviously mean that actions can hardly be explained as intended, motivated, performed and experienced. Survival, as a motivation-based concept, is one of the key concepts making the separation between character and action something impossible. Humans in literary narratives search for survival as an aware process of knowing and meaning making. Meaning in literary narratives can be produced by heroizability, which treats literary characters as living anthroposemiotic entities aware of their natural motivation to achieve in order to survive and produce meanings of their survival. As such, characters in literary narratives have active cognitions, and their cognitive activities remain meaningless without a process of semiosis. Applying Anthroposemiotic theory with Modeling System Theory, heroizability provides methodical tools to explain how the narrative text is represented and, thus, how it is to be interpreted properly by the reader not only to find, but also to make meaning in narrative world.
Identifier: 9781501510816
Status: Available
Lectures on the Epistemology of Semiotics
- Edition
- 1 edition
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Annotation: This book presents a functional view of semiotics considering language as a system of signs. In such a means- and ends-oriented perspective, the signs as meaning-bearers are detached, both in concrete and mental existence modes, from their meanings or objects of reference. Some relevant words on the genesis of the author’s contribution to the development of semiotic thought will also include his indebtedness to his preceptors, teachers, friends and colleagues. Preliminary outlines for their foundation have been developed since the late 197os and 1980s in the Department of General Linguistics at Wrocław. Subsequent work on the following theme continued in the Institute of English Philology at Opole and in the School of English at Poznań, over the last five years, has contributed to its present state.
Identifier: 9788360097243
Status: Available
Meaning and meaning fields: A non-dualist approach by Martin Staude
In: Sign System Studies 2014, Volume 42, Issue 1
- Pages
- 147-156
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Identifier: 10.12697/SSS.2014.42.1.07
The Edusemiotics of Images
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Other title information: Essays on the Art-Science of Tarot
Notes: a printed version
Annotation: Semetsky’s new book offers a bracing account of Tarot semiotics in view of its deep significance for educational experience. Analyzing the symbolic language of Tarot images that express the intimations of the unconscious, she invites readers to explore novel ways of learning about the nature of ourselves and the world we are situated in. Combining thorough research with an accessible style, this groundbreaking book is essential reading for present and future generations of practitioners, academics and students across disciplines. Pia Brînzeu, Professor of English Literature and Vice-Rector of the Universityof Timis¸oara, Romania; author of Corridors of Mirrors. A sequel to the author’s Re-Symbolization of the Self: Human Development and Tarot Hermeneutic and Semiotics Education Experience, Semetsky’s new book presents the Tarot sign-system as a school of ethical living. Bringing the philosophies of Peirce, Deleuze, Dewey, Whitehead and Gebser in a dialogue with the cutting-edge science of coordination dynamics, she grounds the art of Tarot in the logic of signs acting across nature, culture and human mind. Building on Noddings’ “maternal factor”, Semetsky demonstrates how the lessons embodied in Tarot symbolism recover the feminine value of relations and contribute to Self~Other integration. Such is the message of Tarot images. The Image is the Message. Igor Klyukanov, Professor of Communication, Eastern Washington University, USA; editor, Russian Journal of Communication; author of A Communication Universe: Manifestations of Meaning, Stagings of Significance. Semetsky’s amalgamation of the techniques of visual communication with the emerging field of edusemiotics is an absolute masterpiece in transdisciplinarity. By forging diverse strands of inquiry into an overall model of how images enhance learning, Semetsky’s new book provokes us to take a fresh look at iconic information and is a required reading for everyone who is engaged with the artand science of visual semiotics at the intersection of nature and culture. Marcel Danesi, Professor of Anthropology, University of Toronto, Canada; editor-in-chief, Semiotica; author of The Quest for Meaning: A Guide to Semiotic Theory and Practice. Finally. An in-depth look at Tarot from within the field of semiotics, a perspective that had been inexplicably overlooked until now. As a language of exile from language, Tarot cards are silent words that became images. Here is a book that turns our thirst for symbols into a learning tool. The sign sings in Inna Semetsky’s work.
