A unified academic catalogue for books, journal articles, book chapters, proceedings papers, conference abstracts and semiotic research materials.
A unified academic catalogue for books, journal articles, proceedings papers, collection articles and semiotic research materials. Search across the full database; results are shown with pagination.
Peircean semiotics in the context of design praxis: Abduction and perception in dialogue
In: Sign System Studies 2013, Volume 41, Issue 4
- Pages
- 424-432
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Identifier: 10.12697/SSS.2013.41.4.03
The Edusemiotics of Images
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Other title information: Essays on the Art-Science of Tarot
Notes: a printed version
Annotation: Semetsky’s new book offers a bracing account of Tarot semiotics in view of its deep significance for educational experience. Analyzing the symbolic language of Tarot images that express the intimations of the unconscious, she invites readers to explore novel ways of learning about the nature of ourselves and the world we are situated in. Combining thorough research with an accessible style, this groundbreaking book is essential reading for present and future generations of practitioners, academics and students across disciplines. Pia Brînzeu, Professor of English Literature and Vice-Rector of the Universityof Timis¸oara, Romania; author of Corridors of Mirrors. A sequel to the author’s Re-Symbolization of the Self: Human Development and Tarot Hermeneutic and Semiotics Education Experience, Semetsky’s new book presents the Tarot sign-system as a school of ethical living. Bringing the philosophies of Peirce, Deleuze, Dewey, Whitehead and Gebser in a dialogue with the cutting-edge science of coordination dynamics, she grounds the art of Tarot in the logic of signs acting across nature, culture and human mind. Building on Noddings’ “maternal factor”, Semetsky demonstrates how the lessons embodied in Tarot symbolism recover the feminine value of relations and contribute to Self~Other integration. Such is the message of Tarot images. The Image is the Message. Igor Klyukanov, Professor of Communication, Eastern Washington University, USA; editor, Russian Journal of Communication; author of A Communication Universe: Manifestations of Meaning, Stagings of Significance. Semetsky’s amalgamation of the techniques of visual communication with the emerging field of edusemiotics is an absolute masterpiece in transdisciplinarity. By forging diverse strands of inquiry into an overall model of how images enhance learning, Semetsky’s new book provokes us to take a fresh look at iconic information and is a required reading for everyone who is engaged with the artand science of visual semiotics at the intersection of nature and culture. Marcel Danesi, Professor of Anthropology, University of Toronto, Canada; editor-in-chief, Semiotica; author of The Quest for Meaning: A Guide to Semiotic Theory and Practice. Finally. An in-depth look at Tarot from within the field of semiotics, a perspective that had been inexplicably overlooked until now. As a language of exile from language, Tarot cards are silent words that became images. Here is a book that turns our thirst for symbols into a learning tool. The sign sings in Inna Semetsky’s work.
Identifier: 9789462090538
Status: Available
Tuning the Self
- Edition
- 1 edition
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Other title information: George Herbert’s Poetry as Cognitive Behaviour
Annotation: This book provides a cognitive analysis of the poetry of George Herbert (1593- 1633). From Herbert’s own thinking, recorded in his prose treatises, can be deduced that his poems should serve a specific function: teaching self-knowledge to his readers. Self-knowledge is a necessary skill, to be applied in one’s strife for ‘temperance’: the regulation of body, house, church, mind, and community. To Herbert, the meaning of his poems is subservient to this function: poetry should aid his readers to temper their lives. The cognitive framework applied here can serve to explain this function. Following Merlin Donald’s theory of cognitive evolution, art serves the purpose of mimetic meta-cognition: a specific cognitive strategy at the disposal of a county priest. Moreover, a cognitive framework can serve to explain why the Herbert-tradition has paid so little attention to this artistic function; this tradition operates within specific confines, the same confines that Herbert sought to compensate with his poetry and his thinking.
