A unified academic catalogue for books, journal articles, book chapters, proceedings papers, conference abstracts and semiotic research materials.
A unified academic catalogue for books, journal articles, proceedings papers, collection articles and semiotic research materials. Search across the full database; results are shown with pagination.
Greimas’s semiotic square and Greek and Roman astrology
In: Semiotica 1997, Issue 2024-01-02 00:00:00
- Pages
- 1-20
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Identifier: DOI: 10.1515/semi.1997.114.1-2.1
Hungarian Piros and Vörös: Color from points of view
In: Semiotica 1997, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1997.114.1-2.67
Identité sexuelle et la signification au théâtre
In: Synthesis in Diversity, Volume 1
- Pages
- 631-634
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Infinite Jest
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Annotation: A gargantuan, mind-altering comedy about the Pursuit of Happiness in America. Set in an addicts’ halfway house and a tennis academy, and featuring the most endearingly screwed-up family to come along in recent fiction, Infinite Jest explores essential questions about what entertainment is and why it has come to so dominate our lives; about how our desire for entertainment affects our need to connect with other people; and about what the pleasures we choose say about who we are. Equal parts philosophical quest and screwball comedy, Infinite Jest bends every rule of fiction without sacrificing for a moment its own entertainment value. It is an exuberant, uniquely American exploration of the passions that make us human – and one of those rare books that renew the idea of what a novel can do.
Identifier: 9780349121086
Status: Available
Intersemiotic translation: The Peircean basis
In: Synthesis in Diversity, Volume 1
- Pages
- 639-642
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Introduction to a semiological model of musical time
In: Synthesis in Diversity, Volume 1
- Pages
- 663-666
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Le récit dans le théâtre contemporain: facteur d’éclatement de la spécificité dramatique?
In: Synthesis in Diversity, Volume 1
- Pages
- 667-670
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Mapping a network of semiotic systems: The Romanian Love Charms Database
In: Semiotica 1997, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1997.114.1-2.41
Meaning and value of information in biological systems
In: Synthesis in Diversity, Volume 2
- Pages
- 973-976
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Modeling analysis and signification in music
In: Synthesis in Diversity, Volume 1
- Pages
- 635-638
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Music and tense
In: Synthesis in Diversity, Volume 1
- Pages
- 627-630
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Musical notation: The importance of the relative value of its signs for the interpretation
In: Synthesis in Diversity, Volume 1
- Pages
- 619-622
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Narrative analysis of the romantic ballet Giselle
In: Synthesis in Diversity, Volume 2
- Pages
- 917-920
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Overlapping semiotic systems: Paintings in new films
In: Synthesis in Diversity, Volume 1
- Pages
- 675-678
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Performing gender: The semiotics of the body in three recent films
In: Synthesis in Diversity, Volume 2
- Pages
- 921-924
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Physics and biosemiotics
In: Synthesis in Diversity, Volume 2
- Pages
- 965-968
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Quelle heure est-il, Monsieur Ricoeur? A semiotic narratology of duration, term, tempo, and rec(oe)urrence, tol(le)d from the criticism of Paul Ricoeur
In: Semiotica 1997, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1997.114.1-2.21
Review article
In: Semiotica 1997, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1997.114.1-2.151
Semiosis and evolution
In: Synthesis in Diversity, Volume 2
- Pages
- 977-982
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Semiotics as the psychosomatic hope
In: Synthesis in Diversity, Volume 2
- Pages
- 949-952
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Semiotics of psychoanalytic discourse: Some developmental aspects of narrativity
In: Synthesis in Diversity, Volume 2
- Pages
- 945-948
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Sémiotique de l’“effet sonore” / Semiotics of “sound effect”
In: Synthesis in Diversity, Volume 1
- Pages
- 607-610
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Signs of life
In: Synthesis in Diversity, Volume 2
- Pages
- 909-912
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Subject(s) and everyday life discourse: Women speaking
In: Synthesis in Diversity, Volume 2
- Pages
- 941-944
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Suspended moments: The fermata in Luigi Nono’s string quartet “Fragmente - Stille, An Diotima”
In: Synthesis in Diversity, Volume 1
- Pages
- 595-598
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The body of the postmodernist narrator
In: Synthesis in Diversity, Volume 1
- Pages
- 401-404
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The classification of Peirce’s interpretants
In: Semiotica 1997, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1997.114.1-2.31
The Constitution of Han-Academic Ideology
- Edition
- 1 edition
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Parallel title: Parallel title: An Archetype of Chinese Ethics and Academic Ideology
Other title information: A Hermeneutico-Semiotic Study
Annotation: Intercultural philosophy does not take its starting point from the comparison of different cultures from a neutral point of view, it instead arises through the confrontation with certain features of another culture which distance the philosopher from his or her own tradition, compelling it to be regarded in a new way. In dealing with the origins of Confucian ethics, You-Zheng Li does exactly this. His extensive training in Western Hermeneutics and semiotics enables him to reformulate the set of ethical customs, rituals, rules and strategies formulated 2500 years ago in ancient China. In contrast to Western ethics, which are thoroughly penetrated by the divine commands of the Judeo-Christian tradition and mainly characterized by the search for the practical good and one's own happiness begun in Greek and Roman philosophy, Chinese ethics originated and developed largely outside the domains of religion and philosophy. In attempting to elaborate on the specific nature of these ethics, the author navigates between Scylla and Charybdis. He seeks to avoid the one extreme of merely repeating from the inside what has already been said, with its effective reduction of ethical theory to certain reflexes of practical life. Just as well, however, he tries to avoid the other extreme of measuring ancient traditions by external standards and therewith exchanging old prejudices for new ones. He much rather tries to elucidate the foundation of Chinese ethics by using a certain language and a certain method which, as only one language and one method among others, does not aver to exhaust the inherent sense and the efficacious demand of what has been or is still being lived out and practised.
