A unified academic catalogue for books, journal articles, book chapters, proceedings papers, conference abstracts and semiotic research materials.
A unified academic catalogue for books, journal articles, proceedings papers, collection articles and semiotic research materials. Search across the full database; results are shown with pagination.
Gestotexty
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Annotation: TJ Vjuga (1988) is a semiotext performer, a-poet, artist, photographer and editor. Collection GESTOTEXTY is his debut publication.
Identifier: 9788089550814
Status: Available
<b>The use of semiotic resources in traffic policing</b>: a<b>n exploration of genre structure and exchanges in traffic accident handling in China</b>
In: Semiotica 2021, Issue 242
- Pages
- 169-202
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Identifier: DOI: 10.1515/sem-2018-0149
A zoosemiotic approach to the transactional model of communication
In: Semiotica 2021, Issue 242
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- 39-62
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Identifier: DOI: 10.1515/sem-2020-0052
Bühler’s organon model of communication: a semiotic analysis of advertising slogans
In: Semiotica 2021, Issue 242
- Pages
- 229-239
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Identifier: DOI: 10.1515/sem-2018-0028
Complexes, rule-following, and language games: Wittgenstein’s philosophical method and its relevance to semiotics
In: Semiotica 2021, Issue 242
- Pages
- 63-100
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Identifier: DOI: 10.1515/sem-2019-0113
Derrida’s “chimerical experimental exercise”: an ecolinguistic dream of a more biocentric language
In: Semiotica 2021, Issue 242
- Pages
- 1-16
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Identifier: DOI: 10.1515/sem-2020-0027
On the blankness of blank-signs
In: Semiotica 2021, Issue 242
- Pages
- 123-139
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Identifier: DOI: 10.1515/sem-2020-0014
Practical Esotericism and Tikkun Olam: two modern renditions of a medieval mystical idea
In: Semiotica 2021, Issue 242
- Pages
- 203-227
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Identifier: DOI: 10.1515/sem-2020-0039
Review of A (bio)semiotic theory of translation: the emergence of social-cultural reality
In: Semiotica 2021, Issue 242
- Pages
- 249-254
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Identifier: DOI: 10.1515/sem-2020-0097
Semiotics in visual communication: review of Doing Visual Analysis
In: Semiotica 2021, Issue 242
- Pages
- 241-247
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Identifier: DOI: 10.1515/sem-2021-0024
Systematizing evil in literature: twelve models for the analysis of narrative fiction
In: Semiotica 2021, Issue 242
- Pages
- 141-168
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Identifier: DOI: 10.1515/sem-2020-0071
The distribution of handshapes in the established lexicon of Israeli Sign Language (ISL)
In: Semiotica 2021, Issue 242
- Pages
- 101-122
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Identifier: DOI: 10.1515/sem-2019-0049
The plastic of clothing and the construction of visual communication and interaction: a semiotic examination of the eighteenth-century French dress
In: Semiotica 2021, Issue 242
- Pages
- 17-37
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Identifier: DOI: 10.1515/sem-2020-0050
Culture and Communication
- Dependent title
- An Anthology of Major and Lesser-Known Works by Yuri Lotman
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- 1 edition
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Other title information: Signs in Flux
Notes: Translated from Russian by Benjamin Paloff
Annotation: This collection provides a stand-alone primer to his intellectual legacy in both semiotics and cultural history. It includes new translations of some of his major pieces as well as works that have never been published in English. The collection brings Lotman into the orbit of contemporary concerns such as gender, memory, performance, world literature, and urban life. It is aimed at students from various disciplines and is augmented by an introduction and notes that elucidate the relevant contexts.
