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Russian Formalism
Victor Erlich
- Dependent title
- History-Doctrine
- Edition
- 4 edition
General Semiotics Mouton Publishers 9027904502 Available
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Annotation: More elaborately and self-consciously than anywhere in the West, Russian criticism has developed three major schools. One of these looks for the essence of literature in its philosophical and religious ideas: writers like Berdjaev, mainly interested in an interpretation of Dostoevskij, see literature as a way of knowing the absolute. A second school is the social: literature is not only a mirror of society but an incitement to social thought and action. In its Marxist version, social criticism has become the official Soviet creed and is thus felt today as peculiarly representative of Russian criticism. But a third school, that of Formalism, is so far much less known and much less accessible in the West. It arose around 1914 and was suppressed around 1930. Russian Formalism keeps the work of art itself in the center of attention: it sharply emphasizes the difference between literature and life, it rejects the usual biographical, psychological, and sociological explanations of literature.
Identifier: 9027904502
Status: Available