A unified academic catalogue for books, journal articles, book chapters, proceedings papers, conference abstracts and semiotic research materials.
A unified academic catalogue for books, journal articles, proceedings papers, collection articles and semiotic research materials. Search across the full database; results are shown with pagination.
<b>The use of semiotic resources in traffic policing</b>: a<b>n exploration of genre structure and exchanges in traffic accident handling in China</b>
In: Semiotica 2021, Issue 242
- Pages
- 169-202
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Identifier: DOI: 10.1515/sem-2018-0149
A zoosemiotic approach to the transactional model of communication
In: Semiotica 2021, Issue 242
- Pages
- 39-62
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Identifier: DOI: 10.1515/sem-2020-0052
Bühler’s organon model of communication: a semiotic analysis of advertising slogans
In: Semiotica 2021, Issue 242
- Pages
- 229-239
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Identifier: DOI: 10.1515/sem-2018-0028
Complexes, rule-following, and language games: Wittgenstein’s philosophical method and its relevance to semiotics
In: Semiotica 2021, Issue 242
- Pages
- 63-100
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Identifier: DOI: 10.1515/sem-2019-0113
Derrida’s “chimerical experimental exercise”: an ecolinguistic dream of a more biocentric language
In: Semiotica 2021, Issue 242
- Pages
- 1-16
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Identifier: DOI: 10.1515/sem-2020-0027
On the blankness of blank-signs
In: Semiotica 2021, Issue 242
- Pages
- 123-139
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Identifier: DOI: 10.1515/sem-2020-0014
Practical Esotericism and Tikkun Olam: two modern renditions of a medieval mystical idea
In: Semiotica 2021, Issue 242
- Pages
- 203-227
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Identifier: DOI: 10.1515/sem-2020-0039
Review of A (bio)semiotic theory of translation: the emergence of social-cultural reality
In: Semiotica 2021, Issue 242
- Pages
- 249-254
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Identifier: DOI: 10.1515/sem-2020-0097
Semiotics in visual communication: review of Doing Visual Analysis
In: Semiotica 2021, Issue 242
- Pages
- 241-247
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Identifier: DOI: 10.1515/sem-2021-0024
Systematizing evil in literature: twelve models for the analysis of narrative fiction
In: Semiotica 2021, Issue 242
- Pages
- 141-168
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Identifier: DOI: 10.1515/sem-2020-0071
The distribution of handshapes in the established lexicon of Israeli Sign Language (ISL)
In: Semiotica 2021, Issue 242
- Pages
- 101-122
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Identifier: DOI: 10.1515/sem-2019-0049
The plastic of clothing and the construction of visual communication and interaction: a semiotic examination of the eighteenth-century French dress
In: Semiotica 2021, Issue 242
- Pages
- 17-37
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Identifier: DOI: 10.1515/sem-2020-0050
Structural Units of Mass Culture Mythology
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- 1 edition
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Other title information: A Cultural Semiotic Approach
Annotation: My dissertation focuses on the study of myths and their semiotic mechanisms that appear in contemporary mass culture texts. Although myths and mass culture as a whole have been widely discussed from the perspectives of various disciplines, there are no studies that deal with the systematization of mass culture mythology and the semiotic definition of mythic markers. The topic of this dissertation is interesting not only from a general theoretical, philosophical, anthropological and semiotic perspective, but also for practical reasons. I believe that I can convincingly show in my work that the study and identification of semiotic mechanisms of mass culture myths is applicable in the field of marketing semiotics and social communication. In my dissertation, I first compare mass culture mythology from a sociological, philosophical-anthropological and semiotic perspective. This allows me to combine the two main epistemological approaches to myth research and treat myth as a holistic meta-concept on the one hand, and approach myth as a cultural text on the other. Based on the framework I have created, I will analyze various texts of mass culture in my work and focus on identifying the most common and enduring structural units of mass culture mythology. How do I define a smaller unit of myth? In defining it, I will rely on two structural principles of