Identifier: 9783034313780
Status: Available
The Shared Mind
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Other title information: Perspectives on intersubjectivity
Annotation: The cognitive and language sciences are increasingly oriented towards the social dimension of human cognition and communication. The hitherto dominant approach in modern cognitive science has viewed social cognition through the prism of the traditional philosophical puzzle of how individuals solve the problem of understanding Other Minds. The Shared Mind challenges the conventional theory of mind approach, proposing that the human mind is fundamentally based on intersubjectivity: the sharing of affective, conative, intentional and cognitive states and processes between a plurality of subjects. The socially shared, intersubjective foundation of the human mind is manifest in the structure of early interaction and communication, imitation, gestural communication and the normative and argumentative nature of language. In this path breaking volume, leading researchers from psychology, linguistics, philosophy and primatology offer complementary perspectives on the role of intersubjectivity in the context of human development, comparative cognition and evolution, and language and linguistic theory.
Identifier: 9789027239068
Status: Available
At a Fair Distance
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Other title information: International Perspectives on the Risorgimento
Annotation: A collection of studies on Italian Risorgimento performed by international scholars. It offers a view "form another angle," within a context - the 150th anniversary of Italian unification - that has generally been arranged "by Italians for Italians," lacking that particular resourcefulness and often impartiality that international scholarship was able to contribute to the Risorgimento's historiography.
Identifier: 9789525576108
Status: Available
On Musical Self-Similarity
- Dependent title
- intersemiosis as synecdoche and analogy
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Annotation: In this study, Gabriel Pareyon presents a theory of musical meaning formation in the context of intersemiosis, that is, the translation of meaning from one cognitive domain to another cognitive domain (e.g. from mathematics to music, or to speech or graphic forms). From this perspective, the degree of coherence of a musical systems relies on a synecdochic intersemiosis: a system of related signs within other comparable and correlated systems. The author analyzes the modalities of such correlations, exploring their general and particular traits, and their operational bounds. Accordingly, the notion analofy is used as a rich concept through its two definitions quoted by the classical literature - proportion and paradigm, enormously valuable in establishinf mesurement, likeness and affinity criteria. At the same time, original arguments by Benoit B. Mandelbrot (1924-2010) are revised, alongside a systematic critique of the literature on the subject. In fact, connecting Charles S. Peirce!s synechism with Mandelbrot's fractality is on of the main developnets of the presents study.
Identifier: 9789525431322
Status: Available
Russian Formalist Criticism
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Other title information: Four essays
Annotation: College English Russian formalists emerged from the Russian Revolution with ideas about the independence of literature. They enjoyed that independence until Stalin shut them down. By then they had produced essays that remain among the best defenses ever written for both literature and its theory. Included here are four essays representing key points in the formalists' short history. Victor Scklovsky's pathbreaking "Art as Technique" (1917) vindicates disorder in literary style. His 1921 essay on Tristram Shandy makes that eccentric novel the centerpiece for a theory of narrative. A section from Tomashevsky's "Thematics" (1925) inventories the elements of stories. In "The Theory of the 'Formal Method'" (1927) Boris Eichenbaum defends Russian formalism from many attacks. An able champion, he describes formalism's evolution, notes its major workers and works, clears away decayed axioms, and rescues literature from "primitive historicism" and other dangers. These essays set a course for literary studies that led to Prague structuralism, French semiotics, and postmodern poetics. Russian Formalist Criticism has been honored as a Choice Outstanding Academic Book of the Year by the American Library Association.
Identifier: 9780803254602
Status: Available
The Semiotics of Law in Legal Education
- Edition
- 1 edition
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Annotation: This book offers educational experiences, including reflections and the resulting essays, from the Roberta Kevelson Seminar on Law and Semiotics held during 2008 – 2011 at Penn State University’s Dickinson School of Law. The texts address educational aspects of law that require attention and that also are issues in traditional jurisprudence and legal theory. The book introduces education in legal semiotics as it evolves in a legal curriculum. Specific semiotic concepts, such as “sign”, “symbol” or “legal language,” demonstrate how a lawyer’s professionally important tasks of name-giving and meaning-giving are seldom completely understood by lawyers or laypeople. These concepts require analyses of considerable depth to understand the expressiveness of these legal names and meanings, and to understand how lawyers can “say the law,” or urge such a saying correctly and effectively in the context of a natural language that is understandable to all of us. The book brings together the structure of the Seminar, its foundational philosophical problems, the specifics of legal history, and the semiotics of the legal system with specific themes such as gender, family law, and business law.
