A unified academic catalogue for books, journal articles, book chapters, proceedings papers, conference abstracts and semiotic research materials.
A unified academic catalogue for books, journal articles, proceedings papers, collection articles and semiotic research materials. Search across the full database; results are shown with pagination.
Passions of Our Time
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Notes: edited with foreword by Lawrence D. Kritzman. Printed version in two notebooks
Annotation: Julia Kristeva is a true polymath, an intellectual of astonishingly wide range whose erudition and insight have been brought to bear on psychoanalysis, literary criticism, gender and sex, and cultural critique. Passions of Our Time showcases recent essays of Kristeva’s that demonstrate the scope of her capacious intellect, her gifts as a stylist, and the profound contribution of her thought to the challenges of the present. The collection begins with а vivid recollection of celebrating, as a child in Bulgaria, Alphabet Day, the holiday honoring the Cyrillic letters, which proceeds outward into a contemplation of the writer as translator. Kristeva considers literature with Barthes, freedom through Rousseau, Teresa of Avila and mystical experience, Simone de Beauvoir’s dream life, and Antigone and the psychic life of women. A group of essays drawing on her psychoanalytic work delve into Freud, Lacan, maternal eroticism, and the continued importance of psychoanalysis today. In a series of striking investigations, she thinks through disability and normativity, monotheism and secularization, the need to believe and the desire to know. Calling for the courage to renew and reinvent humanism, she outlines the principles of a stance founded on the importance of respecting human life. Finally, Kristeva discusses French culture and diversity, rethinking universalism and interrogating the potential for Islam and psychoanalysis to meet, and pays homage to Beauvoir by rephrasing her dictum into the provocative “One is born woman, but I become one.”
Identifier: 9780231171441
Status: Available
Semiotic models of legal argumentation
- Edition
- 1 edition
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Notes: Articles included: Charles Sanders Peirce, A Mastermind of (Legal) Arguments (2012), On relationships between the logic of law, legal positivism and semiotics of law (2011), The Semiotic Model of Legal Reasoning (2012), The Case of Lauris Kaplinski: A Guide to a Semiotic Reading of Incitement of Hatred in Modern Criminal Justice (2013), The Splendors and MIseries of Constitutional Reasoning in Times of Global Crisis: A Critical look from the Realist Perspectives of Semiotics (2013)
Annotation: The present doctoral dissertation is an exercise in exposition, comparison, criticism and construction, and this is the result of a project conceived ten years ago. We have taken different traditions of legal reasoning, and by juxtaposing them have sought to clarify and assess semiotic presuppositions, in order to outline a theoretical framework of legal semiotics that would help to lay the foundations for semiotic theory of legal argumentation. These semiotic presuppositions have been the object of our study at the University of Tartu since our bachelor's thesis (defended in 2001) and master's thesis (defended in 2006). Our interest in legal semiotics was motivated by a very strong sense of dissatisfaction with the traditional methods and paradigms of contemporary jurisprudence, especially with those ones of legal argumentation. Traditional jurisprudence committed to a model of legal unity, does not for the most part seeks to describe how the views of legal actors interact with the views of other legal actors/participants of legal discourse in real situations of legal communication. Thus, it was the consideration of legal communication as a semiotic activity that caused us to doubt that law could be conceived in terms of traditional legal concepts. Legal semiotics can be regarded as a major advance because it debunks the prevailing assumptions about the nature of legal reasoning and replaces them with what seems a far superior explanation. The main scientific objectives of this dissertation can be briefly formulated as follows: 1) to develop a conceptual framework for practical handling of complex problems of legal argumentation as they occur in the stages of legal communication; 2) to assess issues of compatibility/conflict between existing methods of legal reasoning and our semiotic model of legal reasoning; 3) to bridge the compatible aspects of different theories/models of legal argumentation to establish a generalizable model of legal argumentation.