Identifier: 9781644693872
Status: Available
Passions of Our Time
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Notes: edited with foreword by Lawrence D. Kritzman. Printed version in two notebooks
Annotation: Julia Kristeva is a true polymath, an intellectual of astonishingly wide range whose erudition and insight have been brought to bear on psychoanalysis, literary criticism, gender and sex, and cultural critique. Passions of Our Time showcases recent essays of Kristeva’s that demonstrate the scope of her capacious intellect, her gifts as a stylist, and the profound contribution of her thought to the challenges of the present. The collection begins with а vivid recollection of celebrating, as a child in Bulgaria, Alphabet Day, the holiday honoring the Cyrillic letters, which proceeds outward into a contemplation of the writer as translator. Kristeva considers literature with Barthes, freedom through Rousseau, Teresa of Avila and mystical experience, Simone de Beauvoir’s dream life, and Antigone and the psychic life of women. A group of essays drawing on her psychoanalytic work delve into Freud, Lacan, maternal eroticism, and the continued importance of psychoanalysis today. In a series of striking investigations, she thinks through disability and normativity, monotheism and secularization, the need to believe and the desire to know. Calling for the courage to renew and reinvent humanism, she outlines the principles of a stance founded on the importance of respecting human life. Finally, Kristeva discusses French culture and diversity, rethinking universalism and interrogating the potential for Islam and psychoanalysis to meet, and pays homage to Beauvoir by rephrasing her dictum into the provocative “One is born woman, but I become one.”
Identifier: 9780231171441
Status: Available
Text dynamics: Renewing challenges for semiotics of literature
In: Sign Systems Studies 2018, Volume 46, Issue 1
- Pages
- 143-167
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Identifier: 10.12697/SSS.2018.46.1.07
3D printing: Of signs and objects
In: Semiotica 2017, Issue 218
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- 165-177
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Identifier: DOI: 10.1515/sem-2015-0127
Analyzing the fictional worlds of Pixar with an eye on digital humanities
In: Semiotica 2017, Issue 218
- Pages
- 91-117
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Identifier: DOI: 10.1515/sem-2016-0081
Réécriture et chanson
- Dependent title
- dans l'aire romane
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Annotation: De la mise en musique de la poésie à la reprise qui resémantise, de la littérature qui se réinvente en deux minutes trente aux grandes figures de la chanson qu’on traduit parce qu’on les admire, des covers caricaturales aux arrangements qui redéfinissent un chant connu, on parlera ici de toutes les formes d’interprétation en chanson : traduire, (re)chanter, renouveler la musique, donner un sens nouveau, donner le même sens avec d’autres mots ou d’autres sons.
Identifier: 9791032000960
Status: Available
Sounds, Societies, Significations
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Other title information: Numanistic Approaches to Music
Annotation: This edited book covers many topics in musicological literature, gathering various approaches to music studies that encapsulate the vivid relation music has to society. It focusses on repertoires and geographical areas that have not previously been well frequented in musicology. As readers will see, music has many roles to play in society. Music can be a generator of social phenomena, or a result of them; it can enhance or activate social actions, or simply co-habit with them. Above all, music has a stable position within society, in that it actively participates in it. Music can either describe or prescribe social aspects; musicians may have a certain position/role in society (e.g., the “popstar” as fashion leader, spokesman for political issues, etc.). Depending on the type of society, music may have a certain “meaning” or “function” (music does not mean the same thing everywhere in the world). Lastly, music can define a society, and it is not uncommon for it to best define a particular historical moment.