Identifier: 9789400713406
Status: Available
Dynamic instances of interaction: The performative function of iconicity in literary texts
In: Sign System Studies 2010, Volume 38, Issue 1/4: Semiotics of Resemblance
- Pages
- 270-297
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Identifier: 10.12697/SSS.2010.38.1-4.09
Music as sign
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Annotation: The pupose of this book is twofold: First, being epistemological in nature, it is concerned with identifying methodologically and philosophically valuable achievements of contemporary musical semiotics. The second purpose is a pragmatic one. It stems from the need to interpret the theoretical thought of Eero Tarasti. There is no doubt that today's semiotic-musical thought, in the most general terms, is dominated by two central names and the theories behind them. The names are Jean-Jacques Nattiez and Eero Tarasti. While reconstructing Tarasti's theory, I use the text interpretation method suggested by Gunter Grimm. It originaterd with the general theory of reception formulated by E.D. Hirsch.
Identifier: 9789525431278
Status: Available
Semiotics of mimesis and communicative relationship among texts: Ekphrasis and replication between Hesiod and Homer
In: Sign System Studies 2010, Volume 38, Issue 1/4: Semiotics of Resemblance
- Pages
- 186-209
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Identifier: 10.12697/SSS.2010.38.1-4.06
Пространства и смыслы
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Other title information: Семантика культурного ландшафта
Notes: This book has a table of contents and annotation in English.
Annotation: This book examines the problem of relationships between culture and space. Highlighting the use of semiotics of culture as a basic concept of research, it describes the power of the cultural landscape in the context of culture philosophical research. Opening with a discussion of the existence of culture in space, it establishes basic concepts such as noosphere and pneumatosphere. The author acknowledges the early contributions of thinkers like Vladimir Vernadsky and Pierre Teilhard de Chardin, who first observed that human activity has become a geological force.
Identifier: 9785864431627
Status: Available
Murtuvat merkit
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Other title information: semiotiikan teoreettisen ja soveltavan tutkimuksen näkökulmia
Annotation: The work considers the fracture and transition of signs and texts - and thus also meanings - into each other. Meaning is always formed towards the future. The use of signs to convey and present meanings is already a productive process. Meaning inevitably becomes more than what is conveyed or presented. The production of meanings is also based on various structural elements, rules and practices. Static and permanent as well as dynamic and developing are in constant interaction with each other. The articles in the work represent the rich semiotics of the early 21st century. The approaches and the theories that define them are united by the glow of comprehensive research, in which the differences between sign categories and systems are understood as task-specific and contextual, not essential.
Identifier: 9789515707642
Status: Available
The Parallax View
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Annotation: The Parallax View is Slavoj Žižek's most substantial theoretical work to appear in many years; Žižek himself describes it as his magnum opus. Parallax can be defined as the apparent displacement of an object, caused by a change in observational position. Žižek is interested in the "parallax gap" separating two points between which no synthesis or mediation is possible, linked by an "impossible short circuit" of levels that can never meet. From this consideration of parallax, Žižek begins a rehabilitation of dialectical materialism. Modes of parallax can be seen in different domains of today's theory, from the wave-particle duality in quantum physics to the parallax of the unconscious in Freudian psychoanalysis between interpretations of the formation of the unconscious and theories of drives. In The Parallax View, Žižek, with his usual astonishing erudition, focuses on three main modes of parallax: the ontological difference, the ultimate parallax that conditions our very access to reality; the scientific parallax, the irreducible gap between the phenomenal experience of reality and its scientific explanation, which reaches its apogee in today's brain sciences (according to which "nobody is home" in the skull, just stacks of brain meat—a condition Žižek calls "the unbearable lightness of being no one"); and the political parallax, the social antagonism that allows for no common ground. Between his discussions of these three modes, Žižek offers interludes that deal with more specific topics—including an ethical act in a novel by Henry James and anti-anti-Semitism. The Parallax View not only expands Žižek's Lacanian-Hegelian approach to new domains (notably cognitive brain sciences) but also provides the systematic exposition of the conceptual framework that underlies his entire work. Philosophical and theological analysis, detailed readings of literature, cinema, and music coexist with lively anecdotes and obscene jokes.