Identifier: 9789949325016
Status: Available
Russian Formalist Criticism
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Other title information: Four essays
Annotation: College English Russian formalists emerged from the Russian Revolution with ideas about the independence of literature. They enjoyed that independence until Stalin shut them down. By then they had produced essays that remain among the best defenses ever written for both literature and its theory. Included here are four essays representing key points in the formalists' short history. Victor Scklovsky's pathbreaking "Art as Technique" (1917) vindicates disorder in literary style. His 1921 essay on Tristram Shandy makes that eccentric novel the centerpiece for a theory of narrative. A section from Tomashevsky's "Thematics" (1925) inventories the elements of stories. In "The Theory of the 'Formal Method'" (1927) Boris Eichenbaum defends Russian formalism from many attacks. An able champion, he describes formalism's evolution, notes its major workers and works, clears away decayed axioms, and rescues literature from "primitive historicism" and other dangers. These essays set a course for literary studies that led to Prague structuralism, French semiotics, and postmodern poetics. Russian Formalist Criticism has been honored as a Choice Outstanding Academic Book of the Year by the American Library Association.
Identifier: 9780803254602
Status: Available
Konrad Lorenz’s epistemological criticism towards Jakob von Uexküll
In: Sign System Studies 2009, Volume 37, Issue 3/4: Zoosemiotics
- Pages
- 637-660
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Identifier: 10.12697/SSS.2009.37.3-4.12
Mediating the 'idea of One'
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Other title information: Arvo Pärt's pre-existing music in film
Notes: Kaire Maimets-Volt's dissertation
Annotation: The principal aim of this dissertation is to examine the use of Arvo Part's pre-existing tintinnabuli compositions in contemporary film soundtracks in order to determine the aesthetic reception of this music in film art. This will be achieved primarily through film analyses that explore the functions of tintinnabuli music in film, and the expressive meanings this music is considered suitable to communicate (with).
Identifier: 9789985979761
Status: Available
The Models of Space, Time and Vision in V. Nabokov's Fiction
- Edition
- 1 edition
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Other title information: Narrative Strategies and Cultural Frames
Annotation: Marina Grishakova belongs to the younger generation of scholars of the Tartu-Moscow school of semiotics. Her book is part of a semio-narratological tradition of a single author or a single work research that tackles issues of wider theoretical import: applicability of the concept of "modeling" in the humanities, theory of mimesis and the function of experimental literature in ( post)modernist culture. By drawing on Y. Lotman's conception of artistic models, the book adopts the semiotic perspective on modeling as an open-ended heuristic process underlying the logic of discovery and creative thinking. The book discusses the models of time and memory in modernist culture (Nietzsche's and Bergson's philosophy of time, Minkowski's research on the psychopathological types of temporality) and their relevance to Nabokov's fiction; popular-scientific notions of serialism and the fourth dimension; thematizations of the observer in modernist philosophy and arts; visual "prostheses" and "machines" (Eco), particularly the "camera vision" metaphor, its relation to Bergson's notion of automatism and the popular idea of the criminal use of hypnosis. Vision is also thematized as a means of seduction and noncoercive control. Even before Foucault, Baudrillard and other critics of modernity, Nabokov noticed that advertising, political propaganda and erotic seduction alike employ implicit forms of suggestion. The book revises Rorty's dilemma of "autonomy" and "solidarity" as applied to Nabokov's work and offers new readings. It considers categories of narrative poetics as forms of cultural encoding that broaden and transform reader's modes of perception and sense-making. Micro-models active in certain contexts or in the works of certain authors function as mobile interfaces between individual sensibilities and complex cultural chrono- and spatio-types where time and space take on conceptual meaning.