myth: the emic unit, which I denote by the concept of mythologeme, and the hybrid unit, which I denote by the concept of mytheme. In the course of the analysis, I will highlight the following mythologemes: Fate, Journey, Universality, Catastrophe, Golden Age and Mother Nature, and the mythemes: Transformation and Return. In addition to distinguishing the aforementioned mythologemes and mythemes, I will highlight their value and function in mythological discourse. Fate and Journey help to integrate the life of the individual into the whole. The mythologeme of Mother Nature is associated with the existential need of a person to search for authenticity and identity. The mythologemes of the Universe, Catastrophe and Golden Age constitute the human time-spatial past-present-future triad. The latter are related to human questions about the origin of the world, nostalgia for the past and fears about the future. The mythologeme of Transformation points to the idea of miracle and the mythologeme of Return to the time-spatial axis of the human semiosphere, to orderliness. The last chapter of the work applies the theoretical framework developed in the dissertation to specific case studies. The first of them is dedicated to the analysis of the TV political marketing of the Ukrainian politician Darth Vader, and there I show how archetypal mythological meanings were included in the structure of the political narrative. The second case study focuses on the development of a specific brand, which I did in collaboration with the well-known Russian pop artist Manizha, and where I apply the mythologeme of Mother Nature.Further research into mythologemes and mythemes could open up new semiotic markers and thereby expand the field of application of semiotics, as well as help to better understand the mythological basis of culture. This dissertation presents a semiotic study of myth revealing in contemporary mass cultural texts and exploration of its inner semiotic machinery. Although a variety of studies have been devoted to myth, and quite a few studies have tackled mass culture issues, less attention has been given to the systematic articulation of mass cultural mythology and its markers, which reveal its inner semiotic machinery. Those issues are relevant not only from a general theoretical philosophical, anthropological, and semiotic point of view, but also have concrete applicability in marketing semiotics and social communications. Firstly, I discuss mass culture under an emancipatory umbrella approach and explore mass culture mythology from the sociological, philosophical-anthropological and semiotic perspectives. Secondly, I combine two main epistemological attitudes of myth and integrate a holistic object of research – which appears as a meta-concept – from one side, and a text of culture – mass cultural narratives around brands conveying their main values – from the other side . Thirdly, I discuss the smallest units of mass culture mythology and explore its most widespread structural units. I classify the smallest units of myth by their structural principles: the emic units (mythologemes) and the hybrid ones (mythemes). There are the mythologemes of Fate, Course, Universe, Catastrophe, Golden Age, and Mother Nature, and the mythemes of Transformation and Backtracking considered in detail. The main existential values of those smallest mythological units are discussed. The mythologemes of Fate and Course help to understand individual life as a part of an integral whole. The mythologeme of Mother Nature relates to the existential search for inner authenticity and identity. The mythologemes of Universe, Catastrophe, and Golden Age constitute an integral triadic idea about time and space (past-present-future) and reflect the human existential quest for an explanation of the world origin, nostalgia for the past and fears about the future. The mytheme of Transformation represents the idea of mythological miracle, and the mytheme of Backtracking appeals to the idea of a mastered time and space. Fourthly, I extend the process to find more minimal units of myth in cultural texts of different genres. The first case is dedicated to close analysis of the television communication of the Ukrainian politician Darth Vader. This case demonstrates the combination of archaic meanings and contemporary forms of myth within a narrative, producing new powerful connotations. The second case applies the Mother Nature mythologeme as a branding tool for building a coherent image of a musical artist. The further exploration of the mythologemes and mythemes and articulation of other semiotic markers of myth systematically enriches a profound understanding of human mind and culture.
