
A unified academic catalogue for books, journal articles, book chapters, proceedings papers, conference abstracts and semiotic research materials.
A unified academic catalogue for books, journal articles, proceedings papers, collection articles and semiotic research materials. Search across the full database; results are shown with pagination.
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The degree zero of digital interfaces: a semiotics of audiovisual archives online
Matteo Treleani
In: Semiotica 2021, Issue 241
- Pages
- 219-235
Semiotica DOI: 10.1515/sem-2019-0043
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Identifier: DOI: 10.1515/sem-2019-0043
The Models of Space, Time and Vision in V. Nabokov's Fiction
Marina Grishakova
- Edition
- 1 edition
Literature Tartu University Press Available
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Other title information: Narrative Strategies and Cultural Frames
Annotation: Marina Grishakova belongs to the younger generation of scholars of the Tartu-Moscow school of semiotics. Her book is part of a semio-narratological tradition of a single author or a single work research that tackles issues of wider theoretical import: applicability of the concept of "modeling" in the humanities, theory of mimesis and the function of experimental literature in ( post)modernist culture. By drawing on Y. Lotman's conception of artistic models, the book adopts the semiotic perspective on modeling as an open-ended heuristic process underlying the logic of discovery and creative thinking. The book discusses the models of time and memory in modernist culture (Nietzsche's and Bergson's philosophy of time, Minkowski's research on the psychopathological types of temporality) and their relevance to Nabokov's fiction; popular-scientific notions of serialism and the fourth dimension; thematizations of the observer in modernist philosophy and arts; visual "prostheses" and "machines" (Eco), particularly the "camera vision" metaphor, its relation to Bergson's notion of automatism and the popular idea of the criminal use of hypnosis. Vision is also thematized as a means of seduction and noncoercive control. Even before Foucault, Baudrillard and other critics of modernity, Nabokov noticed that advertising, political propaganda and erotic seduction alike employ implicit forms of suggestion. The book revises Rorty's dilemma of "autonomy" and "solidarity" as applied to Nabokov's work and offers new readings. It considers categories of narrative poetics as forms of cultural encoding that broaden and transform reader's modes of perception and sense-making. Micro-models active in certain contexts or in the works of certain authors function as mobile interfaces between individual sensibilities and complex cultural chrono- and spatio-types where time and space take on conceptual meaning.
Status: Available
Extending work in visual languages using Musli (a multi-sensory language interface)
J. Lennon
In: Synthesis in Diversity, Volume 2
- Pages
- 713-716
Semiotics Around the World
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Semiotic analysis and the interface between bible texts and visual art
Kathleen M. Irwin
In: Synthesis in Diversity, Volume 2
- Pages
- 843-846
Semiotics Around the World
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Semiotics of the user interface
RENÉ JORNA; BAREND VAN HEUSDEN
In: Semiotica 1996, Issue 2024-03-04 00:00:00
Semiotica DOI: 10.1515/semi.1996.109.3-4.237
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Identifier: DOI: 10.1515/semi.1996.109.3-4.237
Interface design: A semiotic paradigm
MIHAI NADIN
In: Semiotica 1988, Issue 2024-03-04 00:00:00
Semiotica DOI: 10.1515/semi.1988.69.3-4.269
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Identifier: DOI: 10.1515/semi.1988.69.3-4.269
Material bases of signification
GIORGIO PRODI
In: Semiotica 1988, Issue 2024-03-04 00:00:00
Semiotica DOI: 10.1515/semi.1988.69.3-4.191
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Identifier: DOI: 10.1515/semi.1988.69.3-4.191
Object as memory: The material foundations of human semiosis
KENNETH E. FOOTE
In: Semiotica 1988, Issue 2024-03-04 00:00:00
Semiotica DOI: 10.1515/semi.1988.69.3-4.243
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Identifier: DOI: 10.1515/semi.1988.69.3-4.243
Peirce’s teleological signs
WILLIAM E. SEAGER
In: Semiotica 1988, Issue 2024-03-04 00:00:00
Semiotica DOI: 10.1515/semi.1988.69.3-4.303
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Identifier: DOI: 10.1515/semi.1988.69.3-4.303
Review article
In: Semiotica 1988, Issue 2024-03-04 00:00:00
Semiotica DOI: 10.1515/semi.1988.69.3-4.331
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Identifier: DOI: 10.1515/semi.1988.69.3-4.331
Verbal icons and self-reference
ANNA WHITESIDE
In: Semiotica 1988, Issue 2024-03-04 00:00:00
Semiotica DOI: 10.1515/semi.1988.69.3-4.315
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Identifier: DOI: 10.1515/semi.1988.69.3-4.315
THE SEMIOLOGY OF CARTOMANCY: THE INTERFACE OF VISIBILITY AND TEXTUALITY
Edna Aphek, Yishai Tobin
In: The American Journal of Semiotics 1986, Volume 4, Issue 1/2
- Pages
- 73-98
The American Journal of Semiotics