Status: Available
Translation translation
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Annotation: Translation Translation contributes to current debate on the question of translation dealt with in an interdisciplinary perspective, with implications not only of a theoretical order but also of the didactic and the practical orders. In the context of globalization the question of translation is fundamental for education and responds to new community needs with reference to Europe and more extensively to the international world.In its most obvious sense translation concerns verbal texts and their relations among different languages. However, to remain within the sphere of verbal signs, languages consist of a plurality of different languages that also relate to each other through translation processes. Moreover, translation occurs between verbal languages and nonverbal languages and among nonverbal languages without necessarily involving verbal languages. Thus far the allusion is to translation processes within the sphere of anthroposemiosis.But translation occurs among signs and the signs implicated are those of the semiosic sphere in its totality, which are not exclusively signs of the linguistic-verbal order. Beyond anthroposemiosis, translation is a fact of life and invests the entire biosphere or biosemiosphere, as clearly evidenced by research in “biosemiotics”, for where there is life there are signs, and where there are signs or semiosic processes there is translation, indeed semiosic processes are translation processes. According to this approach reflection on translation obviously cannot be restricted to the domain of linguistics but must necessarily involve semiotics, the general science or theory of signs. In this theoretical framework essays have been included not only from major translation experts, but also from researchers working in different areas, in addition to semiotics and linguistics, also philosophy, literary criticism, cultural studies, gender studies, biology, and the medical sciences. All scholars work on problems of translation in the light of their own special competencies and interests.
Identifier: 9042009470
Status: Available
La Traduzione
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Annotation: This issue of Athanor is a collection of contributions by specialists from different disciplinary fields - semiotics, linguistics, literary criticism, philosophy, and biology - on the problems of translation. We can distinguish them on the basis of two orientations. One consists in limiting the question of translation to the realm of verbal language or, more specifically, to the relationship between historical-natural languages, or, again, to the more restricted realm of literary and poetic translation. The other, instead, aims to broaden the field of investigation to intersemiotic translation, between different non-verbal languages and even outside of human languages, to the point of including translations of a specifically biological nature that are the object of study of biosemiotics - such as for example, the three different types of translation in the nutritional system that constitute the difference between plants, animals and mushrooms - or the cyborg translation between organic and inorganic made possible by current technological development. (Translated with Google Translate)
Identifier: 8883530349
Status: Available
Reading our world
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Other title information: a guide to practical and theoretical criticism
Annotation: Reading our World is intended to be read as a practical guide to reading and appreciating good writing. It will furnish you with the practical tools you need to deal with literary analysis, including the techniques, and the terminology for practical literary criticism, as well as the broader concepts which underpin the study of literature as an art form. It will show you how to "read your world" in a way that might just change it for you.
Identifier: 9515704618
Status: Available
Essai sur la représentation du drame musical
- Dependent title
- Wieland Wagner in memoriam
- Edition
- 1 edition
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Annotation: This common-sense evidence that music and the stage are consubstantial in the Lyric Theatre, that they necessarily operate in symbiosis, this evidence also says, in a double sense, that their union is in no way obvious in itself, that it is a problem for both. The theoretical sketches that make up this essay bear witness to the singular link between event and truth, between music and representational stage, that Wieland Wagner was able to establish for the first time in the history of the Lyric Theatre.
Identifier: 2738466389
Status: Available
Quelle heure est-il, Monsieur Ricoeur? A semiotic narratology of duration, term, tempo, and rec(oe)urrence, tol(le)d from the criticism of Paul Ricoeur
In: Semiotica 1997, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1997.114.1-2.21
Semiotic ethnocriticism: Tawada’s Das Fremde aus der Dose
In: Synthesis in Diversity, Volume 1
- Pages
- 343-346
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Semiotics and the modern Quebec novel
- Dependent title
- a Greimassian analysis of Thériault's Agaguk
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Annotation: The most popular novel in Quebec since the Second World War, Yves Theriault's Agaguk was published just before the Quiet Revolution, a period of major political and cultural transformation that radically altered Quebec society at the beginning of the 1960s. In this original socio-semiotic reading of the novel in translation, inspired by A.J. Greimas and the Paris School of Semiotics, Paul Perron examines the Inuit setting and characters of Agaguk as metaphors for Quebec society. Semiotics and the Modern Quebec Novel is one of the few semiotic analyses to deal with an entire novel, and illustrates the heuristic value of this complex methodology with respect to long prose texts in English.