Identifier: 9789949032150
Status: Available
A post-structuralist revised Weil–Lévi-Strauss transformation formula for conceptual value-fields
In: Sign Systems Studies 2018, Volume 46, Issue 2/3
- Pages
- 255-281
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Identifier: 10.12697/SSS.2018.46.2-3.03
Passions of Our Time
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Notes: edited with foreword by Lawrence D. Kritzman. Printed version in two notebooks
Annotation: Julia Kristeva is a true polymath, an intellectual of astonishingly wide range whose erudition and insight have been brought to bear on psychoanalysis, literary criticism, gender and sex, and cultural critique. Passions of Our Time showcases recent essays of Kristeva’s that demonstrate the scope of her capacious intellect, her gifts as a stylist, and the profound contribution of her thought to the challenges of the present. The collection begins with а vivid recollection of celebrating, as a child in Bulgaria, Alphabet Day, the holiday honoring the Cyrillic letters, which proceeds outward into a contemplation of the writer as translator. Kristeva considers literature with Barthes, freedom through Rousseau, Teresa of Avila and mystical experience, Simone de Beauvoir’s dream life, and Antigone and the psychic life of women. A group of essays drawing on her psychoanalytic work delve into Freud, Lacan, maternal eroticism, and the continued importance of psychoanalysis today. In a series of striking investigations, she thinks through disability and normativity, monotheism and secularization, the need to believe and the desire to know. Calling for the courage to renew and reinvent humanism, she outlines the principles of a stance founded on the importance of respecting human life. Finally, Kristeva discusses French culture and diversity, rethinking universalism and interrogating the potential for Islam and psychoanalysis to meet, and pays homage to Beauvoir by rephrasing her dictum into the provocative “One is born woman, but I become one.”
Identifier: 9780231171441
Status: Available
Give Peace a Chant
- Edition
- 1 edition
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Other title information: Popular Music, Politics and Social Protest
Annotation: This monograph offers a unique analysis of social protest in popular music. It presents theoretical descriptions, methodological tools, and an approach that encompasses various fields of musicology, cultural studies, semiotics, discourse analysis, media studies, and political and social sciences. The author argues that protest songs should be taken as a musical genre on their own. He points out that the general approach, when discussing these songs, has been so far that of either analyzing the lyrics or the social context. For some reason, the music itself has been often overlooked. This book attempts to fill this gap. Its central thesis is that a complete overview of these repertoires demands a thorough interaction among contextual, lyrical, and musical elements together. To accomplish this, the author develops a novel model that systemizes and investigates musical repertoires. The model is then applied to four case studies, those, too, chosen among topicsthat are little (or not at all) frequented by scholars.
Identifier: 9783319505374
Status: Available
Towards an ecology of mind
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Other title information: Batesonian legacy continued
Annotation: This new editorial series in the humanities, established under the title Batesoniana Polonica, is open to all international contributors asa potential platfrom for respective exhanges of ideas and a tool for the further deepending of analyses that may be developed in various sectors of scientific explorations where the influence of Gregory Bateson is felt for years and years and much before his death in 1980. The following volume no 1, is a very special kind of collective exertion for editors, and, hopefully, it will be well received so by its prospective readers. Its project is connected with preparations for a truly international initiative, namely the Second Bateson Symposium in Poland, to be located at the Silesian Botanic Garden in Mikolow, June 1-4 2017, which should constitute a preliminary stage to a world congress on the ecology of mind to be held at Katowice, Poland, in July of 2018.
Identifier: 9788365621252
Status: Available
Meaning, Narrativity, and the Real
- Edition
- 1 edition
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Other title information: The Semiotics of Law in Legal Education IV
Annotation: This book examines the concept of meaning and our general understanding of reality in a legal and philosophical context. Starting from the premise that meaning is a matter of linguistic and other forms of articulation, it considers the inherent philosophical consequences. Part I presents Klages’, Derrida’s, Von Hofmannsthal’s and Wittgenstein’s explorations of silence as a source of articulation and meaning. Debates about 20th century psychologism gave the attitude concept a pivotal role; it illustrates the importance of the discovery that a word is globally qualified as ‘the basic unit of language’. This is mirrored in the fact that we understand reality as a matter of particles and thus interpret the real as a component of an all-embracing ‘particle story’. Each chapter of the book focuses on an aspect of legal semiotics related to the chapter’s theme: for instance on the meaning of a Judge’s ‘Saying for Law’, on law students training in varying attitudes or on the ties between law and language. Part II of the book illustrates our general understanding of reality as a matter of particles and partitioning, and examines texts that prove that particle thinking is basic for our meaning concept. It shows that physics, quantum theory, holism, and modern brain research focusing on human linguistic capabilities, confirm their ties to the particle story. In contrast, the book concludes that partitions and particles are neither a fact in the history of the cosmos nor a determinant of knowledge and the sciences, and that meaning is a process: a constellation rather than a fixation. This is manifest once one understands meaning as the result of continuously changing attitudes, which create our narratives on cosmos and creation. The book proposes a new key for meaning: a linguistic occurrence anchored in dimensions of human narrativity.