Identifier: 9783319470597
Status: Available
Staying over-optimistic about the future: Uncovering attentional biases to climate change messages
In: Semiotica 2017, Issue 218
- Pages
- 21-64
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Identifier: DOI: 10.1515/sem-2016-0074
Stroke systems in Chinese characters: A systemic functional perspective on simplified regular script
In: Semiotica 2017, Issue 218
- Pages
- 1-19
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Identifier: DOI: 10.1515/sem-2015-0111
The embodiment of connotations: A proposed model
In: Semiotica 2017, Issue 218
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- 65-79
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Identifier: DOI: 10.1515/sem-2016-0112
The semiotic abstraction
In: Semiotica 2017, Issue 218
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Identifier: DOI: 10.1515/sem-2016-0148
Towards a dynamic model of the sign
In: Semiotica 2017, Issue 218
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- 137-144
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Identifier: DOI: 10.1515/sem-2016-0140
Toy stories: On the disciplinary regime of vibration
In: Semiotica 2017, Issue 218
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- 145-164
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Identifier: DOI: 10.1515/sem-2016-0113
Void of sign
In: Semiotica 2017, Issue 218
- Pages
- 119-135
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Identifier: DOI: 10.1515/sem-2016-0143
Anthroposemiotics of literature: The cultural nature
In: Semiotica 2016, Issue 213
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- 435-455
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Identifier: DOI: 10.1515/sem-2015-0028
Dialogue, responsibility and literary writing: Mikhail Bakhtin and his Circle
In: Semiotica 2016, Issue 213
- Pages
- 307-343
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Identifier: DOI: 10.1515/sem-2015-0094
Meaning, Narrativity, and the Real
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- 1 edition
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Other title information: The Semiotics of Law in Legal Education IV
Annotation: This book examines the concept of meaning and our general understanding of reality in a legal and philosophical context. Starting from the premise that meaning is a matter of linguistic and other forms of articulation, it considers the inherent philosophical consequences. Part I presents Klages’, Derrida’s, Von Hofmannsthal’s and Wittgenstein’s explorations of silence as a source of articulation and meaning. Debates about 20th century psychologism gave the attitude concept a pivotal role; it illustrates the importance of the discovery that a word is globally qualified as ‘the basic unit of language’. This is mirrored in the fact that we understand reality as a matter of particles and thus interpret the real as a component of an all-embracing ‘particle story’. Each chapter of the book focuses on an aspect of legal semiotics related to the chapter’s theme: for instance on the meaning of a Judge’s ‘Saying for Law’, on law students training in varying attitudes or on the ties between law and language. Part II of the book illustrates our general understanding of reality as a matter of particles and partitioning, and examines texts that prove that particle thinking is basic for our meaning concept. It shows that physics, quantum theory, holism, and modern brain research focusing on human linguistic capabilities, confirm their ties to the particle story. In contrast, the book concludes that partitions and particles are neither a fact in the history of the cosmos nor a determinant of knowledge and the sciences, and that meaning is a process: a constellation rather than a fixation. This is manifest once one understands meaning as the result of continuously changing attitudes, which create our narratives on cosmos and creation. The book proposes a new key for meaning: a linguistic occurrence anchored in dimensions of human narrativity.
Identifier: 9783319281742
Status: Available
Musica mathematica
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Other title information: traditions and innovations in contemporary music
Notes: This book was originally published under the title Musica mathematica. Tradicijos ir inovacijos šiuolaikineje muzikoje by Lithuanian Academy of Music and Theater (Vilnius: Lietuvos muzikos ir teatro akademija, 2013, ISBN 978-609-8071-10-8)
Annotation: The concept of musica mathematica seeks to accurately examine the itnersection of two seemingly radically different subject areas. From the perspective of a European perception, the definition of the science of music was a result of the Pythagorean concept of universal harmony. The Pythagoreans were the first in European culture to raise the issue of uniting music and mathematics, sound and number. In the three parts of the monograph, versatile cases of the itnersection of music and mathematics are displayed, moving from philosophical and aesthetic considerations about mathesis to practical studies, discussing the interaction between music and other kinds of art (architecture, painting, poetry and literature) and providing a practical research of contemporary music compositions.