Identifier: 0802009263
Status: Available
A Rhetoric of Silence and Other Selected Writings
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Annotation: The first work is a rev. and considerably augmented version of the author's thesis (Ecole des hautes études, Paris) originally presented under the title: Une rhétorique du silence; another version in Spanish was published under the title: Una rétorica del silencio (1984); several of the selected writings were also published in Spanish
Identifier: 3110144255
Status: Available
Contexts of Pre-Novel Narrative
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Other title information: The European Tradition
Annotation: While being concerned with the theory and forms of early narrative, the present collection of essays presents a history of narrative rather than poetics of narrative. Rather than offering to write a coherent narrative about the historical development of narrative before " the rise of the novel", the volume presents stages in the development towards that elusive and unstable form of narrative, giving the reader what in another context has been referred to as an "exemplary history" (Reed 1981) of narrative.
Identifier: 3110138832
Status: Available
Cultural Artifacts and the production of meaning
- Dependent title
- The Page, the Image, and the Body
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Annotation: Diverse essays addressing a variety of subjects, from Renaissance cartography to performance art to rap music, united in their common exploration of material criticism. This recognizes that materialist criticism may embrace techniques borrowed from psychoanalytic, feminist, Marxian, and historicist criticisms. It employs materialist criticism to broaden and strengthen our understanding of what constitutes a 'cultural artifact' and how such artifacts function.
Identifier: 0472082574
Status: Available
The eyes of justice
- Dependent title
- Seventh Round Table on Law and Semiotics
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Annotation: The general topic of this book, miscarried justice, is suggested by the title's allusion to the sightlessness of th proverbial representation of justice. Viewpoints from several academic disciplines, e.g. philosophy, sociology, linguistics, criminal justice, literary criticisms, and religious studies, are brought together with theories of law. This collection is not only interdisciplinary, but cross-cultural as well. The common language is 'legal semiotics', in both a Peircean and non_peircean idiolect. This collection is a rich cross-referential research tool for investigators of law and semiotics in all its aspects. -cover
Identifier: 0820422614
Status: Available
Adorno und Derrida
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Other title information: Oder Wo Liegt Das Ende Der Moderne?
Annotation: Der erste tell der Arbeit untersucht Derridas Dissemination und Adornos Asthetische Theorie in bezug auf deren angaben zur Asthetik. Im zweiten teil der arbeit geht es dann um die Andwendungen dieser Theorien, wobei Adornos Essays uber Stefan George und Derridas Text zur Lyrik Paul Celans, Schibboleth, diakritisch uberpruft werden.
Identifier: 0820420255
Status: Available
Towards a Semiotics of Ideology
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Annotation: The attention of this work can be attributed to a particular system of ideology that must be understood as the result of a larger project, meant to study the neo-realist Portuguese novel of the forties and fifties. This study can also, at the same time, be understood as an examination of a larger question, namely that of articulation among literary systems (especially periods and literary genres) and ideological systems. It is by keeping in mind the terms in which such articulation is possible that the recourse to semiotic theory as a foundation of this study is justified. Understood as code, ideology will be treated here as an autonomous system of signs that exists along with the literary polisystem.
Identifier: 3110118297
Status: Available
Reader Response to Literature
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Other title information: To Empirical Dimension
Annotation: The research reported here lays the groundwork for further empirical investigations of reader response. It also provides new insights into how worlds and structures relate to and reproduce our inner and outer space, how the choice of text and critical approach can predetermine responses, and how interpretation depends in part on the cultural forces we reflect and reproduce. This volume does not present a more or less random sample of texts and studies dealing with reader response. Rather, the writers were selected because of their empirical expertise, and because they approached the study of reader response from a perspective which would provide possible answers as to the nature and pattern of reader response to literature.
