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Into the Miracles
Miroslav Ballay
- Edition
- 1 edition
Arts - performing | visual Univerzita Konštantína Filozofa v Nitre 9788055820705 Available
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Other title information: interpretačné sondy na predmet Základy umeleckej komunikácie a interpretácie
Annotation: University textbooks continuously accompany the reader with current examples of the dimensions of artistic communication and interpretation. While the previous volume, Fundamentals of Artistic Communication and Interpretation, represented a modeling entry, or rather an overview of artistic communication and interpretation, its subsequent continuation, Into the Miracles /interpretative probes on the subject Fundamentals of Artistic Communication and Interpretation/, expands on other reception and communication strategies. For students of the cultural studies study program, it is an exercise teaching material, complementary to the in-depth study of the subject Fundamentals of Artistic Communication and Interpretation in connection with some focal models of selected representatives of the so-called Nitra school. This time, the dominant focus of attention was completely narrowed to the international multi-genre site-specific festival in the countryside, Into the Miracles (July 1 - July 4, 2023), which was unique and special in several aspects. The concept of this event was a multi-day pilgrimage for miracles along an 80 km long walking route through the regions of south-central Slovakia. The festival thus provided an extraordinary experience of the journey/procession (of artistic communication as a journey). The event was ideal for cultural and aesthetic-scientific studies as an example of researching the laws of reception, artistic communication and interpretation, so to speak, in an outdoor environment with the dominant backdrop of the landscape and its picturesqueness, natural environment and overall rural color. At the same time, it offered an extremely diverse variability of the reception semiosis of artistic miracles by domestic and foreign creators, which were distributed across the country within the set hiking route. The multi-day pilgrimage for the sacred dimension of beauty also became an opportunity to perceive the narrative level of the entire festival, providing in its dramaturgy the uniqueness of scenes/phenomena of miracles and the need for its search or revitalization.
Identifier: 9788055820705
Status: Available
Semiotics of Religion
Jenny Ponzo
In: Zeitschrift für Semiotik 2022, Volume 44, Issue 1-2: Italian Semiotics I
- Pages
- 83-104
Zeitschrift für Semiotik https://doi.org/10.14464/zsem.v44i1-2.819
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Identifier: https://doi.org/10.14464/zsem.v44i1-2.819
’Si vous allez derrière un théâtre ...’: La Bruyère’s moral gestures (BF 25: 203)
MARC E. BLANCHARD
In: Semiotica 1984, Issue 2024-01-03 00:00:00
Semiotica DOI: 10.1515/semi.1984.51.1-3.251
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Identifier: DOI: 10.1515/semi.1984.51.1-3.251
Andromaque under interrogation
PHILIP LEWIS
In: Semiotica 1984, Issue 2024-01-03 00:00:00
Semiotica DOI: 10.1515/semi.1984.51.1-3.71
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Identifier: DOI: 10.1515/semi.1984.51.1-3.71
Descartes: langue, signe et relecture chomskyenne
JEAN-JACQUES THOMAS
In: Semiotica 1984, Issue 2024-01-03 00:00:00
Semiotica DOI: 10.1515/semi.1984.51.1-3.197
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Identifier: DOI: 10.1515/semi.1984.51.1-3.197
Le langage des passions
PIERRE ZOBERMAN
In: Semiotica 1984, Issue 2024-01-03 00:00:00
Semiotica DOI: 10.1515/semi.1984.51.1-3.101
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Identifier: DOI: 10.1515/semi.1984.51.1-3.101
Les mets et les mots: gastronomie et sémiotique dans L’Ecole des femmes
RONALD W. TOBIN
In: Semiotica 1984, Issue 2024-01-03 00:00:00
Semiotica DOI: 10.1515/semi.1984.51.1-3.133
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Identifier: DOI: 10.1515/semi.1984.51.1-3.133
Painting, poetry, and signs: Molière’s La Gloire du Val-de-Grâce and Perrault’s Poème de la Peinture
ROBERT N. NICOLICH
In: Semiotica 1984, Issue 2024-01-03 00:00:00
Semiotica DOI: 10.1515/semi.1984.51.1-3.147
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Identifier: DOI: 10.1515/semi.1984.51.1-3.147
Pascal’s fragmentary thoughts: Dis-order and its overdetermination
DOMNA C. STANTON
In: Semiotica 1984, Issue 2024-01-03 00:00:00
Semiotica DOI: 10.1515/semi.1984.51.1-3.211
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Identifier: DOI: 10.1515/semi.1984.51.1-3.211
Prefiguring history: La Ceppède and the representation of the sacred
LAWRENCE D. KRITZMAN
In: Semiotica 1984, Issue 2024-01-03 00:00:00
Semiotica DOI: 10.1515/semi.1984.51.1-3.61
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Identifier: DOI: 10.1515/semi.1984.51.1-3.61
Reading La Fontaine: Le Chêne et le roseau (I, 22)
JULES BRODY
In: Semiotica 1984, Issue 2024-01-03 00:00:00
Semiotica DOI: 10.1515/semi.1984.51.1-3.167
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Identifier: DOI: 10.1515/semi.1984.51.1-3.167
Sonstiges
In: Semiotica 1984, Issue 2024-01-03 00:00:00
Semiotica DOI: 10.1515/semi.1984.51.1-3.u
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Identifier: DOI: 10.1515/semi.1984.51.1-3.u
The function of performative narrative in Corneille’s La Mort de Pompée
JUDD D. HUBERT
In: Semiotica 1984, Issue 2024-01-03 00:00:00
Semiotica DOI: 10.1515/semi.1984.51.1-3.115
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Identifier: DOI: 10.1515/semi.1984.51.1-3.115
The law(s) of the pedagogical jungle: La Fontaine read by Rousseau
JOAN DEJEAN
In: Semiotica 1984, Issue 2024-01-03 00:00:00
Semiotica DOI: 10.1515/semi.1984.51.1-3.181
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Identifier: DOI: 10.1515/semi.1984.51.1-3.181
The semiotic criticism of Charles Perrault’s Contes
JACQUES BARCHILON
In: Semiotica 1984, Issue 2024-01-03 00:00:00
Semiotica DOI: 10.1515/semi.1984.51.1-3.271
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Identifier: DOI: 10.1515/semi.1984.51.1-3.271
The state of literary semiotics: 1983
SUSAN W. TIEFENBRUN
In: Semiotica 1984, Issue 2024-01-03 00:00:00
Semiotica DOI: 10.1515/semi.1984.51.1-3.7
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Identifier: DOI: 10.1515/semi.1984.51.1-3.7
Trajectoire d’une pointe assassine
JEAN BELLEMIN-NOËL
In: Semiotica 1984, Issue 2024-01-03 00:00:00
Semiotica DOI: 10.1515/semi.1984.51.1-3.45
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Identifier: DOI: 10.1515/semi.1984.51.1-3.45
Une sorte d’agitation sans desordre: Untying the setting of La Princesse de Clèves
SUZANNE RELYEA
In: Semiotica 1984, Issue 2024-01-03 00:00:00
Semiotica DOI: 10.1515/semi.1984.51.1-3.237
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Identifier: DOI: 10.1515/semi.1984.51.1-3.237