Identifier: 9783319281742
Status: Available
A History of Psycholinguistics
- Edition
- 1 edition
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Other title information: The Pre-Chomskyan Era
Annotation: How do we manage to speak and understand language? How do children acquire these skills and how does the brain support them? These psycholinguistic issues have been studied for more than two centuries. Though many Psycholinguists tend to consider their history as beginning with the Chomskyan "cognitive revolution" of the late 1950s/1960s, the history of empirical psycholinguistics actually goes back to the end of the 18th century. This is the first book to comprehensively treat this "pre-Chomskyan" history. It tells the fascinating history of the doctors, pedagogues, linguists and psychologists who created this discipline, looking at how they made their important discoveries about the language regions in the brain, about the high-speed accessing of words in speaking and listening, on the child's invention of syntax, on the disruption of language in aphasic patients and so much more. The book is both a history of ideas as well of the men and women whose intelligence, brilliant insights, fads, fallacies, cooperations, and rivalries created this discipline. Psycholinguistics has four historical roots, which, by the end of the 19th century, had merged. By then, the discipline, usually called the psychology of language, was established. The first root was comparative linguistics, which raised the issue of the psychological origins of language. The second root was the study of language in the brain, with Franz Gall as the pioneer and the Broca and Wernicke discoveries as major landmarks. The third root was the diary approach to child development, which emerged from Rousseau's Émile. The fourth root was the experimental laboratory approach to speech and language processing, which originated from Franciscus Donders' mental chronometry. Wilhelm Wundt unified these four approaches in his monumental Die Sprache of 1900. These four perspectives of psycholinguistics continued into the 20th century but in quite divergent frameworks. There was German consciousness and thought psychology, Swiss/French and Prague/Viennese structuralism, Russian and American behaviorism, and almost aggressive holism in aphasiology. As well as reviewing all these perspectives, the book looks at the deep disruption of the field during the Third Reich and its optimistic, multidisciplinary re-emergence during the 1950s with the mathematical theory of communication as a major impetus. A tour de force from one of the seminal figures in the field, this book will be essential reading for all linguists, psycholinguists, neuroscientists, and psychologists with an interest in language.