Identifier: 3110127644
Status: Available
A systemic-functional semiotics of art
In: Semiotica 1990, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1990.82.3-4.185
Contrastive analyses of American and Arab nonverbal and paralinguistic communication
In: Semiotica 1990, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1990.82.3-4.269
Det Dialogiska Ordet
- Edition
- 3 edition
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Annotation: Alla gångbara cynismer och sofismer om konstnärliga schabloners ofrånkomlighet och subjektets undergång i vår komplicerade massmediala värld etc sopas bort av Bachtins enkla uppmaning att konsten på allvar, att svara på det tilltal som riktas mot en: "För det som jag förstått och upplevt i konsten är jag skyldig att ansvara med mitt liv, så att allt det som jag upplevt och förstått inte skall vara verkningslöst i livet." All common cynicisms and sophisms about the inevitability of artistic templates and the demise of the subject in our complicated mass media world, etc., are swept away by Bakhtin's simple call to take art seriously, to respond to the appeal that is made to one: "For what I have understood and experienced in art, I am obliged to be responsible with my life, so that all that I have experienced and understood shall not be ineffective in life." (Translated with Google translate)
Identifier: 918577209X
Status: Available
Review article
In: Semiotica 1990, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1990.82.3-4.293
Sign, Text, and Criticism as Elements of Anthroposemiosis
In: The American Journal of Semiotics 1990, Volume 7, Issue 4
- Pages
- 41-81
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Sonstiges
In: Semiotica 1990, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1990.82.3-4.u
The dragon and the straightedge, pari 3: Porcelains, horses, and ink stones — the ends of acceptance
In: Semiotica 1990, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1990.82.3-4.211
The Narrative Symbol in Childhood Literature
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Other title information: Explorations in the Contruction of Text
Annotation: This book offers an analysis of narrative of children's literature by using discourse analysis.
Identifier: 3110122898
Status: Available
Some criticisms of Sacks, Schegloff, and Jefferson on turn taking
In: Semiotica 1986, Issue 2024-01-02 00:00:00
- Pages
- 29-40
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Identifier: DOI: 10.1515/semi.1986.58.1-2.29
Semiotics and legal theory
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Annotation: Semiotics and Legal Theory is an exercise in exposition, comparison, criticism, and construction. Jackson takes two very different intellectual traditions - structuralist semiotics as represented by A.J. Greimas and modern (mainly positivist) legal theory as represented by Hart, MacCormick, Dworkin, and Kelsen and by juxtaposing them seeks to clarify and assess their respective semiotic presuppositions, in order to lay some foundations for a semiotically sensitive theory of law. This book is designed for both jurists and semioticians. To facilitate access across the disciplinary divide, Jackson provides an abstract at the head of each chapter, which serves as both a summary and a conclusion to each section.
Identifier: 0952893819
Status: Available
Semiotics and the philosophy of language
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Annotation: Semiotics and the Philosophy of Language comprehends the entire tradition of the doctrine of signs, threading its way through the symbolic and allegorical readings of the Holy Scriptures, the varying insights of the fields of philosophy and rhetoric, and into (and out of) the various positions of modern literary criticism. Individual chapters are devoted to the nature of signs; the theory of definition; the cognitive function of metaphors and symbols; mirror images, painting, film, and television; and the role of inference in the interpretation of texts
Identifier: 0253351685
Status: Available
The semiotic criticism of Charles Perrault’s Contes
In: Semiotica 1984, Issue 2024-01-03 00:00:00
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Identifier: DOI: 10.1515/semi.1984.51.1-3.271
Cinders
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Annotation: Cinders is among Derrida's most remarkable and revealing of this distinguished author's many writings. While Derrida customarily devotes his powers of analysis to exacting readigs of texts from Plato to Aristotle and Freud to Heidegger, readers of Cinders will soon discover that Derrida is engaged in a poetic self-analysis.
Identifier: 0803216890
Status: Available
Russian Formalism
- Dependent title
- History-Doctrine
- Edition
- 4 edition
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Annotation: More elaborately and self-consciously than anywhere in the West, Russian criticism has developed three major schools. One of these looks for the essence of literature in its philosophical and religious ideas: writers like Berdjaev, mainly interested in an interpretation of Dostoevskij, see literature as a way of knowing the absolute. A second school is the social: literature is not only a mirror of society but an incitement to social thought and action. In its Marxist version, social criticism has become the official Soviet creed and is thus felt today as peculiarly representative of Russian criticism. But a third school, that of Formalism, is so far much less known and much less accessible in the West. It arose around 1914 and was suppressed around 1930. Russian Formalism keeps the work of art itself in the center of attention: it sharply emphasizes the difference between literature and life, it rejects the usual biographical, psychological, and sociological explanations of literature.
Identifier: 9027904502
Status: Available