Identifier: 9783631713815
Status: Available
Semiosis of intercultural cooking: The nineteenth century travel literature as a case study
In: Semiotica 2016, Issue 211
- Pages
- 45-57
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Identifier: DOI: 10.1515/sem-2016-0091
The translation of food in literature: A culinary journey through time and genres
In: Semiotica 2016, Issue 211
- Pages
- 27-43
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Identifier: DOI: 10.1515/sem-2016-0102
Heroizability
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Other title information: An anthroposemiotic theory of Literary characters
Annotation: It is commonly believed that some approaches of structural semiotics, narratology and cognitive science have not yet succeeded in constructing a complete and coherent theory of literary character. The author argues that the primary explanation of the failure is the artificial separation between characters and their actions. One of the chief implications of such separation is treating characters in terms of structures, agents, actants, functions, roles, and signs, which obviously mean that actions can hardly be explained as intended, motivated, performed and experienced. Survival, as a motivation-based concept, is one of the key concepts making the separation between character and action something impossible. Humans in literary narratives search for survival as an aware process of knowing and meaning making. Meaning in literary narratives can be produced by heroizability, which treats literary characters as living anthroposemiotic entities aware of their natural motivation to achieve in order to survive and produce meanings of their survival. As such, characters in literary narratives have active cognitions, and their cognitive activities remain meaningless without a process of semiosis. Applying Anthroposemiotic theory with Modeling System Theory, heroizability provides methodical tools to explain how the narrative text is represented and, thus, how it is to be interpreted properly by the reader not only to find, but also to make meaning in narrative world.
Identifier: 9781501510816
Status: Available
Greimas close and far
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Parallel title: Parallel title: Greimas arti ir toli
Annotation: Algirdas Julien Greimas (born Algirdas Julius Greimas) is one the most prominent creators of semiotics who laid the foundations of the Paris School of Semiotics known all over the world. He was also a famous linguist who researched Lithuanian mythology. Algirdas Julien Greimas is one of the most prominent Lithuanians in the international world of science, in many aspects compared to Mikalojus Konstantinas Čiurlionis. The greatest influence on the life and works of Greimas came from French culture renowned for its science, literature and art. Nevertheless, the time spent in Lithuania was also significant. Greimas himself viewed Lithuanian and western (French) periods of his life as correlation between two cultures. Therefore, every moment of his life is important to us, each moment contributing to the whole picture and enriching his life. Neither Greimas' childhood nor his youth which is the genesis of intellectual and aesthetic signs is reviewed in literature. Various authors tend to start writing Greimas'biography starting from his years in Vytautas Magnus University. Professor Eero Tarasti, the president of the International Association for Semiotic Studies, offered me to prepare a work about Greimas' life in Lithuania. As I myself studied in Kupiškis and knew a lot of things about the Greimas family, I decided to look at Greimas'childhood period in Kupiškis. The sources I used in this work are as follows: Greimas' words about his childhood, national and personal archives, press of those days and stories told by those who knew the Greimas family.My experience with exceptionally gifted children in National M. K. Čiurlionis School of Art in Vilnius and consulting with famous scientist has helped me to discuss the genesis of intellectual and aesthetic signs in Greimas' biography. As for the form of the work, I have chosen to use the form of an exposition with elements of a poster presentation, which allowed me to participate in significant scientific forums in France, Finland, Russia and China. In Lithuania, in those places where Greimas lived, my exposition contributed to the studies of his biography, organisation of conferences and dedication to Greimas. As it turned out, the prestigious gymnasiums where Greimas studied in Šiauliai and Marijampolė established in 1851 and 1867 have raised about half (9 out of 20) of those who signed the Act of Independence of Lithuania on 16 February 1918 and 12 out of 100 most outstanding persons in Lithuania in a millennium. In this respect these two gymnasiums are the only ones in Lithuania. It should also be mentioned that Greimas attended lectures in Vytautas Magnus University by famous Lithuanian scientists Mykolas Romeris, Vladas Jurgutis, Vosylius Sezemanas and Jonas Bučas who later contributed to laying the foundation for the science of semiotics.
Identifier: 9789955038702
Status: Available
Crossing Boundaries
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Other title information: Intercontextual Dynamics Between Family and School
Notes: editor of the series Jaan Valsiner
Annotation: Crossing Boundaries is an invitation to cultural psychology of educational processes to overcome the limits of existing educational psychology. Emphasizing social locomotion and the dynamic processes, the book try to capture the ambiguous richness of the transit from one context to another, of the symbolic perspective that accompanies the dialogue between family and school, of practicies regulating the interstitial space between these different social systems.
