Menu Close

ISI Library

A unified academic catalogue for books, journal articles, book chapters, proceedings papers, conference abstracts and semiotic research materials.

A unified academic catalogue for books, journal articles, proceedings papers, collection articles and semiotic research materials. Search across the full database; results are shown with pagination.

Advanced search
Showing 1–19 of 19 records
Journal Article 1990

A dialogue on the sign: Can Peirce and Jakobson be reconciled?

EDNA ANDREWS

In: Semiotica 1990, Issue 2024-01-02 00:00:00

Pages
1-14

Semiotica DOI: 10.1515/semi.1990.82.1-2.1

View details

Identifier: DOI: 10.1515/semi.1990.82.1-2.1

Open source

Journal Article 1990

Investigating transparency in the conditions of mediation from a semeiotic view

MARY A. KEELER

In: Semiotica 1990, Issue 2024-01-02 00:00:00

Semiotica DOI: 10.1515/semi.1990.82.1-2.15

View details

Identifier: DOI: 10.1515/semi.1990.82.1-2.15

Open source

Journal Article 1990

Review article

In: Semiotica 1990, Issue 2024-01-02 00:00:00

Semiotica DOI: 10.1515/semi.1990.82.1-2.137

View details

Identifier: DOI: 10.1515/semi.1990.82.1-2.137

Open source

Journal Article 1990

Sonstiges

In: Semiotica 1990, Issue 2024-01-02 00:00:00

Semiotica DOI: 10.1515/semi.1990.82.1-2.u

View details

Identifier: DOI: 10.1515/semi.1990.82.1-2.u

Open source

Journal Article 1990

The dragon and the straightedge, part 2: The ideological impetus of linear perspective in late Ming-early Qing China

RICHARD M. SWIDERSKI

In: Semiotica 1990, Issue 2024-01-02 00:00:00

Semiotica DOI: 10.1515/semi.1990.82.1-2.43

View details

Identifier: DOI: 10.1515/semi.1990.82.1-2.43

Open source

Book 1982.0

Palimpsestes

Gérard Genette

Dependent title
la littérature au second degré

Literature Seuil 2020061163 Available

View details

Annotation: Un palimpseste est litéralement, un parchemin dont on a gratté la première inscription pour lui en substituer une autre, mais où cette opération n'a pas irrémédiablement effacé le texte primitif, en sorte qu'on peut y liter l'ancien sous le nouveau, comme par transparence. Cet état de choses montre, au figuré, qu'un texte peut toujours en cacher un autre ,ais qu'il le dissimule rarement tout à fait, et qu'il se prête le plus souvent à ine double lecture où se superposent, au moins un hypertexte et son hypotexte - ainsi, dit-on l'Ulysse de Joyce et l'Odysée d'Homère. J'entends ici par hypertextes toutes les œvres dérivées d'une œvre antérieure, part transformation, comme dans la parodie, ou par imitation, comme dans le pastiche. Mais pastiche et parodie ne sont que les manifestations à la fois les plus visibles et les plus mineures de cette hypertextualité, out littérature au second degré, qui s'écrit en lisant, et dont la place et l'action dans le champ littéraire - et un peu au-delà - sont généralement, et fâcheusement, méconnunes. Jëntreprends ici d'explorer ce territoire. Un texte peut toujours en lire un autre, et ainsi de suite jusqu'à la fin des textes. Celui-ci n'échappe pas à la règle : il l'expose et s'y expose. Lira bien qui lira le dernier. A palimpsest is literally a parchment from which the first inscription has been scratched out to replace it with another, but where this operation has not irremediably erased the original text, so that the old can be read under the new, as if by transparency. This state of affairs shows, figuratively, that a text can always hide another, but that it rarely conceals it completely, and that it most often lends itself to a double reading where at least one hypertext and its hypotext are superimposed - thus, we say, Joyce's Ulysses and Homer's Odyssey. I mean here by hypertexts all works derived from an earlier work, by transformation, as in parody, or by imitation, as in pastiche. But pastiche and parody are only the most visible and minor manifestations of this hypertextuality, a literature of the second degree, which is written by reading, and whose place and action in the literary field - and a little beyond - are generally, and unfortunately, unknown. I undertake here to explore this territory. One text can always read another, and so on until the end of the texts. This one does not escape the rule: it exposes it and exposes itself to it. He who reads last, will read well. (translated with Google translate)