Identifier: 9780262240512
Status: Available
Obrazy dźwiękowe muzyki unistycznej
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Other title information: inspiracja malarska w twórczości Zygmunta Krauzego
Annotation: Zygmunt Krauze is the founder of a new current in art: unistic (unitary) music. He developed this concept in the first period of his artistic work, inspired by the unistic paintings of Władysław Strzemiński. Traces of this style are also detectable in Krauze’s later post-unistic works. Unistic music is characterised by a paradoxical unity in diversity. Most of the composer’s statements collected in this paper refer to specific features of unism in music. Other, more general comments concern the essence of music, the composer’s personal stance, the creative process, the autonomy of the composer, the audience and the performers, etc. Two longer texts by Zygmunt Krauze have been quoted in full. One can be considered as a unistic manifesto, while the other is a kind of personal credo.
Identifier: 9788387182779
Status: Available
Universals in the Context of Juri Lotman's Semiotics
- Edition
- 1 edition
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Notes: Appendix: Three lectures by Juri Lotman
Annotation: This book looks afresh at the heritage of cultural semiotician Juri Lotman - the founder of the Tartu-Moscow school of semiotics. The author proceeds from the idea that 'intellect' is one of the central categories of Juri Lotman's semiotics. Intellect becomes an important concept in Lotman's heritage - starting with the series of lectures given by him in the autumn and winter of 1967 at the University of Tartu (the lectures are published for the first time as an appendix to the book).
Identifier: 9789949118311
Status: Available
История одного текста Ю. М. Лотмана [The history of a text by Juri Lotman]
In: Sign System Studies 2008, Volume 36, Issue 2
- Pages
- 513-514
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Identifier: 10.12697/SSS.2008.36.2.11
Biosemiotics in Transdisciplinary Contexts
- Dependent title
- Proceedings of Gathering in Biosemiotics 6, Salzburg 2006
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Annotation: Proceedings of the Gathering in Biosemiotics in Salzburg 2006
Identifier: 9789525576030
Status: Available
Przestrzeń i muzyka
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Annotation: This essay is the third in a series of works devoted to musical hermeneutics. In the first, I dealt with the basic concepts of music ontology: movement, play, being and time, drawing inspiration from the hermeneutical philosophy of Schleiermacher, Diltey, Heidegger and Gadamer. Then, inspired by the thought of Paul Ricoeur, I analysed the conceptual category of musical narrative. Even then, in these considerations, the category of space appeared many times, inseparable from human experience in its temporal and spatial structure and, as it turns out, inextricably linked to the experience of music. In the reception of music, we are undoubtedly given a certain "temporal" sound-musical space.
Identifier: 9788387182731
Status: Available
Varietas Et Concordia
- Dependent title
- Essays in Honour of Pekka Pesonen
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Annotation: Slavica Helsingiensia is published by the Department of Slavonic and Baltic Languages and Literatures at Helsinki University. The series was founded in 1983, and 31 volumes have appeared so far.... The volume is dedicated to Professor Pekka Pesonen on the occasion of his sixtieth birthday. It includes 38 articles, written by Professor Pesonen’s friends and colleagues – Finnish, Estonian, Russian and American scholars and also representatives of Professor Pesonen’s Finnish School. The topics covered by the articles range from general and theoretical questions concerning mainly Russian literature, culture and semiotics to specific and detailed analyses of Russian literary his-tory. The thematic variety (varietas) reflects Professor Pesonen’s keen interest in the study of literature and culture, the semiotics of Russian cultural history and the analysis of Texts (literary and cultural) within their social contexts. But his interests never have been bounded only by the pure scientific goals and Pekka Pesonen is widely known as a translator, literary critic, great ad-mirer of Russian culture and a part of it himself. The unity and agreement (concordia) of these different approaches is to be found in а search for understanding, – understanding literature, un-derstanding the specifics of Russian culture. Ultimately, it is а quest for understanding the emer-gence and the narration of Texts in history.