Identifier: 9781623963941
Status: Available
Léo Ferré
- Dependent title
- biographie
- Edition
- 1 edition
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Annotation: Biography of French poet Léo Ferré
Identifier: 9782352874584
Status: Available
The Edusemiotics of Images
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Other title information: Essays on the Art-Science of Tarot
Notes: a printed version
Annotation: Semetsky’s new book offers a bracing account of Tarot semiotics in view of its deep significance for educational experience. Analyzing the symbolic language of Tarot images that express the intimations of the unconscious, she invites readers to explore novel ways of learning about the nature of ourselves and the world we are situated in. Combining thorough research with an accessible style, this groundbreaking book is essential reading for present and future generations of practitioners, academics and students across disciplines. Pia Brînzeu, Professor of English Literature and Vice-Rector of the Universityof Timis¸oara, Romania; author of Corridors of Mirrors. A sequel to the author’s Re-Symbolization of the Self: Human Development and Tarot Hermeneutic and Semiotics Education Experience, Semetsky’s new book presents the Tarot sign-system as a school of ethical living. Bringing the philosophies of Peirce, Deleuze, Dewey, Whitehead and Gebser in a dialogue with the cutting-edge science of coordination dynamics, she grounds the art of Tarot in the logic of signs acting across nature, culture and human mind. Building on Noddings’ “maternal factor”, Semetsky demonstrates how the lessons embodied in Tarot symbolism recover the feminine value of relations and contribute to Self~Other integration. Such is the message of Tarot images. The Image is the Message. Igor Klyukanov, Professor of Communication, Eastern Washington University, USA; editor, Russian Journal of Communication; author of A Communication Universe: Manifestations of Meaning, Stagings of Significance. Semetsky’s amalgamation of the techniques of visual communication with the emerging field of edusemiotics is an absolute masterpiece in transdisciplinarity. By forging diverse strands of inquiry into an overall model of how images enhance learning, Semetsky’s new book provokes us to take a fresh look at iconic information and is a required reading for everyone who is engaged with the artand science of visual semiotics at the intersection of nature and culture. Marcel Danesi, Professor of Anthropology, University of Toronto, Canada; editor-in-chief, Semiotica; author of The Quest for Meaning: A Guide to Semiotic Theory and Practice. Finally. An in-depth look at Tarot from within the field of semiotics, a perspective that had been inexplicably overlooked until now. As a language of exile from language, Tarot cards are silent words that became images. Here is a book that turns our thirst for symbols into a learning tool. The sign sings in Inna Semetsky’s work.
Identifier: 9789462090538
Status: Available
Tuning the Self
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- 1 edition
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Other title information: George Herbert’s Poetry as Cognitive Behaviour
Annotation: This book provides a cognitive analysis of the poetry of George Herbert (1593- 1633). From Herbert’s own thinking, recorded in his prose treatises, can be deduced that his poems should serve a specific function: teaching self-knowledge to his readers. Self-knowledge is a necessary skill, to be applied in one’s strife for ‘temperance’: the regulation of body, house, church, mind, and community. To Herbert, the meaning of his poems is subservient to this function: poetry should aid his readers to temper their lives. The cognitive framework applied here can serve to explain this function. Following Merlin Donald’s theory of cognitive evolution, art serves the purpose of mimetic meta-cognition: a specific cognitive strategy at the disposal of a county priest. Moreover, a cognitive framework can serve to explain why the Herbert-tradition has paid so little attention to this artistic function; this tradition operates within specific confines, the same confines that Herbert sought to compensate with his poetry and his thinking.
Identifier: 9783034313780
Status: Available
On Musical Self-Similarity
- Dependent title
- intersemiosis as synecdoche and analogy
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Annotation: In this study, Gabriel Pareyon presents a theory of musical meaning formation in the context of intersemiosis, that is, the translation of meaning from one cognitive domain to another cognitive domain (e.g. from mathematics to music, or to speech or graphic forms). From this perspective, the degree of coherence of a musical systems relies on a synecdochic intersemiosis: a system of related signs within other comparable and correlated systems. The author analyzes the modalities of such correlations, exploring their general and particular traits, and their operational bounds. Accordingly, the notion analofy is used as a rich concept through its two definitions quoted by the classical literature - proportion and paradigm, enormously valuable in establishinf mesurement, likeness and affinity criteria. At the same time, original arguments by Benoit B. Mandelbrot (1924-2010) are revised, alongside a systematic critique of the literature on the subject. In fact, connecting Charles S. Peirce!s synechism with Mandelbrot's fractality is on of the main developnets of the presents study.
