A unified academic catalogue for books, journal articles, book chapters, proceedings papers, conference abstracts and semiotic research materials.
A unified academic catalogue for books, journal articles, proceedings papers, collection articles and semiotic research materials. Search across the full database; results are shown with pagination.
A Lotmanian semiotic interpretation of cultural memory in ritual
In: Semiotica 2022, Issue 245
- Pages
- 157-173
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Identifier: DOI: 10.1515/sem-2019-0085
Italian Semiotics of Memory: Genealogies and Current Perspectives
In: Zeitschrift für Semiotik 2022, Volume 44, Issue 1-2: Italian Semiotics I
- Pages
- 49-82
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Identifier: https://doi.org/10.14464/zsem.v44i1-2.818
A walk through the history of Spanish thought influenced by Uexküll
In: Semiotica 2021, Issue 241
- Pages
- 61-86
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Identifier: DOI: 10.1515/sem-2018-0064
Distant time, distant gesture: speech and gesture correlate to express temporal distance
In: Semiotica 2021, Issue 241
- Pages
- 159-183
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Identifier: DOI: 10.1515/sem-2019-0120
Elements of language creativity
In: Semiotica 2021, Issue 241
- Pages
- 45-59
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Identifier: DOI: 10.1515/sem-2019-0121
Personality and climate change mitigation: a psychological and semiotic exploration of the sustainable choices of optimists
In: Semiotica 2021, Issue 241
- Pages
- 237-273
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Identifier: DOI: 10.1515/sem-2019-0056
Semiotic hybridization in Persian poetry and Iranian music
In: Semiotica 2021, Issue 241
- Pages
- 275-310
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Identifier: DOI: 10.1515/sem-2018-0096
Splits on Instagram: a case study of young adults’ selfies
In: Semiotica 2021, Issue 241
- Pages
- 185-218
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Identifier: DOI: 10.1515/sem-2019-0099
Stylistique et herméneutique des œuvres littéraires : pour une approche intégrative, via la notion de « stylisation »
In: Semiotica 2021, Issue 241
- Pages
- 121-137
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Identifier: DOI: 10.1515/sem-2017-0157
The degree zero of digital interfaces: a semiotics of audiovisual archives online
In: Semiotica 2021, Issue 241
- Pages
- 219-235
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Identifier: DOI: 10.1515/sem-2019-0043
The role of schemas and scripts in pictorial narration
In: Semiotica 2021, Issue 241
- Pages
- 1-27
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Identifier: DOI: 10.1515/sem-2019-0071
Vers une sémiotique sadienne
In: Semiotica 2021, Issue 241
- Pages
- 139-158
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Identifier: DOI: 10.1515/sem-2017-0115
Culture and Communication
- Dependent title
- An Anthology of Major and Lesser-Known Works by Yuri Lotman
- Edition
- 1 edition
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Other title information: Signs in Flux
Notes: Translated from Russian by Benjamin Paloff
Annotation: This collection provides a stand-alone primer to his intellectual legacy in both semiotics and cultural history. It includes new translations of some of his major pieces as well as works that have never been published in English. The collection brings Lotman into the orbit of contemporary concerns such as gender, memory, performance, world literature, and urban life. It is aimed at students from various disciplines and is augmented by an introduction and notes that elucidate the relevant contexts.
Identifier: 9781644693872
Status: Available
Eco’s “latratus canis”: A memory of the backstage
In: Sign Systems Studies 2018, Volume 46, Issue 2/3
- Pages
- 378-382
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Identifier: 10.12697/SSS.2018.46.2-3.10
Sociocultural crossings and borders
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Other title information: musical microhistories
Annotation: In the current global world the interaction between cultures penetrates into musical practices and discourses, radically affecting the sociocultural imagination and altering the established shapes of cultural territories. Yet the history of music demonstrates that the dynamics of cultural encounters and segregations has always been a key factor in the formation of individual and collective identities and in the understanding of other cultures. Cultural expansions and, conversely, the trajectories of displacement of cultural expression are to a varied extent affected by the political, economic, technological and other dimensions of dissemination of musical practices and traditions. In the modern age, the extramusical factors are of equal significance to textual (creation) and contextual (dissemination and reception) configurations of sociocultural interactions. The understanding of sociocultural interactions and borders plays an important role in the appropriation of the musical past and the revival of cultural memory.
Identifier: 9786098071290
Status: Available
The Models of Space, Time and Vision in V. Nabokov's Fiction
- Edition
- 1 edition
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Other title information: Narrative Strategies and Cultural Frames
Annotation: Marina Grishakova belongs to the younger generation of scholars of the Tartu-Moscow school of semiotics. Her book is part of a semio-narratological tradition of a single author or a single work research that tackles issues of wider theoretical import: applicability of the concept of "modeling" in the humanities, theory of mimesis and the function of experimental literature in ( post)modernist culture. By drawing on Y. Lotman's conception of artistic models, the book adopts the semiotic perspective on modeling as an open-ended heuristic process underlying the logic of discovery and creative thinking. The book discusses the models of time and memory in modernist culture (Nietzsche's and Bergson's philosophy of time, Minkowski's research on the psychopathological types of temporality) and their relevance to Nabokov's fiction; popular-scientific notions of serialism and the fourth dimension; thematizations of the observer in modernist philosophy and arts; visual "prostheses" and "machines" (Eco), particularly the "camera vision" metaphor, its relation to Bergson's notion of automatism and the popular idea of the criminal use of hypnosis. Vision is also thematized as a means of seduction and noncoercive control. Even before Foucault, Baudrillard and other critics of modernity, Nabokov noticed that advertising, political propaganda and erotic seduction alike employ implicit forms of suggestion. The book revises Rorty's dilemma of "autonomy" and "solidarity" as applied to Nabokov's work and offers new readings. It considers categories of narrative poetics as forms of cultural encoding that broaden and transform reader's modes of perception and sense-making. Micro-models active in certain contexts or in the works of certain authors function as mobile interfaces between individual sensibilities and complex cultural chrono- and spatio-types where time and space take on conceptual meaning.