Identifier: 3631313853
Status: Available
The Forte Method considered in a semiological perspective
In: Synthesis in Diversity, Volume 1
- Pages
- 587-590
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The global semiosphere
In: Synthesis in Diversity, Volume 2
- Pages
- 933-936
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The iconic sign: From narrative prose to performance (Machado de Assis’ The Psychiatrist)
In: Synthesis in Diversity, Volume 1
- Pages
- 659-662
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The intersemiotic language of the theater and the movies: Regina and The Little Foxes
In: Synthesis in Diversity, Volume 1
- Pages
- 583-586
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The language of music in Ravel
In: Synthesis in Diversity, Volume 1
- Pages
- 591-594
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The literary communication pact: A semiotic approach
In: Semiotica 1997, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1997.114.1-2.131
The lived body and the emergence of language
In: Synthesis in Diversity, Volume 2
- Pages
- 1051-1054
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The natural bases of semiotic behavior
In: Synthesis in Diversity, Volume 2
- Pages
- 925-928
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The new film semiology
In: Synthesis in Diversity, Volume 1
- Pages
- 599-602
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The politics of melancholy
In: Synthesis in Diversity, Volume 1
- Pages
- 651-654
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The relation between interaction, semiosis, and language
In: Synthesis in Diversity, Volume 2
- Pages
- 961-964
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The semiotics of biological functions
In: Synthesis in Diversity, Volume 2
- Pages
- 953-956
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The Structure of the Chinese Ethical Archetype
- Edition
- 1 edition
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Parallel title: Parallel title: An Archetype of Chinese Ethics and Academic Ideology
Other title information: A Hermeneutico-Semiotic Study
Annotation: Intercultural philosophy does not take its starting point from the comparison of different cultures from a neutral point of view, it instead arises through the confrontation with certain features of another culture which distance the philosopher from his or her own tradition, compelling it to be regarded in a new way. In dealing with the origins of Confucian ethics, You-Zheng Li does exactly this. His extensive training in Western Hermeneutics and semiotics enables him to reformulate the set of ethical customs, rituals, rules and strategies formulated 2500 years ago in ancient China. In contrast to Western ethics, which are thoroughly penetrated by the divine commands of the Judeo-Christian tradition and mainly characterized by the search for the practical good and one's own happiness begun in Greek and Roman philosophy, Chinese ethics originated and developed largely outside the domains of religion and philosophy. In attempting to elaborate on the specific nature of these ethics, the author navigates between Scylla and Charybdis. He seeks to avoid the one extreme of merely repeating from the inside what has already been said, with its effective reduction of ethical theory to certain reflexes of practical life. Just as well, however, he tries to avoid the other extreme of measuring ancient traditions by external standards and therewith exchanging old prejudices for new ones. He much rather tries to elucidate the foundation of Chinese ethics by using a certain language and a certain method which, as only one language and one method among others, does not aver to exhaust the inherent sense and the efficacious demand of what has been or is still being lived out and practised.
Identifier: 3631313861
Status: Available
The swarming body
In: Synthesis in Diversity, Volume 2
- Pages
- 937-940
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The value of the notion of contract to literary interpretation: Greimas, Propp, and West’s Miss Lonelyhearts
In: Synthesis in Diversity, Volume 1
- Pages
- 381-384
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Violating Shakespeare
In: Synthesis in Diversity, Volume 1
- Pages
- 615-618
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What’s black and white and misread all over? Race, identity and community in “Judge Priest”
In: Synthesis in Diversity, Volume 1
- Pages
- 655-658
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Wish I was here: The body as performance
In: Synthesis in Diversity, Volume 2
- Pages
- 969-972
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Wittgensteinian biology
In: Synthesis in Diversity, Volume 2
- Pages
- 957-960
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Analysing performance
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Other title information: a critical reader
Annotation: Each chapter tackles the theory and practice of contemporary performance work, and enables students and teachers to see what is at stake in analysing dance, drama, music and videos
Identifier: 071904250X
Status: Available
Appropriating images
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Other title information: The semiotics of visual representation
Annotation: Dr. Tomaselli forcefully underlines the relevance of a semiotic approach to visual representations. Using a large number of film examples the book covers the terrain of semiotic theory, the history of ethnographic film-making and theories of visual anthropology, visual sociology, and documentary film.
Identifier: 8789825055
Status: Available
Contents/Sommaire Volume 110 (1996)
In: Semiotica 1996, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1996.110.3-4.391