Identifier: 9789525431322
Status: Available
Russian Formalist Criticism
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Other title information: Four essays
Annotation: College English Russian formalists emerged from the Russian Revolution with ideas about the independence of literature. They enjoyed that independence until Stalin shut them down. By then they had produced essays that remain among the best defenses ever written for both literature and its theory. Included here are four essays representing key points in the formalists' short history. Victor Scklovsky's pathbreaking "Art as Technique" (1917) vindicates disorder in literary style. His 1921 essay on Tristram Shandy makes that eccentric novel the centerpiece for a theory of narrative. A section from Tomashevsky's "Thematics" (1925) inventories the elements of stories. In "The Theory of the 'Formal Method'" (1927) Boris Eichenbaum defends Russian formalism from many attacks. An able champion, he describes formalism's evolution, notes its major workers and works, clears away decayed axioms, and rescues literature from "primitive historicism" and other dangers. These essays set a course for literary studies that led to Prague structuralism, French semiotics, and postmodern poetics. Russian Formalist Criticism has been honored as a Choice Outstanding Academic Book of the Year by the American Library Association.
Identifier: 9780803254602
Status: Available
Music breaks in
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Other title information: essays on music radio and radio music in Finland
Annotation: This book brings together research reports and essays on radio music in Finland. The main focus in the writings is one the breakthrough of popular music in local radioscape. The chapters reaise a number of highly important issues in the resent history of radio breoadcasting in Finland: regulation of broadcasting, ideologies of local radio, concentration of ownership, homogenisation of musical contant, patterns of change in radio speech, and processes of music selection. This book is an outcome of the reseach project "Music Cultures and Corporate Cultures: Changes in Music Broadcasting in Finland, 2963-2005", financed by the Academy of Finland.
Identifier: 9789514479724
Status: Available
Bird sounds in nature writing: Human perspective on animal communication
In: Sign System Studies 2009, Volume 37, Issue 3/4: Zoosemiotics
- Pages
- 580-613
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Identifier: 10.12697/SSS.2009.37.3-4.10
The Parallax View
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Annotation: The Parallax View is Slavoj Žižek's most substantial theoretical work to appear in many years; Žižek himself describes it as his magnum opus. Parallax can be defined as the apparent displacement of an object, caused by a change in observational position. Žižek is interested in the "parallax gap" separating two points between which no synthesis or mediation is possible, linked by an "impossible short circuit" of levels that can never meet. From this consideration of parallax, Žižek begins a rehabilitation of dialectical materialism. Modes of parallax can be seen in different domains of today's theory, from the wave-particle duality in quantum physics to the parallax of the unconscious in Freudian psychoanalysis between interpretations of the formation of the unconscious and theories of drives. In The Parallax View, Žižek, with his usual astonishing erudition, focuses on three main modes of parallax: the ontological difference, the ultimate parallax that conditions our very access to reality; the scientific parallax, the irreducible gap between the phenomenal experience of reality and its scientific explanation, which reaches its apogee in today's brain sciences (according to which "nobody is home" in the skull, just stacks of brain meat—a condition Žižek calls "the unbearable lightness of being no one"); and the political parallax, the social antagonism that allows for no common ground. Between his discussions of these three modes, Žižek offers interludes that deal with more specific topics—including an ethical act in a novel by Henry James and anti-anti-Semitism. The Parallax View not only expands Žižek's Lacanian-Hegelian approach to new domains (notably cognitive brain sciences) but also provides the systematic exposition of the conceptual framework that underlies his entire work. Philosophical and theological analysis, detailed readings of literature, cinema, and music coexist with lively anecdotes and obscene jokes.