Identifier: 2020061163

Status: Available

Journal Article 1979

A Semiotic Approach to Ritual Drama

KATHRYN VANCE STAIANO

In: Semiotica 1979, Issue 2024-03-04 00:00:00

Semiotica DOI: 10.1515/semi.1979.28.3-4.225

View details

Identifier: DOI: 10.1515/semi.1979.28.3-4.225

Open source

Journal Article 1979

Charles Morris †

CHARLES HARTSHORNE

In: Semiotica 1979, Issue 2024-03-04 00:00:00

Semiotica DOI: 10.1515/semi.1979.28.3-4.193

View details

Identifier: DOI: 10.1515/semi.1979.28.3-4.193

Open source

Journal Article 1979

Coding Dramatic Efficiency in Plays: From Text to Stage

JEAN ALTER

In: Semiotica 1979, Issue 2024-03-04 00:00:00

Semiotica DOI: 10.1515/semi.1979.28.3-4.247

View details

Identifier: DOI: 10.1515/semi.1979.28.3-4.247

Open source

Journal Article 1979

Contents / Sommaire

In: Semiotica 1979, Issue 2024-03-04 00:00:00

Semiotica DOI: 10.1515/semi.1979.28.3-4.385

View details

Identifier: DOI: 10.1515/semi.1979.28.3-4.385

Open source

Journal Article 1979

Doctor-Patient Conversation: A Way of Analyzing Its Linguistic Problems

LUCIENNE SKOPEK

In: Semiotica 1979, Issue 2024-03-04 00:00:00

Semiotica DOI: 10.1515/semi.1979.28.3-4.301

View details

Identifier: DOI: 10.1515/semi.1979.28.3-4.301

Open source

Journal Article 1979

Entering the Semiosphere: The Myth of the First Semiotic Relation

WALTER MOSER

In: Semiotica 1979, Issue 2024-03-04 00:00:00

Semiotica DOI: 10.1515/semi.1979.28.3-4.313

View details

Identifier: DOI: 10.1515/semi.1979.28.3-4.313

Open source

Journal Article 1979

Gaze and Facial Display in Pedestrian Passing

MARK S. CARY

In: Semiotica 1979, Issue 2024-03-04 00:00:00

Semiotica DOI: 10.1515/semi.1979.28.3-4.323

View details

Identifier: DOI: 10.1515/semi.1979.28.3-4.323

Open source

Journal Article 1979

Note on Sign Transparency and Performatives

RYSZARD ZUBER

In: Semiotica 1979, Issue 2024-03-04 00:00:00

Semiotica DOI: 10.1515/semi.1979.28.3-4.327

View details

Identifier: DOI: 10.1515/semi.1979.28.3-4.327

Open source

Journal Article 1979

One Kind of Speech Act: How Do We Know When We’re Conversing?

SUSAN KAY DONALDSON

In: Semiotica 1979, Issue 2024-03-04 00:00:00

Semiotica DOI: 10.1515/semi.1979.28.3-4.259

View details

Identifier: DOI: 10.1515/semi.1979.28.3-4.259

Open source

Journal Article 1979

Review Article

In: Semiotica 1979, Issue 2024-03-04 00:00:00

Semiotica DOI: 10.1515/semi.1979.28.3-4.349

View details

Identifier: DOI: 10.1515/semi.1979.28.3-4.349

Open source

Journal Article 1979

Semiotic Elements in Yoruba Art and Ritual

J.R.O. OJO

In: Semiotica 1979, Issue 2024-03-04 00:00:00

Semiotica DOI: 10.1515/semi.1979.28.3-4.333

View details

Identifier: DOI: 10.1515/semi.1979.28.3-4.333

Open source

Journal Article 1979

Sonstiges

In: Semiotica 1979, Issue 2024-03-04 00:00:00

Semiotica DOI: 10.1515/semi.1979.28.3-4.u

View details

Identifier: DOI: 10.1515/semi.1979.28.3-4.u

Open source

Journal Article 1979

The Rhetoric of Liberation Movement Posters

ANDRE STEIN

In: Semiotica 1979, Issue 2024-03-04 00:00:00

Semiotica DOI: 10.1515/semi.1979.28.3-4.195

View details

Identifier: DOI: 10.1515/semi.1979.28.3-4.195

Open source