Identifier: 9780199653669
Status: Available
The Edusemiotics of Images
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Other title information: Essays on the Art-Science of Tarot
Notes: a printed version
Annotation: Semetsky’s new book offers a bracing account of Tarot semiotics in view of its deep significance for educational experience. Analyzing the symbolic language of Tarot images that express the intimations of the unconscious, she invites readers to explore novel ways of learning about the nature of ourselves and the world we are situated in. Combining thorough research with an accessible style, this groundbreaking book is essential reading for present and future generations of practitioners, academics and students across disciplines. Pia Brînzeu, Professor of English Literature and Vice-Rector of the Universityof Timis¸oara, Romania; author of Corridors of Mirrors. A sequel to the author’s Re-Symbolization of the Self: Human Development and Tarot Hermeneutic and Semiotics Education Experience, Semetsky’s new book presents the Tarot sign-system as a school of ethical living. Bringing the philosophies of Peirce, Deleuze, Dewey, Whitehead and Gebser in a dialogue with the cutting-edge science of coordination dynamics, she grounds the art of Tarot in the logic of signs acting across nature, culture and human mind. Building on Noddings’ “maternal factor”, Semetsky demonstrates how the lessons embodied in Tarot symbolism recover the feminine value of relations and contribute to Self~Other integration. Such is the message of Tarot images. The Image is the Message. Igor Klyukanov, Professor of Communication, Eastern Washington University, USA; editor, Russian Journal of Communication; author of A Communication Universe: Manifestations of Meaning, Stagings of Significance. Semetsky’s amalgamation of the techniques of visual communication with the emerging field of edusemiotics is an absolute masterpiece in transdisciplinarity. By forging diverse strands of inquiry into an overall model of how images enhance learning, Semetsky’s new book provokes us to take a fresh look at iconic information and is a required reading for everyone who is engaged with the artand science of visual semiotics at the intersection of nature and culture. Marcel Danesi, Professor of Anthropology, University of Toronto, Canada; editor-in-chief, Semiotica; author of The Quest for Meaning: A Guide to Semiotic Theory and Practice. Finally. An in-depth look at Tarot from within the field of semiotics, a perspective that had been inexplicably overlooked until now. As a language of exile from language, Tarot cards are silent words that became images. Here is a book that turns our thirst for symbols into a learning tool. The sign sings in Inna Semetsky’s work.
Identifier: 9789462090538
Status: Available
Roman Jakobson and the birth of linguistic structuralism
In: Sign System Studies 2011, Volume 39, Issue 1
- Pages
- 236-262
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Identifier: 10.12697/SSS.2011.39.1.09
Russian Formalist Criticism
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Other title information: Four essays
Annotation: College English Russian formalists emerged from the Russian Revolution with ideas about the independence of literature. They enjoyed that independence until Stalin shut them down. By then they had produced essays that remain among the best defenses ever written for both literature and its theory. Included here are four essays representing key points in the formalists' short history. Victor Scklovsky's pathbreaking "Art as Technique" (1917) vindicates disorder in literary style. His 1921 essay on Tristram Shandy makes that eccentric novel the centerpiece for a theory of narrative. A section from Tomashevsky's "Thematics" (1925) inventories the elements of stories. In "The Theory of the 'Formal Method'" (1927) Boris Eichenbaum defends Russian formalism from many attacks. An able champion, he describes formalism's evolution, notes its major workers and works, clears away decayed axioms, and rescues literature from "primitive historicism" and other dangers. These essays set a course for literary studies that led to Prague structuralism, French semiotics, and postmodern poetics. Russian Formalist Criticism has been honored as a Choice Outstanding Academic Book of the Year by the American Library Association.
Identifier: 9780803254602
Status: Available
Symbol i Muzyka
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Annotation: This book is an entry into the symbolicism of music. The book consists of three chapters. In the first, I deal with the concept of the symbol itself. I discuss its genesis, history changing understanding, and above all - it's functioning in contemporary thought in such fields as sociology, cultural anthropology, semiotics or semiology, philosophy, psychoanalysis, and musicology. In the second chapter I present the problem of symbol and meaning in European music in a historical outline. The third chapter is my analysis of musical interpretations.
Identifier: 9788362743018
Status: Available
The Parallax View
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Annotation: The Parallax View is Slavoj Žižek's most substantial theoretical work to appear in many years; Žižek himself describes it as his magnum opus. Parallax can be defined as the apparent displacement of an object, caused by a change in observational position. Žižek is interested in the "parallax gap" separating two points between which no synthesis or mediation is possible, linked by an "impossible short circuit" of levels that can never meet. From this consideration of parallax, Žižek begins a rehabilitation of dialectical materialism. Modes of parallax can be seen in different domains of today's theory, from the wave-particle duality in quantum physics to the parallax of the unconscious in Freudian psychoanalysis between interpretations of the formation of the unconscious and theories of drives. In The Parallax View, Žižek, with his usual astonishing erudition, focuses on three main modes of parallax: the ontological difference, the ultimate parallax that conditions our very access to reality; the scientific parallax, the irreducible gap between the phenomenal experience of reality and its scientific explanation, which reaches its apogee in today's brain sciences (according to which "nobody is home" in the skull, just stacks of brain meat—a condition Žižek calls "the unbearable lightness of being no one"); and the political parallax, the social antagonism that allows for no common ground. Between his discussions of these three modes, Žižek offers interludes that deal with more specific topics—including an ethical act in a novel by Henry James and anti-anti-Semitism. The Parallax View not only expands Žižek's Lacanian-Hegelian approach to new domains (notably cognitive brain sciences) but also provides the systematic exposition of the conceptual framework that underlies his entire work. Philosophical and theological analysis, detailed readings of literature, cinema, and music coexist with lively anecdotes and obscene jokes.