Identifier: 9789521038310
Status: Available
Beethoven 3
- Dependent title
- Beethoven und die barockzeit; Beethoven: inspirationen, kontext, resonanz; Beethoven zwischen nord un sued
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Other title information: Studien und Interpretationen
Annotation: a compilation of three event proceedings: Internationale Musikwissenschaftliche Symposien - Krakow 2003, Warszawa 2004 and 2005 in Rahmen des Ludwig van Beethoven Osterfestivals Konferenzbericht
Identifier: 8387182621
Status: Available
La Musique et Les Signes
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Other title information: Précis de sémiotique musicale
Notes: Edited and expanded edition partly of the book Signs of Music (2002), added is a then not published text about synesthesia.
Annotation: This volume is intended to serve as a "practical guide" to musical semiotics, that is, to the study of music as sign and communication. It includes both a history of this relatively new discipline as well as new contributions of my own invention. The book was originally much longer, but some chapters, such as those dealing with Wagner, have been deleted, and reserved for another volume. I hope that what is retained here will encourage readers, whether they are students of music, musicology, or semiotics, more established researchers, or inquiring minds of any kind, to learn more about musical semiotics. The field is currently undergoing fascinating processes of formation, growth, and diversity.
Identifier: 2296004091
Status: Available
Muotokuvia
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Other title information: Tulkintoja, Muistelmia, Tarnoita
Annotation: Portraits is a work in which culture, art and science are approached through the persons who practice them. Some are famous men and women in the Finnish context, from Mannerheim to Ville Vallgren and Anna Sahlstén, while others are international celebrities from Ludvig II and George Sand to Umberto Eco. Memoirs, documents, letters and anecdotes about the lives of the lesser-known are passed on to those who have not known them. Various life works attract the author to intellectual reflections and analyses. But through them the author also draws his own profile as a semiotician, musician and scholar.
Identifier: 9525431142
Status: Available
Music and the Arts
- Edition
- 1 edition
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Other title information: Volume II
Annotation: Music, in some forms, declares itself autonomous and absolute. But semiotics has taught us that no sign system can function alone, isolated from other texts. Correspondences and interrelationships of arts have always been fertile soil from which musical meanings to grow. Thus, among the topics of these proceedings, one finds music and painting, ekphrasis, interpretation, semiotic theory of music, pragmatism, aesthetics, topics, narrativity, music and media, opera, cinema, literature, music history, hermeneutics, dance and music psychology. Musical Signification is a world-wide research project that tries to open new avenues for an innovative science of music as a meaningful practice throughout the ages.
Identifier: 9525431096
Status: Available
The Models of Space, Time and Vision in V. Nabokov's Fiction
- Edition
- 1 edition
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Other title information: Narrative Strategies and Cultural Frames
Annotation: Marina Grishakova belongs to the younger generation of scholars of the Tartu-Moscow school of semiotics. Her book is part of a semio-narratological tradition of a single author or a single work research that tackles issues of wider theoretical import: applicability of the concept of "modeling" in the humanities, theory of mimesis and the function of experimental literature in ( post)modernist culture. By drawing on Y. Lotman's conception of artistic models, the book adopts the semiotic perspective on modeling as an open-ended heuristic process underlying the logic of discovery and creative thinking. The book discusses the models of time and memory in modernist culture (Nietzsche's and Bergson's philosophy of time, Minkowski's research on the psychopathological types of temporality) and their relevance to Nabokov's fiction; popular-scientific notions of serialism and the fourth dimension; thematizations of the observer in modernist philosophy and arts; visual "prostheses" and "machines" (Eco), particularly the "camera vision" metaphor, its relation to Bergson's notion of automatism and the popular idea of the criminal use of hypnosis. Vision is also thematized as a means of seduction and noncoercive control. Even before Foucault, Baudrillard and other critics of modernity, Nabokov noticed that advertising, political propaganda and erotic seduction alike employ implicit forms of suggestion. The book revises Rorty's dilemma of "autonomy" and "solidarity" as applied to Nabokov's work and offers new readings. It considers categories of narrative poetics as forms of cultural encoding that broaden and transform reader's modes of perception and sense-making. Micro-models active in certain contexts or in the works of certain authors function as mobile interfaces between individual sensibilities and complex cultural chrono- and spatio-types where time and space take on conceptual meaning.