Identifier: 9789462090538
Status: Available
Tuning the Self
- Edition
- 1 edition
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Other title information: George Herbert’s Poetry as Cognitive Behaviour
Annotation: This book provides a cognitive analysis of the poetry of George Herbert (1593- 1633). From Herbert’s own thinking, recorded in his prose treatises, can be deduced that his poems should serve a specific function: teaching self-knowledge to his readers. Self-knowledge is a necessary skill, to be applied in one’s strife for ‘temperance’: the regulation of body, house, church, mind, and community. To Herbert, the meaning of his poems is subservient to this function: poetry should aid his readers to temper their lives. The cognitive framework applied here can serve to explain this function. Following Merlin Donald’s theory of cognitive evolution, art serves the purpose of mimetic meta-cognition: a specific cognitive strategy at the disposal of a county priest. Moreover, a cognitive framework can serve to explain why the Herbert-tradition has paid so little attention to this artistic function; this tradition operates within specific confines, the same confines that Herbert sought to compensate with his poetry and his thinking.
Identifier: 9783034313780
Status: Available
Jakobsonova sémiotická teorie
- Edition
- 1 edition
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Notes: Two of the books in this collection are inherited from Ludmila Lackova
Annotation: In my thesis I present some critical commentary on the semiotic theory of Roman Jakobson. This theory I view as an effort to establish, consolidate and widen of the nomothetic principle by using semiotic terms. In my view, to describe the basis of Jakobson?s semiotic theory means to describe the basic characteristics of his use of the terms sign, code and communication. With reference to the work of Thomas Kuhn, Nelson Goodman and François Rastier I introduce three semiotic frames, i.e. the general descriptions of meaning from semiotic/sign perspective. These frames I see as a mechanism of privileging certain kinds of question with certain privileged terms, i.e. sign, code and communication are seen as models that highlight speci%c problematic areas and simultaneously relegate others. I try to locate Roman Jakobson?s theory in these frames with emphasis on the model and de%nition of sign. The concept of sign as a complex signum or combination of its components is highlighted or distorted to suit the preferences of a particular frame. The result of this work is the description of the Jakobson?s conceptual relations between semiotic terms as the consequences of attempts to establish nomothetical approach across the semiotic frames.
Identifier: 9788024433875
Status: Available
On Musical Self-Similarity
- Dependent title
- intersemiosis as synecdoche and analogy
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Annotation: In this study, Gabriel Pareyon presents a theory of musical meaning formation in the context of intersemiosis, that is, the translation of meaning from one cognitive domain to another cognitive domain (e.g. from mathematics to music, or to speech or graphic forms). From this perspective, the degree of coherence of a musical systems relies on a synecdochic intersemiosis: a system of related signs within other comparable and correlated systems. The author analyzes the modalities of such correlations, exploring their general and particular traits, and their operational bounds. Accordingly, the notion analofy is used as a rich concept through its two definitions quoted by the classical literature - proportion and paradigm, enormously valuable in establishinf mesurement, likeness and affinity criteria. At the same time, original arguments by Benoit B. Mandelbrot (1924-2010) are revised, alongside a systematic critique of the literature on the subject. In fact, connecting Charles S. Peirce!s synechism with Mandelbrot's fractality is on of the main developnets of the presents study.
Identifier: 9789525431322
Status: Available
Symbol i Muzyka
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Annotation: This book is an entry into the symbolicism of music. The book consists of three chapters. In the first, I deal with the concept of the symbol itself. I discuss its genesis, history changing understanding, and above all - it's functioning in contemporary thought in such fields as sociology, cultural anthropology, semiotics or semiology, philosophy, psychoanalysis, and musicology. In the second chapter I present the problem of symbol and meaning in European music in a historical outline. The third chapter is my analysis of musical interpretations.