Identifier: 9780262240512
Status: Available
Wholeness and its remainders
- Edition
- 1 edition
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Other title information: theoretical procedures of totalization and detotalization in semiotics, philosophy and politics
Annotation: The PhD thesis is a piece of research into the nature of theoretical constructions in various academic disciplines. Drawing on a close analysis of some theoretical works in the field of semiotics, philosophy and politics, it distinguishes between totalizing and detotalizing ways of dealing with the phenomenal multiplicity which always confronts researchers when the construction of a theory is at stake. Theoretical procedures of totalization constitute phenomenal multiplicity into self-enclosed wholes and erase their remains. The thesis considers this kind of procedure from a temporal point of view, focusing on the theories of temporality elaborated by St. Augustine and Edmund Husserl and, from a systemic point of view, focusing on the theory of the (linguistic) system elaborated by Ferdinand de Saussure. Martin Heidegger's critique of the notion of 'presence' and Karl Marx's critique of the notion of 'value' are examined as problematizing the main instruments of temporal and systemic totalization respectively. Still, both Heidegger and Marx lingered within the logic of totality, simply opposing a more authentic wholeness to an inauthentic one. The works of Jacques Lacan, Jacques Derrida and Jean Baudrillard are, in contrast, considered in the thesis as representatives of detotalizing procedures which claim the impossibility of self-enclosed wholeness drawing on the inexhaustible remnants of any totalization and a general principle of constitutive openness. Particular attention is paid to those aspects of Yuri Lotman's later thought – such as the notions of explosion, boundary and dialogue – which can be understood as instruments for theoretical procedures of temporal and systemic detotalization of this sort. In the course of the thesis it becomes clear that, for political reasons, the commitment of this research is to detotalization. This commitment is illustrated in the last part of the work. There, the attempts at rethinking emancipative politics elaborated by three contemporary philosophers – Giorgio Agamben, Alain Badiou and Jacques Rancière – are analyzed as theoretical procedures of political detotalization from both a systemic and a temporal point of view. Wholeness and its remains: theoretical procedures of totalization and detotalization in semiotics, philosophy and politics The dissertation examines the nature of theoretical constructions in various disciplines. Based on a close analysis of some written works in the field of semiotics, philosophy and politics, a distinction is made between totalizing and detotalizing approaches to dealing with the diversity and heterogeneity of phenomena, which always plagues researchers and scientists in the creation of theories. Theoretical procedures of totalization reduce phenomenal diversity to self-contained and residue-free wholes.The dissertation analyses such procedures from both a temporal perspective (St. Augustine's and Edmund Husserl's theories of time) and a systemic perspective (Ferdinand de Saussure's theory of (linguistic) systems). Martin Heidegger's critique of the concept of 'presence/presentness' and Karl Marx's critique of the concept of 'value' undermine the theoretical tools of temporal and systemic totalization, respectively. But neither Heidegger nor Marx go beyond the logic of totality, they simply contrast authentic wholeness with false and inauthentic. The works of Jacques Lacan, Jacques Derrida and Jean Baudrillard, on the other hand, represent procedures of detotalization that highlight the impossibility of self-contained wholeness, relying on the principles of the inexhaustibility of the residues of totalization and deconstructive openness. The dissertation pays special attention to those aspects of Juri Lotman's later thought – the concepts of explosion, limit and dialogue – that may be useful in developing such procedures of temporal and systemic detotalization. The dissertation contributes to detotalization for political reasons, which are revealed in the final section of the work. It analyzes the attempt of contemporary philosophers Giorgio Agamben, Alain Badiou and Jacques Rancière to rethink emancipatory politics as a procedure of political detotalization from both a systemic and temporal perspective.