Status: Available
Krzysztof Penderecki – Music in the Intertextual Era
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Other title information: markedness, correlation, and interpretation
Annotation: Materials of International Symposium Krzysztof Penderecki`s Music for the 70th anniversary of his birthday. A Symposium - organized by Academy Music of Kraków, Jagiellonian University and Polish Academy of Arts and Scinces - was held in December 2003.
Identifier: 8387182591
Status: Available
In the quest for novelty: Kauffman’s biosphere and Lotman’s semiosphere
In: Sign System Studies 2004, Volume 32, Issue 1/2
- Pages
- 309-327
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Identifier: 10.12697/SSS.2004.32.1-2.14
On translating signs
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Other title information: exploring text and semio-translation
Annotation: The book sets to answer questions regarding the definitions of text, translation and meaning, presenting a semiotic approach to the matter
Identifier: 9042016426
Status: Available
Movement and Poetic Rhythm
- Dependent title
- Uncovering the Musical Signification of Poetic Discourse via The Temporal Dimension of the Sign
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Annotation: The musical sense in both poetry and music is fundamentally temporal. The question is not whether music is a language or whether language is music, but rather how the 'musicality' of language signifies. The musical sense of poetry is not only heard but it is also felt. In order to deal with these problems the author, Drina Hocevar, from Venezuela, has elaborated a highly original model. She tries to understand the temporal movement as a generative process, deeply rooted in the ontology of our being.
Identifier: 9525431063
Status: Available
Semiotics of guilt in two Lithuanian literary texts
In: Sign System Studies 2003, Volume 31, Issue 1
- Pages
- 163-175
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Identifier: 10.12697/SSS.2003.31.1.06
The myth of the nation of poets and mass poetry in Lithuania
In: Sign System Studies 2003, Volume 31, Issue 1
- Pages
- 261-269
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Identifier: 10.12697/SSS.2003.31.1.11
Translation translation
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Annotation: Translation Translation contributes to current debate on the question of translation dealt with in an interdisciplinary perspective, with implications not only of a theoretical order but also of the didactic and the practical orders. In the context of globalization the question of translation is fundamental for education and responds to new community needs with reference to Europe and more extensively to the international world.In its most obvious sense translation concerns verbal texts and their relations among different languages. However, to remain within the sphere of verbal signs, languages consist of a plurality of different languages that also relate to each other through translation processes. Moreover, translation occurs between verbal languages and nonverbal languages and among nonverbal languages without necessarily involving verbal languages. Thus far the allusion is to translation processes within the sphere of anthroposemiosis.But translation occurs among signs and the signs implicated are those of the semiosic sphere in its totality, which are not exclusively signs of the linguistic-verbal order. Beyond anthroposemiosis, translation is a fact of life and invests the entire biosphere or biosemiosphere, as clearly evidenced by research in “biosemiotics”, for where there is life there are signs, and where there are signs or semiosic processes there is translation, indeed semiosic processes are translation processes. According to this approach reflection on translation obviously cannot be restricted to the domain of linguistics but must necessarily involve semiotics, the general science or theory of signs. In this theoretical framework essays have been included not only from major translation experts, but also from researchers working in different areas, in addition to semiotics and linguistics, also philosophy, literary criticism, cultural studies, gender studies, biology, and the medical sciences. All scholars work on problems of translation in the light of their own special competencies and interests.