Identifier: 9788362743018
Status: Available
The Semiotics of Law in Legal Education
- Edition
- 1 edition
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Annotation: This book offers educational experiences, including reflections and the resulting essays, from the Roberta Kevelson Seminar on Law and Semiotics held during 2008 – 2011 at Penn State University’s Dickinson School of Law. The texts address educational aspects of law that require attention and that also are issues in traditional jurisprudence and legal theory. The book introduces education in legal semiotics as it evolves in a legal curriculum. Specific semiotic concepts, such as “sign”, “symbol” or “legal language,” demonstrate how a lawyer’s professionally important tasks of name-giving and meaning-giving are seldom completely understood by lawyers or laypeople. These concepts require analyses of considerable depth to understand the expressiveness of these legal names and meanings, and to understand how lawyers can “say the law,” or urge such a saying correctly and effectively in the context of a natural language that is understandable to all of us. The book brings together the structure of the Seminar, its foundational philosophical problems, the specifics of legal history, and the semiotics of the legal system with specific themes such as gender, family law, and business law.
Identifier: 9789400713406
Status: Available
An owl and a mirror: On Bosch’s visual motif’s meaning
In: Sign System Studies 2010, Volume 38, Issue 1/4: Semiotics of Resemblance
- Pages
- 210-241
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Identifier: 10.12697/SSS.2010.38.1-4.07
Semiosis and Catastrophes
- Edition
- 1 edition
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Other title information: René Thom’s Semiotic Heritage
Annotation: The central concern of this volume is semiogenesis, i.e. the evolution and differentiation of meaningful («pregnant») forms in the field of symbolic systems – from bio-communication to language and cultural forms like music, art, architecture or urban forms. The basic questions are: How are meanings created and further differentiated? Where do they come from? What kind of forces drive their unfolding? How can complex cultural forms be understood based on simple morphodynamic principles? Applications concern the perception of forms by animals and humans, the categorization of forms e.g. in a lexicon, and predication or other complex symbolic behaviors which show up in grammar or in cultural artifacts like the unfolding of urban centers.
Identifier: 9783034304672
Status: Available
Mediating the 'idea of One'
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Other title information: Arvo Pärt's pre-existing music in film
Notes: Kaire Maimets-Volt's dissertation
Annotation: The principal aim of this dissertation is to examine the use of Arvo Part's pre-existing tintinnabuli compositions in contemporary film soundtracks in order to determine the aesthetic reception of this music in film art. This will be achieved primarily through film analyses that explore the functions of tintinnabuli music in film, and the expressive meanings this music is considered suitable to communicate (with).
Identifier: 9789985979761
Status: Available
Murtuvat merkit
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Other title information: semiotiikan teoreettisen ja soveltavan tutkimuksen näkökulmia
Annotation: The work considers the fracture and transition of signs and texts - and thus also meanings - into each other. Meaning is always formed towards the future. The use of signs to convey and present meanings is already a productive process. Meaning inevitably becomes more than what is conveyed or presented. The production of meanings is also based on various structural elements, rules and practices. Static and permanent as well as dynamic and developing are in constant interaction with each other. The articles in the work represent the rich semiotics of the early 21st century. The approaches and the theories that define them are united by the glow of comprehensive research, in which the differences between sign categories and systems are understood as task-specific and contextual, not essential.
Identifier: 9789515707642
Status: Available
Biosemiotics
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Other title information: An examination into the signs of life and the life of signs
Notes: originally published in Danish as Biosemiotik. En afhandling om livets tegn og tegnenes liv (2005)
Annotation: Recent debates surrounding the teaching of biology divide participants into three camps based on how they explain the appearance of the human race: evolution, creationism, or intelligent design. Biosemiotics discovers an intriguing higher ground respecting those opposing theories by arguing that questions of meaning and experiential life can be integrated into the scientific study of nature. This groundbreaking book shows how the linguistic powers of humans imply that consciousness emerges in the evolutionary process and that life is based on sign action, not just molecular interaction. Biosemiotics will be essential reading for anyone interested in the nexus of linguistic possibility and biological reality.
