
A unified academic catalogue for books, journal articles, book chapters, proceedings papers, conference abstracts and semiotic research materials.
A unified academic catalogue for books, journal articles, proceedings papers, collection articles and semiotic research materials. Search across the full database; results are shown with pagination.
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The Carter Campaign in Retrospect: Decoding the Cartoons
ALETTE HILL
In: Semiotica 1978, Issue 2024-03-04 00:00:00
Semiotica DOI: 10.1515/semi.1978.23.3-4.307
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Identifier: DOI: 10.1515/semi.1978.23.3-4.307
The Intrinsic Dynamics of the Syntax of the Visual Sign (in Reference to Representative and Abstract Art)
TERESA GELLA
In: Semiotica 1978, Issue 2024-03-04 00:00:00
Semiotica DOI: 10.1515/semi.1978.23.3-4.303
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Identifier: DOI: 10.1515/semi.1978.23.3-4.303
Too Many, Too Few: Ritual Modes of Signification
BARBARA A. BABCOCK
In: Semiotica 1978, Issue 2024-03-04 00:00:00
Semiotica DOI: 10.1515/semi.1978.23.3-4.291
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Identifier: DOI: 10.1515/semi.1978.23.3-4.291
We Drank Wine, We Talked, and a Good Time Was Had By All
ADRIENNE LEHRER
In: Semiotica 1978, Issue 2024-03-04 00:00:00
Semiotica DOI: 10.1515/semi.1978.23.3-4.243
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Identifier: DOI: 10.1515/semi.1978.23.3-4.243
Approaches to Animal Communication
edited by Thomas A. Sebeok and Alexandra Ramsay
Biology / Biosemiotics Mouton 9783110862850 Available
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Annotation: This series of the Approaches to Semiotics series, edited by thomas A. Sebeok, features monographs, including reprints of classics in the field, translations of imortant books from languages other than English, French, or German, collections of articles by a single author or on some unified theme, and relevant conference proceedings.
Identifier: 9783110862850
Status: Available
Russian Formalism
Victor Erlich
- Dependent title
- History-Doctrine
- Edition
- 4 edition
General Semiotics Mouton Publishers 9027904502 Available
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Annotation: More elaborately and self-consciously than anywhere in the West, Russian criticism has developed three major schools. One of these looks for the essence of literature in its philosophical and religious ideas: writers like Berdjaev, mainly interested in an interpretation of Dostoevskij, see literature as a way of knowing the absolute. A second school is the social: literature is not only a mirror of society but an incitement to social thought and action. In its Marxist version, social criticism has become the official Soviet creed and is thus felt today as peculiarly representative of Russian criticism. But a third school, that of Formalism, is so far much less known and much less accessible in the West. It arose around 1914 and was suppressed around 1930. Russian Formalism keeps the work of art itself in the center of attention: it sharply emphasizes the difference between literature and life, it rejects the usual biographical, psychological, and sociological explanations of literature.
Identifier: 9027904502
Status: Available