Identifier: 9042009470
Status: Available
Семиотика в действие (Semiotika v deistvije)
- Dependent title
- Сборник (sbornik)
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Annotation: The publication brings together selected articles, studies and parts of monographs on semiotics, in which the most prominent working semioticians in the world demonstrate the applied and theoretical potential of the discipline. In three sections - "Semiotics and theory of culture", "Semiotics and practice", "Semiotics", the texts of Paul Cobley, Jeff Bernard, Hugo Volley, Roland Posner, Gloria Witthalm, Alexandros Lagopoulos, Karin Boklund, Susan Petrilli, are presented. Augusto Ponzio, Patricia Calefato, Eero Tarasti.
Identifier: 9545353104
Status: Available
‘Infernal’ subtexts in Brodsky’s poem The fifth anniversary
In: Sign System Studies 2002, Volume 30, Issue 2
- Pages
- 677-694
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Identifier: 10.12697/SSS.2002.30.2.19
A sign is not alive — a text is
In: Sign System Studies 2002, Volume 30, Issue 1
- Pages
- 327-336
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Identifier: 10.12697/SSS.2002.30.1.20
Augusto Ponzio
- Dependent title
- bibliografia e letture critiche
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Annotation: A collection of Augusto Ponzio's bibliography and critical texts
Status: Available
M. K. Čiurlionio
- Dependent title
- fortepijoninės muzikos tekstas
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Other title information: Other title information (genezės aspektas)
Annotation: The purpose of this book is to reveal the genesis of Čiurlionis's piano music trxt. To that end, the general issues of text theory and the very concept of text in the paradigms of structuralism, hermeneutics, phenomenology and reception are discussed at the beginning. Next, the book defines the concept of a musical text, one of the forms of existence of a text, and reveals the essential features of a musical text, consistently revealing the genesis of the piano music text of Čiurlionis.
Status: Available
New vocabularies in film semiotics
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Other title information: structuralism, post-structuralism, and beyond
Annotation: A lexicon of semiotic concepts, the book defines over 500 critical terms and describes how they have been used, building a semiotics dictionary. It explores linguistically-orientated terminology in cinema studies; the semiotics of film narrative; and the psycho-semiology of the cinema.
Identifier: 0415065941
Status: Available
Readers of the book of life
- Dependent title
- contextualizing developmental evolutionary biology
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Annotation: The "chicken-and-egg" enigma of how genetic information and the body intermingle in "performing life" is a fascinating challenge for biology. The "Jurassic Park Fallacy" is a more traditional interpretation, stating that all the information necessary to build a body is present in DNA; the cell is but a "juke box" playing unambiguously what is in its genetic text and tuning the performance to the environment. Anton Markos suggests a complementary approach: to assume that living beings are endowed with a capacity analogous to a human reader, who is able to extract meaning from a given text, according to her or his personal experience and cultural background. Hermeneutics was developed in the humanities as a method to achieve understanding, in a given context, of texts, history, and artwork. The author takes living beings as hermeneutical interpreters of "texts" encoded in DNA." "This book should interest scholars in both biology and the humanities. To bring both kinds of reader to a common platform, the first part compares two problem-solving strategies: the "objectivist" approach common in natural sciences and hermeneutics as used in the humanities. The second part surveys aspects of the development of twentieth-century biology, also accentuating branches that never became part of today's mainstream. The third part reviews a large body of recent evidence, which can be interpreted in favor of the author's arguments."
Identifier: 0195149483
Status: Available
Semiotics
- Edition
- 1 edition
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Other title information: The basics
Annotation: Demystifying what is a complex, highly interdisciplinary field, key questions covered include: what are signs and codes? What can semiotics teach us about representation and reality? What tools does it offer for analysing texts and cultural practices?