Status: Available
Remembering the collective memory of Maurice Halbwachs
In: Semiotica 2000, Issue 2024-03-04 00:00:00
- Pages
- 435-444
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Identifier: DOI: 10.1515/semi.2000.128.3-4.435
On genes, cells, and memory
In: Semiotica 1999, Issue 2024-01-04 00:00:00
- Pages
- 151-168
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Identifier: DOI: 10.1515/semi.1999.127.1-4.151
Claudia Gonzalez Costanzo
In: Semiotica 1998, Issue 2024-01-02 00:00:00
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Frame images: Towards a semiotics of collective memory
In: Semiotica 1998, Issue 2024-01-02 00:00:00
- Pages
- 1-40
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Identifier: DOI: 10.1515/semi.1998.121.1-2.1
Metonymy, metaphor, and category: Logic versus semantics
In: Semiotica 1998, Issue 2024-01-02 00:00:00
- Pages
- 41-88
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Identifier: DOI: 10.1515/semi.1998.121.1-2.41
Review article
In: Semiotica 1998, Issue 2024-01-02 00:00:00
- Pages
- 113-191
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Identifier: DOI: 10.1515/semi.1998.121.1-2.113
Valeurs, émotions, sentiments et crise
In: Semiotica 1998, Issue 2024-01-02 00:00:00
- Pages
- 89-112
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Identifier: DOI: 10.1515/semi.1998.121.1-2.89
Contents/Sommaire Volume 114 (1997)
In: Semiotica 1997, Issue 2024-03-04 00:00:00
- Pages
- 393-394
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Identifier: DOI: 10.1515/semi.1997.114.3-4.393
Denotationally cued interactional events: A special case
In: Semiotica 1997, Issue 2024-03-04 00:00:00
- Pages
- 295-318
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Identifier: DOI: 10.1515/semi.1997.114.3-4.295
Deuterium Abundance with FUSE
In: Semiotica 1997, Issue 2024-03-04 00:00:00
- Pages
- 355
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Do we really need Peirce’s whole decalogue of signs?
In: Semiotica 1997, Issue 2024-03-04 00:00:00
- Pages
- 193-286
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Identifier: DOI: 10.1515/semi.1997.114.3-4.193
Iconic memory and intersemiotical procedures in traditional oral literatures
In: Synthesis in Diversity, Volume 1
- Pages
- 397-400
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LYα Absorbers at Low Redshift (z < 1.7)
In: Semiotica 1997, Issue 2024-03-04 00:00:00
- Pages
- 93
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Molecules at High Z
In: Semiotica 1997, Issue 2024-03-04 00:00:00
- Pages
- 317
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Probing the Cosmic "Dark Age"
In: Semiotica 1997, Issue 2024-03-04 00:00:00
- Pages
- 19
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QSO Damped LYα Absorption Systems at Low Redshift and the Giant Hydrogen Cloud Model for Damped LY&alpha
In: Semiotica 1997, Issue 2024-03-04 00:00:00
- Pages
- 263
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Review article
In: Semiotica 1997, Issue 2024-03-04 00:00:00
- Pages
- 319-392
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Identifier: DOI: 10.1515/semi.1997.114.3-4.319
Seeing Double: Probing the Universe with Quasars Pairs
In: Semiotica 1997, Issue 2024-03-04 00:00:00
- Pages
- 173
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Sonstiges
In: Semiotica 1997, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1997.114.3-4.u
Spectroscopy of Damped LYα Systems at Low Redshift
In: Semiotica 1997, Issue 2024-03-04 00:00:00
- Pages
- 257
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The Most Metal-Poor Stars
In: Semiotica 1997, Issue 2024-03-04 00:00:00
- Pages
- 197
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The semiotization of space and dynamic codes
In: Semiotica 1997, Issue 2024-03-04 00:00:00
- Pages
- 287-294
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Identifier: DOI: 10.1515/semi.1997.114.3-4.287
‘Cinema and...’
In: Semiotica 1996, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1996.112.1-2.207
Analyses filmiques inspirées sur Metz
In: Semiotica 1996, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1996.112.1-2.181
Christian Metz et la fiction
In: Semiotica 1996, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1996.112.1-2.9
Christian Metz: Intelligence et amitié
In: Semiotica 1996, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1996.112.1-2.203
Communicative situations: The cinema and the television situation
In: Semiotica 1996, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1996.112.1-2.35
Eclaircies de la parole
In: Semiotica 1996, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1996.112.1-2.49
Entre les lignes du récit: l’image (l’imaginaire)
In: Semiotica 1996, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1996.112.1-2.155
Histoire, mémoire et leur ‘site’ dans le film
In: Semiotica 1996, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1996.112.1-2.77
Introduction
In: Semiotica 1996, Issue 2024-01-02 00:00:00
- Pages
- 1-8
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Identifier: DOI: 10.1515/semi.1996.112.1-2.1
La spécularité diffractée: Mise en abyme et début de film
In: Semiotica 1996, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1996.112.1-2.51
Le corps, le regard et le miroir
In: Semiotica 1996, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1996.112.1-2.93
Le flux et la grille
In: Semiotica 1996, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1996.112.1-2.167