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Przestrzeń i muzyka
Leszek Polony
Music Akademia Muzyczna w Krakowie 9788387182731 Available
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Annotation: This essay is the third in a series of works devoted to musical hermeneutics. In the first, I dealt with the basic concepts of music ontology: movement, play, being and time, drawing inspiration from the hermeneutical philosophy of Schleiermacher, Diltey, Heidegger and Gadamer. Then, inspired by the thought of Paul Ricoeur, I analysed the conceptual category of musical narrative. Even then, in these considerations, the category of space appeared many times, inseparable from human experience in its temporal and spatial structure and, as it turns out, inextricably linked to the experience of music. In the reception of music, we are undoubtedly given a certain "temporal" sound-musical space.
Identifier: 9788387182731
Status: Available
A love story retold: Moral order and intergenerational negotiations
KARIN ARONSSON; ANN-CHRISTIN CEDERBORG
In: Semiotica 1997, Issue 2024-01-02 00:00:00
Semiotica DOI: 10.1515/semi.1997.114.1-2.83
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Identifier: DOI: 10.1515/semi.1997.114.1-2.83
Dynamic features of polite interaction
STEFFEN NORDAHL LUND
In: Semiotica 1997, Issue 2024-01-02 00:00:00
Semiotica DOI: 10.1515/semi.1997.114.1-2.111
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Identifier: DOI: 10.1515/semi.1997.114.1-2.111
Greimas’s semiotic square and Greek and Roman astrology
GRAHAM DOUGLAS
In: Semiotica 1997, Issue 2024-01-02 00:00:00
- Pages
- 1-20
Semiotica DOI: 10.1515/semi.1997.114.1-2.1
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Identifier: DOI: 10.1515/semi.1997.114.1-2.1
Hungarian Piros and Vörös: Color from points of view
ROBERT E. MACLAURY; JUDIT ALMÁSI; ZOLTÁN KÖVECSES
In: Semiotica 1997, Issue 2024-01-02 00:00:00
Semiotica DOI: 10.1515/semi.1997.114.1-2.67
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Identifier: DOI: 10.1515/semi.1997.114.1-2.67
Mapping a network of semiotic systems: The Romanian Love Charms Database
SANDA GOLOPENTIA
In: Semiotica 1997, Issue 2024-01-02 00:00:00
Semiotica DOI: 10.1515/semi.1997.114.1-2.41
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Identifier: DOI: 10.1515/semi.1997.114.1-2.41
Quelle heure est-il, Monsieur Ricoeur? A semiotic narratology of duration, term, tempo, and rec(oe)urrence, tol(le)d from the criticism of Paul Ricoeur
PAUL MATTHEW ST. PIERRE
In: Semiotica 1997, Issue 2024-01-02 00:00:00
Semiotica DOI: 10.1515/semi.1997.114.1-2.21
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Identifier: DOI: 10.1515/semi.1997.114.1-2.21
Review article
In: Semiotica 1997, Issue 2024-01-02 00:00:00
Semiotica DOI: 10.1515/semi.1997.114.1-2.151
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Identifier: DOI: 10.1515/semi.1997.114.1-2.151
The classification of Peirce’s interpretants
BRENDAN J. LALOR
In: Semiotica 1997, Issue 2024-01-02 00:00:00
Semiotica DOI: 10.1515/semi.1997.114.1-2.31
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Identifier: DOI: 10.1515/semi.1997.114.1-2.31
The literary communication pact: A semiotic approach
IBRAHIM TAHA
In: Semiotica 1997, Issue 2024-01-02 00:00:00
Semiotica DOI: 10.1515/semi.1997.114.1-2.131
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Identifier: DOI: 10.1515/semi.1997.114.1-2.131