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Book 1992.0

Intermittences du sens

Henri Quéré

Dependent title: études sémiotiques

General Semiotics Presses universitaires de France 2130445225 Available

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Annotation: Les intermittences du sens, c'est ici, tout d'abord, une pluralité d'pbjects en tous genres (romans, nouvelles ou poèmes, en françauis ou en anglais; discours littéraires, échanges de lettres, bribes de conversation courante; pratiques quotidienne ou objets esthétiques) que traverse et que scande le retour d'une même question: celle de la signification de son surgissement, de ses modes de manifestation et même, peut-on dire, de ses agissements. C'est aussi de point en point et de part en part, le jeu réglé des singularités et des récurrences, l'alternance des espèces constituées et des morphologies en devenir, l'entrejeu des discontinuités et des enchaînements, sur le support, el la dynamique des places et des forces. C'est, dans l'épaisseur des textes, l'échange réversible entre l'espace vectorisé oû les figures se déploient et le substrat figural que y imprime sa prosodie et ses contours. C'est enfin et surtout à la caçon de l'accompagnement qui lie la partition, l'interrogation sur le ses du sens: non pas tant sa saisie que sa poursuite et plutôt que sa fuite, sa fugue. The intermittences of meaning are here, first of all, a plurality of objects of all kinds (novels, short stories or poems, in French or in English; literary discourses, exchanges of letters, snippets of everyday conversation; daily practices or aesthetic objects) that cross and that are punctuated by the return of the same question: that of the meaning of its emergence, of its modes of manifestation and even, one might say, of its actions. It is also from point to point and from one end to the other, the regulated play of singularities and recurrences, the alternation of constituted species and morphologies in the making, the interplay of discontinuities and sequences, on the support, and the dynamics of places and forces. It is, in the thickness of the texts, the reversible exchange between the vectorized space where the figures are deployed and the figural substrate that its prosody and its contours imprint there. It is finally and above all the way of accompaniment which links the score, the questioning of the meaning: not so much its grasp as its pursuit and rather than its escape, its fugue. (Translated with Google Translate)

Identifier: 2130445225

Status: Available

Journal Article 1987