A unified academic catalogue for books, journal articles, book chapters, proceedings papers, conference abstracts and semiotic research materials.
A unified academic catalogue for books, journal articles, proceedings papers, collection articles and semiotic research materials. Search across the full database; results are shown with pagination.
Geste et images
In: Semiotica 1998, Issue 2024-01-02 00:00:00
- Pages
- 105-120
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Identifier: DOI: 10.1515/semi.1998.118.1-2.105
Les Universaux en musique
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Other title information: Actes du quatrième Congrès international sur la signification musicale
Annotation: L'opportunité et la valeur des textes rassemblés ici se reconnaissent à l'universalité des grands thèmes abordés, à leur diversité cohérente, à l'écho qu'ils donnent aux circonstances musicales mondiales actuelles. Les problèmes de la signification musicale sont permanents à travers toute l'histoire de la création et de l'interprétation, en ce que la musique ne se donnerait qu'à elle-même signification. Cependant, la présence, aussi évidente qu'apparemment insaisissable, d'une pensée musicale intime au compositeur, interne à l'œuvre, demeure par là même une fascination de tout auditeur, mais aussi la gageure presque utopique de toute analyse. Ces problèmes sollicitent donc une recherche et une lutte constantes pour tenter de reconnaître ou du moins d'approcher cette signification, à la lumière des démarches et clartés nouvelles. La signification musicale appelle d'urgence notre attention et se pose des problèmes nouveaux, bien au-delà de ceux des analyses traditionnelles. On saisira qu'une telle mutation des données ait appelé une vision nouvelle des Universaux qui règnent sur l'essence même d'un art organiquement, consubstantiellement uni à la perception pure et à la Connaissance. Ouvrage publié avec le concours du Centre national du livre et de Poly-Art international.
Identifier: 285944355X
Status: Available
Review article
In: Semiotica 1998, Issue 2024-01-02 00:00:00
- Pages
- 131-200
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Identifier: DOI: 10.1515/semi.1998.118.1-2.131
Signs and Symbols
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Other title information: their design and meaning
Notes: Original title in German "Der Manch un seine Sachen" (1928), English translation by Andrew Bluhm
Annotation: Discusses the elements of a sign, and looks at pictograms, alphabets, calligraphy, monograms, text type, numerical signs, symbols, and trademarks. This is a compelling study of the nature of signs and how people communicate written by the distinguished typographer Adrian Frutiger; who has illustrated his text with over 2000 line drawings. He reproduces numerous aspects of graphic symbolism from the simplicity of the T-sign to the ornamentation of the Australian aboriginal painting, and comments on the full range of symbols even including modern trademarks and traffic signs. This is the distillation of Frutiger's life's work and compulsory reading for all those interested in graphics, design, art, ornament and communication in general.
Identifier: 0823048268
Status: Available
Sonstiges
In: Semiotica 1998, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1998.118.1-2.u
The concept of text in cultural semiotics
In: Sign System Studies 1998, Volume 26
- Pages
- 83-114
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Identifier: 10.12697/SSS.1998.26.04
“Hen” Literature: Genders in conflict (Bulgarian and Romanian woman writers in the period between two World Wars)
In: Synthesis in Diversity, Volume 1
- Pages
- 485-488
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“Look Ma, the giraffe’s on fire!”
In: Synthesis in Diversity, Volume 1
- Pages
- 429-432
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Bad Attitude/s on trial
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Other title information: Pornography, Feminism, and the Butler decision
Annotation: Bad Attitude/s pierces through the thick veil of hypocrisy surrounding the pornography debates in a lively and well-documented examination of the clashes between bodies and state power, detailing the vicissitudes of the pornography issue in a specifically national context.
Identifier: 0802076432
Status: Available
Black and white and read all over: The semiotics of difference and chiaroscuro in Le Guin’s Left Hand of Darkness
In: Synthesis in Diversity, Volume 1
- Pages
- 453-456
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Éléments pour une sémiotique du discours poétique
In: Synthesis in Diversity, Volume 1
- Pages
- 409-412
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Forgotten paths: The making of Vico’s etymology
In: Semiotica 1997, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1997.113.1-2.171
From questions to stimuli, from answers to reactions: The case of Clever Hans
In: Semiotica 1997, Issue 2024-01-02 00:00:00
- Pages
- 1-42
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Identifier: DOI: 10.1515/semi.1997.113.1-2.1
I think I am a preposition: A diatextual frame of the dynamic subject
In: Semiotica 1997, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1997.113.1-2.89
Iconic memory and intersemiotical procedures in traditional oral literatures
In: Synthesis in Diversity, Volume 1
- Pages
- 397-400
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Icons, mimesis and simulacrum. Perceptual contexts
In: Synthesis in Diversity, Volume 1
- Pages
- 533-536
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Inference switching in interpretation of poetry
In: Synthesis in Diversity, Volume 1
- Pages
- 493-496
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Intertextuality and meaning construction in literary texts: A semiotic analysis
In: Synthesis in Diversity, Volume 1
- Pages
- 445-448
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Landscape, indirection, and feminine subjectivity in Madame Bovary
In: Synthesis in Diversity, Volume 1
- Pages
- 369-372
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Le caractère fictionnel de la poésie lyrique
In: Synthesis in Diversity, Volume 1
- Pages
- 385-388
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Le dialogisme de Bakhtine et la sémiotique de Peirce
In: Synthesis in Diversity, Volume 1