Identifier: 9780262240512
Status: Available
Wholeness and its remainders
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- 1 edition
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Other title information: theoretical procedures of totalization and detotalization in semiotics, philosophy and politics
Annotation: The PhD thesis is a piece of research into the nature of theoretical constructions in various academic disciplines. Drawing on a close analysis of some theoretical works in the field of semiotics, philosophy and politics, it distinguishes between totalizing and detotalizing ways of dealing with the phenomenal multiplicity which always confronts researchers when the construction of a theory is at stake. Theoretical procedures of totalization constitute phenomenal multiplicity into self-enclosed wholes and erase their remains. The thesis considers this kind of procedure from a temporal point of view, focusing on the theories of temporality elaborated by St. Augustine and Edmund Husserl and, from a systemic point of view, focusing on the theory of the (linguistic) system elaborated by Ferdinand de Saussure. Martin Heidegger's critique of the notion of 'presence' and Karl Marx's critique of the notion of 'value' are examined as problematizing the main instruments of temporal and systemic totalization respectively. Still, both Heidegger and Marx lingered within the logic of totality, simply opposing a more authentic wholeness to an inauthentic one. The works of Jacques Lacan, Jacques Derrida and Jean Baudrillard are, in contrast, considered in the thesis as representatives of detotalizing procedures which claim the impossibility of self-enclosed wholeness drawing on the inexhaustible remnants of any totalization and a general principle of constitutive openness. Particular attention is paid to those aspects of Yuri Lotman's later thought – such as the notions of explosion, boundary and dialogue – which can be understood as instruments for theoretical procedures of temporal and systemic detotalization of this sort. In the course of the thesis it becomes clear that, for political reasons, the commitment of this research is to detotalization. This commitment is illustrated in the last part of the work. There, the attempts at rethinking emancipative politics elaborated by three contemporary philosophers – Giorgio Agamben, Alain Badiou and Jacques Rancière – are analyzed as theoretical procedures of political detotalization from both a systemic and a temporal point of view. Wholeness and its remains: theoretical procedures of totalization and detotalization in semiotics, philosophy and politics The dissertation examines the nature of theoretical constructions in various disciplines. Based on a close analysis of some written works in the field of semiotics, philosophy and politics, a distinction is made between totalizing and detotalizing approaches to dealing with the diversity and heterogeneity of phenomena, which always plagues researchers and scientists in the creation of theories. Theoretical procedures of totalization reduce phenomenal diversity to self-contained and residue-free wholes.The dissertation analyses such procedures from both a temporal perspective (St. Augustine's and Edmund Husserl's theories of time) and a systemic perspective (Ferdinand de Saussure's theory of (linguistic) systems). Martin Heidegger's critique of the concept of 'presence/presentness' and Karl Marx's critique of the concept of 'value' undermine the theoretical tools of temporal and systemic totalization, respectively. But neither Heidegger nor Marx go beyond the logic of totality, they simply contrast authentic wholeness with false and inauthentic. The works of Jacques Lacan, Jacques Derrida and Jean Baudrillard, on the other hand, represent procedures of detotalization that highlight the impossibility of self-contained wholeness, relying on the principles of the inexhaustibility of the residues of totalization and deconstructive openness. The dissertation pays special attention to those aspects of Juri Lotman's later thought – the concepts of explosion, limit and dialogue – that may be useful in developing such procedures of temporal and systemic detotalization. The dissertation contributes to detotalization for political reasons, which are revealed in the final section of the work. It analyzes the attempt of contemporary philosophers Giorgio Agamben, Alain Badiou and Jacques Rancière to rethink emancipatory politics as a procedure of political detotalization from both a systemic and temporal perspective.