Identifier: 9781859661691
Status: Available
Meanings come in six
In: Sign System Studies 2008, Volume 36, Issue 2
- Pages
- 493-508
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Identifier: 10.12697/SSS.2008.36.2.09
The origins of meaning
- Dependent title
- Vol. 1
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Other title information: Language in the Light of Evolution
Annotation: Hurford integrates findings from ethology and neuroscience with concepts from philosophy and linguistics to make an explicit and convincing case that animals have rich concepts, and thus that meaning predated language
Identifier: 9780199207855
Status: Available
Music and the Arts
- Edition
- 1 edition
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Other title information: Volume II
Annotation: Music, in some forms, declares itself autonomous and absolute. But semiotics has taught us that no sign system can function alone, isolated from other texts. Correspondences and interrelationships of arts have always been fertile soil from which musical meanings to grow. Thus, among the topics of these proceedings, one finds music and painting, ekphrasis, interpretation, semiotic theory of music, pragmatism, aesthetics, topics, narrativity, music and media, opera, cinema, literature, music history, hermeneutics, dance and music psychology. Musical Signification is a world-wide research project that tries to open new avenues for an innovative science of music as a meaningful practice throughout the ages.
Identifier: 9525431096
Status: Available
The Models of Space, Time and Vision in V. Nabokov's Fiction
- Edition
- 1 edition
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Other title information: Narrative Strategies and Cultural Frames
Annotation: Marina Grishakova belongs to the younger generation of scholars of the Tartu-Moscow school of semiotics. Her book is part of a semio-narratological tradition of a single author or a single work research that tackles issues of wider theoretical import: applicability of the concept of "modeling" in the humanities, theory of mimesis and the function of experimental literature in ( post)modernist culture. By drawing on Y. Lotman's conception of artistic models, the book adopts the semiotic perspective on modeling as an open-ended heuristic process underlying the logic of discovery and creative thinking. The book discusses the models of time and memory in modernist culture (Nietzsche's and Bergson's philosophy of time, Minkowski's research on the psychopathological types of temporality) and their relevance to Nabokov's fiction; popular-scientific notions of serialism and the fourth dimension; thematizations of the observer in modernist philosophy and arts; visual "prostheses" and "machines" (Eco), particularly the "camera vision" metaphor, its relation to Bergson's notion of automatism and the popular idea of the criminal use of hypnosis. Vision is also thematized as a means of seduction and noncoercive control. Even before Foucault, Baudrillard and other critics of modernity, Nabokov noticed that advertising, political propaganda and erotic seduction alike employ implicit forms of suggestion. The book revises Rorty's dilemma of "autonomy" and "solidarity" as applied to Nabokov's work and offers new readings. It considers categories of narrative poetics as forms of cultural encoding that broaden and transform reader's modes of perception and sense-making. Micro-models active in certain contexts or in the works of certain authors function as mobile interfaces between individual sensibilities and complex cultural chrono- and spatio-types where time and space take on conceptual meaning.
Status: Available
De la întuneric la lumină
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Other title information: semiotica iesirii din păcatul originar
Annotation: To outline a semiotics of the original sin of falling into the temptation of lying, disobedience and betrayal, a sin whose signs still disturb the life of the human being, is the primary goal of this book. To come out of the darkness of error, to enter the light of the meaning found through the image and likeness of the Primordial Truth, is defined as an aspiration following a trial given with joy to all who are open to wisdom and love.
Identifier: 9737300009
Status: Available
La început a fost semnul
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Other title information: o altă introducere în semiotică
Annotation: This book is an alternative approach to the introduction of the meaning of signs and the process of signification. What if first there was a sign?
Identifier: 973799468X
Status: Available
Mimesis and Metaphor: The biosemiotic generation of meaning in Cassirer and Uexküll
In: Sign System Studies 2004, Volume 32, Issue 1/2
- Pages
- 297-307
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Identifier: 10.12697/SSS.2004.32.1-2.13