- Pages
- 393-396
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Le monde adulte et enfantin dans un journal pour enfants
In: Synthesis in Diversity, Volume 1
- Pages
- 473-476
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Le positionnement pluriel: le travail sur l’ambiguite du texte
In: Synthesis in Diversity, Volume 2
- Pages
- 697-700
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Les effets du contexte sur la gestuelle dans le discours politique
In: Synthesis in Diversity, Volume 2
- Pages
- 1115-1118
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Literary text semiotics applied to plays by García Lorca
In: Synthesis in Diversity, Volume 1
- Pages
- 365-368
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Maxims of Malice
In: Synthesis in Diversity, Volume 1
- Pages
- 413-416
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Metaphor as autobiography
In: Synthesis in Diversity, Volume 1
- Pages
- 373-376
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Money and the mind: Cognitive economic metaphors in Franz Kafka’s Der Prozeß
In: Synthesis in Diversity, Volume 1
- Pages
- 477-480
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Nabokov’s poetics of dates
In: Synthesis in Diversity, Volume 1
- Pages
- 481-484
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Narrative as a sequence of motivated signs
In: Synthesis in Diversity, Volume 1
- Pages
- 417-420
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Narrative time and the reader
In: Synthesis in Diversity, Volume 1
- Pages
- 405-408
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Nothing in the world is single: Metaphorical network in Shelley’s “Love’s Philosophy”
In: Synthesis in Diversity, Volume 1
- Pages
- 425-428
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On Peirce’s Pure Grammar as a general theory of cognition: From the thought-sign of 1868 to the semeiotic theory of assertion
In: Semiotica 1997, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1997.113.1-2.107
On the epistemology of addiction: The case of Josef K.
In: Synthesis in Diversity, Volume 1
- Pages
- 437-440
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Poetics of painting and pictures in poetry. On the semiotic space of C. F. Barnas’ Vogelsberg landscapes
In: Synthesis in Diversity, Volume 1
- Pages
- 489-492
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Que dit le littéraire au théorique?
In: Synthesis in Diversity, Volume 1
- Pages
- 377-380
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Review article
In: Semiotica 1997, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1997.113.1-2.189
Semantic profiles and the typography of concrete poetry
In: Synthesis in Diversity, Volume 1
- Pages
- 469-472
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Semiotic analysis and the interface between bible texts and visual art
In: Synthesis in Diversity, Volume 2
- Pages
- 843-846
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Semiotic Grammar
- Edition
- 1 edition
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Annotation: The label `semiotic grammar' captures a fundamental property of the grammars of human languages: not only is language a semiotic system in the familiar Saussurean sense, but its organizing system, its grammar, is also a semiotic system. This proposition, explicated in detail by William McGregor in this book, constitutes a new theory of grammar. Semiotic Grammar is `functional' rather than `formal' in its intellectual origins, approaches, and methods. It demonstrates, however, that neither a purely functional nor a purely formal account of language is adequate, given the centrality of the sign as the fundamental unit of grammatical analysis. The author distinguishes four types of grammatical signs: experiential, logical, interpersonal, and textural. The signifiers of these signs are syntagmatic relationships of the following types, respectively: constituency, dependency, conjugational and linking. McGregor illustrates and exemplifies the theory with data from a variety of languages including English, Acehnese, Polish, Finnish, Japanese, Chinese, and Mohawk; and from his pioneering research on Gooniyandi and Nyulnyul, two languages of the Kimberleys region of Western Australia.
Identifier: 0198236883
Status: Available
Semiotics and storytelling
- Dependent title
- an introduction to semiotic analysis
- Edition
- 1 edition
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Notes: foreword by Daithi O ROgain
Annotation: Written in a simple and licid manner, Semiotics and Storytelling provides fresh insight into the porcesses underlying the production of meaning its principal aim being to present readers with a method of textual analysis that can be applied to all stories. This method is based on the theories and practice of the Paris School of Semiotics. The book is addressed to teachers and students of literature and of the media as well as to all those with an interest in storytelling and in myth.
Identifier: 1898685185
Status: Available
Sonstiges
In: Semiotica 1997, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1997.113.1-2.u
Structure and meaning
In: Semiotica 1997, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1997.113.1-2.71
Text construction and world construction in literary narratives
In: Synthesis in Diversity, Volume 1
- Pages
- 449-452
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Textsemantics: A bridge between linguistics and literary theory
In: Synthesis in Diversity, Volume 1
- Pages
- 267-270
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The body of the postmodernist narrator
In: Synthesis in Diversity, Volume 1
- Pages
- 401-404
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The carnivalized poetics of Augusto dos Anjos
In: Synthesis in Diversity, Volume 1
- Pages
- 497-500
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The discourse of postmortemism: Signs on postmodern philosophical wall
In: Synthesis in Diversity, Volume 1
- Pages
- 501-504
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The equilibrium of yin and yang and dialogics of silence: A textual analysis of a Chinese Hui narrative
In: Semiotica 1997, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1997.115.3-4.345
The indifférance in laughter
In: Synthesis in Diversity, Volume 1
- Pages
- 505-510