Identifier: 9789949119349
Status: Available
The Models of Space, Time and Vision in V. Nabokov's Fiction
- Edition
- 1 edition
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Other title information: Narrative Strategies and Cultural Frames
Annotation: Marina Grishakova belongs to the younger generation of scholars of the Tartu-Moscow school of semiotics. Her book is part of a semio-narratological tradition of a single author or a single work research that tackles issues of wider theoretical import: applicability of the concept of "modeling" in the humanities, theory of mimesis and the function of experimental literature in ( post)modernist culture. By drawing on Y. Lotman's conception of artistic models, the book adopts the semiotic perspective on modeling as an open-ended heuristic process underlying the logic of discovery and creative thinking. The book discusses the models of time and memory in modernist culture (Nietzsche's and Bergson's philosophy of time, Minkowski's research on the psychopathological types of temporality) and their relevance to Nabokov's fiction; popular-scientific notions of serialism and the fourth dimension; thematizations of the observer in modernist philosophy and arts; visual "prostheses" and "machines" (Eco), particularly the "camera vision" metaphor, its relation to Bergson's notion of automatism and the popular idea of the criminal use of hypnosis. Vision is also thematized as a means of seduction and noncoercive control. Even before Foucault, Baudrillard and other critics of modernity, Nabokov noticed that advertising, political propaganda and erotic seduction alike employ implicit forms of suggestion. The book revises Rorty's dilemma of "autonomy" and "solidarity" as applied to Nabokov's work and offers new readings. It considers categories of narrative poetics as forms of cultural encoding that broaden and transform reader's modes of perception and sense-making. Micro-models active in certain contexts or in the works of certain authors function as mobile interfaces between individual sensibilities and complex cultural chrono- and spatio-types where time and space take on conceptual meaning.
Status: Available
The semiotic phenomenology of Maurice Merleau-Ponty and Michel Foucault
In: Sign System Studies 2005, Volume 33, Issue 1
- Pages
- 7-25
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Identifier: 10.12697/SSS.2005.33.1.01
M. K. Čiurlionio
- Dependent title
- fortepijoninės muzikos tekstas
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Other title information: Other title information (genezės aspektas)
Annotation: The purpose of this book is to reveal the genesis of Čiurlionis's piano music trxt. To that end, the general issues of text theory and the very concept of text in the paradigms of structuralism, hermeneutics, phenomenology and reception are discussed at the beginning. Next, the book defines the concept of a musical text, one of the forms of existence of a text, and reveals the essential features of a musical text, consistently revealing the genesis of the piano music text of Čiurlionis.
Status: Available
New vocabularies in film semiotics
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Other title information: structuralism, post-structuralism, and beyond
Annotation: A lexicon of semiotic concepts, the book defines over 500 critical terms and describes how they have been used, building a semiotics dictionary. It explores linguistically-orientated terminology in cinema studies; the semiotics of film narrative; and the psycho-semiology of the cinema.
Identifier: 0415065941
Status: Available
Transformation of public text in totalitarian system
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Other title information: a socio-semiotic study of Soviet censorship practices in Estonian radio in the 1980s
Annotation: This study analyses the production of Soviet journalistic text. It focuses on editorial-censorship transformation in texts made during the final stage of textual preparation in journalistic institutions of Soviet Estonia at the beginning of the 1980s.