Identifier: 9789949119349
Status: Available
Varietas Et Concordia
- Dependent title
- Essays in Honour of Pekka Pesonen
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Annotation: Slavica Helsingiensia is published by the Department of Slavonic and Baltic Languages and Literatures at Helsinki University. The series was founded in 1983, and 31 volumes have appeared so far.... The volume is dedicated to Professor Pekka Pesonen on the occasion of his sixtieth birthday. It includes 38 articles, written by Professor Pesonen’s friends and colleagues – Finnish, Estonian, Russian and American scholars and also representatives of Professor Pesonen’s Finnish School. The topics covered by the articles range from general and theoretical questions concerning mainly Russian literature, culture and semiotics to specific and detailed analyses of Russian literary his-tory. The thematic variety (varietas) reflects Professor Pesonen’s keen interest in the study of literature and culture, the semiotics of Russian cultural history and the analysis of Texts (literary and cultural) within their social contexts. But his interests never have been bounded only by the pure scientific goals and Pekka Pesonen is widely known as a translator, literary critic, great ad-mirer of Russian culture and a part of it himself. The unity and agreement (concordia) of these different approaches is to be found in а search for understanding, – understanding literature, un-derstanding the specifics of Russian culture. Ultimately, it is а quest for understanding the emer-gence and the narration of Texts in history.
Identifier: 9789521038310
Status: Available
Music and the Arts
- Edition
- 1 edition
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Other title information: Volume II
Annotation: Music, in some forms, declares itself autonomous and absolute. But semiotics has taught us that no sign system can function alone, isolated from other texts. Correspondences and interrelationships of arts have always been fertile soil from which musical meanings to grow. Thus, among the topics of these proceedings, one finds music and painting, ekphrasis, interpretation, semiotic theory of music, pragmatism, aesthetics, topics, narrativity, music and media, opera, cinema, literature, music history, hermeneutics, dance and music psychology. Musical Signification is a world-wide research project that tries to open new avenues for an innovative science of music as a meaningful practice throughout the ages.
Identifier: 9525431096
Status: Available
The Models of Space, Time and Vision in V. Nabokov's Fiction
- Edition
- 1 edition
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Other title information: Narrative Strategies and Cultural Frames
Annotation: Marina Grishakova belongs to the younger generation of scholars of the Tartu-Moscow school of semiotics. Her book is part of a semio-narratological tradition of a single author or a single work research that tackles issues of wider theoretical import: applicability of the concept of "modeling" in the humanities, theory of mimesis and the function of experimental literature in ( post)modernist culture. By drawing on Y. Lotman's conception of artistic models, the book adopts the semiotic perspective on modeling as an open-ended heuristic process underlying the logic of discovery and creative thinking. The book discusses the models of time and memory in modernist culture (Nietzsche's and Bergson's philosophy of time, Minkowski's research on the psychopathological types of temporality) and their relevance to Nabokov's fiction; popular-scientific notions of serialism and the fourth dimension; thematizations of the observer in modernist philosophy and arts; visual "prostheses" and "machines" (Eco), particularly the "camera vision" metaphor, its relation to Bergson's notion of automatism and the popular idea of the criminal use of hypnosis. Vision is also thematized as a means of seduction and noncoercive control. Even before Foucault, Baudrillard and other critics of modernity, Nabokov noticed that advertising, political propaganda and erotic seduction alike employ implicit forms of suggestion. The book revises Rorty's dilemma of "autonomy" and "solidarity" as applied to Nabokov's work and offers new readings. It considers categories of narrative poetics as forms of cultural encoding that broaden and transform reader's modes of perception and sense-making. Micro-models active in certain contexts or in the works of certain authors function as mobile interfaces between individual sensibilities and complex cultural chrono- and spatio-types where time and space take on conceptual meaning.
Status: Available
On translating signs
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Other title information: exploring text and semio-translation
Annotation: The book sets to answer questions regarding the definitions of text, translation and meaning, presenting a semiotic approach to the matter
Identifier: 9042016426
Status: Available
New vocabularies in film semiotics
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Other title information: structuralism, post-structuralism, and beyond
Annotation: A lexicon of semiotic concepts, the book defines over 500 critical terms and describes how they have been used, building a semiotics dictionary. It explores linguistically-orientated terminology in cinema studies; the semiotics of film narrative; and the psycho-semiology of the cinema.
Identifier: 0415065941
Status: Available