Identifier: 0415265932
Status: Available
Signs in use
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Other title information: an introduction to semiotics
Notes: Danish edition originally published 1994 as Tegn i Brug
Annotation: This book cuts across different semiotic schools to introduce six basic concepts which present semiotics as a theory and a set of analytical tools: code, sign, discourse, action, text, and culture
Identifier: 0415262038
Status: Available
Thinking about literary thought
In: Sign System Studies 2002, Volume 30, Issue 2
- Pages
- 406-417
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Identifier: 10.12697/SSS.2002.30.2.02
Transformation of public text in totalitarian system
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Other title information: a socio-semiotic study of Soviet censorship practices in Estonian radio in the 1980s
Annotation: This study analyses the production of Soviet journalistic text. It focuses on editorial-censorship transformation in texts made during the final stage of textual preparation in journalistic institutions of Soviet Estonia at the beginning of the 1980s.
Identifier: 9512920719
Status: Available
Интертекстуальный анализ сегодня [Intertextual analysis today]
In: Sign System Studies 2002, Volume 30, Issue 2
- Pages
- 645-651
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Identifier: 10.12697/SSS.2002.30.2.17
New science
- Edition
- 3 edition
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Other title information: Principles of the new science concerning the common nature of nations
Annotation: Barely acknowledged in his lifetime, the New Science of Giambattista Vico (1668-1744) is an astonishingly perceptive and ambitious attempt to decipher the history, mythology and laws of the ancient world. Discarding the Renaissance notion of the classical as an idealised model for the modern, it argues that the key to true understanding of the past lies in accepting that the customs and emotional lives of ancient Greeks and Romans, Egyptians, Jews and Babylonians were radically different from our own. Along the way, Vico explores a huge variety of topics, ranging from physics to poetics, money to monsters, and family structures to the Flood. Marking a crucial turning-point in humanist thinking, New Science has remained deeply influential since the dawn of Romanticism, inspiring the work of Karl Marx and even influencing the framework for Joyce's Finnegan's Wake.
Identifier: 0140435697
Status: Available
Propedeutica della traduzione
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Other title information: Corso Introduttivo con tavole sinottiche
Annotation: Per imparare a tradurre occorre molta esperienza ma l'attivià practica va fin dall'inizio inquadrata in un contesto teorico di riferimento che fornisca alcuno principi metodologici. Questo volume rispomde a tale esigenza collocandosi al livellos preparatorio delgli studi universitari nel campo della traduzione. Learning to translate requires a lot of experience, but the practical activity must be framed from the beginning in a theoretical context of reference that provides some methodological principles. This volume responds to this need by placing itself at the preparatory level of university studies in the field of translation. (translated with google translate)
Identifier: 8820329352
Status: Available
The pursuit of signs
- Dependent title
- Semiotics, literature deconstruction
- Edition
- 2 edition
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Other title information: Augmented edition with a new preface
Annotation: The primary task of literary theory, Jonathan Culler asserts in the new edition of his classic in this field, is not to illuminate individual literary works but to explain the system of literary signification - the rules and conventions that determine a reader's understanding of a text and that make literary communication possible. In this wide-ranging book, he investigates the possibilities of a semiotics of literature.
Identifier: 0801487935
Status: Available
Writing and Difference
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Annotation: Writing and Difference, a collection of Jacques Derrida's essays written between 1959 and 1966, has become a landmark of contemporary French thought. In it we find Derrida at work on his systematic deconstruction of Western metaphysics.
Identifier: 0415255837
Status: Available
‘I have a picture of it’: Ethnographic / ethnosemiotic explanation of visual descriptions
In: Semiotica 2000, Issue 2024-03-04 00:00:00
- Pages
- 303-330
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Identifier: DOI: 10.1515/semi.2000.128.3-4.303
<i> <b>De ridiculis</b> </i>
In: Semiotica 2000, Issue 2024-03-04 00:00:00
- Pages
- 291-302
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Identifier: DOI: 10.1515/semi.2000.128.3-4.291