Identifier: 9512920719
Status: Available
The pursuit of signs
- Dependent title
- Semiotics, literature deconstruction
- Edition
- 2 edition
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Other title information: Augmented edition with a new preface
Annotation: The primary task of literary theory, Jonathan Culler asserts in the new edition of his classic in this field, is not to illuminate individual literary works but to explain the system of literary signification - the rules and conventions that determine a reader's understanding of a text and that make literary communication possible. In this wide-ranging book, he investigates the possibilities of a semiotics of literature.
Identifier: 0801487935
Status: Available
Writing and Difference
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Annotation: Writing and Difference, a collection of Jacques Derrida's essays written between 1959 and 1966, has become a landmark of contemporary French thought. In it we find Derrida at work on his systematic deconstruction of Western metaphysics.
Identifier: 0415255837
Status: Available
The body in language
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Annotation: Language is not merely verbal. Nonverbal signs and interpretations not only contribute to language, but in fact compose the structure of language itself. Horst Ruthrof delves into the nonverbal facets of language, such as olfactory, gustatory, aural, visual and tactile readings. Proposing reclamation of the body as an integral part of language, this book argues against structural linguistics and post-Saussurean theories. To support his standpoint, Ruthrof draws on the writings of Peirce, Husserl, Heidegger, Wittgenstein, Derrida, and Helen Keller, and on recent research in cognitive science, cognitive linguistics, and cognitive rhetoric.
Identifier: 0304338052
Status: Available
Snow, Forest, Silence
- Dependent title
- The Finnish Tradition of Semiotics
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Notes: One of the books in this library is inherited from Tyler James Bennet's library
Annotation: Consists of 30 essays, most of them written by Finnish, Estonian, and Hungarian scholars. The essays herein reflect a multiplicity of projects, ranging from explicitly national issues to quite "universal" themes such as signs of media, cinema, music, writing, actoriality, gastronomy, mental illness, language, habitus, distinction, and more.
Identifier: 0253213207
Status: Available
Ambiguity, interpretation, and meaning in the work of Henry James: A Peircean approach
In: Semiotica 1997, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1997.113.3-4.207
Body as nexus—natural, factual, artifactual, evocative
In: Synthesis in Diversity, Volume 2
- Pages
- 905-908
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Constructing speaker images: The problem of enunciation in discourse analysis
In: Semiotica 1997, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1997.115.1-2.121
Contents/Sommaire Volume 113 (1997)
In: Semiotica 1997, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1997.113.3-4.395
Conversation, coordination, and vertebrate communication
In: Semiotica 1997, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1997.115.1-2.27
Cyber-semiotics: On autopoiesis, code-duality and signgames as vital aspects of bio-semiotics
In: Synthesis in Diversity, Volume 2
- Pages
- 913-916
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Dancers’ bodies as the repository of conceptualisations of the body, with special reference to the Tiwi of Northern Australia
In: Synthesis in Diversity, Volume 2
- Pages
- 929-932
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Deixis and background knowledge in the humor of car bumper stickers
In: Semiotica 1997, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1997.113.3-4.347
Iconic gestures, imagery, and word retrieval in speech
In: Semiotica 1997, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1997.115.1-2.147
Inscriptions into the blank: Autocommunicative strategies in John Barth’s LETTERS
In: Semiotica 1997, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1997.113.3-4.317
L’ambivalence théorique dans la recherche saussurienne sur la légende et les Notes item
In: Semiotica 1997, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1997.115.1-2.173
Meaning and value of information in biological systems
In: Synthesis in Diversity, Volume 2
- Pages
- 973-976
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Motion pictures as metaphoric consumption: How animal narratives teach us to be human
In: Semiotica 1997, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1997.115.1-2.53
Narrative analysis of the romantic ballet Giselle
In: Synthesis in Diversity, Volume 2
- Pages
- 917-920
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Peirce, Foucault, Saussure—or: The age of interpretativity
In: Synthesis in Diversity, Volume 2
- Pages
- 1043-1046
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Performing gender: The semiotics of the body in three recent films
In: Synthesis in Diversity, Volume 2
- Pages
- 921-924