A unified academic catalogue for books, journal articles, book chapters, proceedings papers, conference abstracts and semiotic research materials.
A unified academic catalogue for books, journal articles, proceedings papers, collection articles and semiotic research materials. Search across the full database; results are shown with pagination.
The Forte Method considered in a semiological perspective
In: Synthesis in Diversity, Volume 1
- Pages
- 587-590
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The iconic sign: From narrative prose to performance (Machado de Assis’ The Psychiatrist)
In: Synthesis in Diversity, Volume 1
- Pages
- 659-662
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The indifférance in laughter
In: Synthesis in Diversity, Volume 1
- Pages
- 505-510
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The intersemiotic language of the theater and the movies: Regina and The Little Foxes
In: Synthesis in Diversity, Volume 1
- Pages
- 583-586
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The language of music in Ravel
In: Synthesis in Diversity, Volume 1
- Pages
- 591-594
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The literary communication pact: A semiotic approach
In: Semiotica 1997, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1997.114.1-2.131
The logical and semiotic status of the canonic formula of myth
In: Semiotica 1997, Issue 2024-02-04 00:00:00
- Pages
- 115-188
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Identifier: DOI: 10.1515/semi.1997.116.2-4.115
The new film semiology
In: Synthesis in Diversity, Volume 1
- Pages
- 599-602
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The politics of melancholy
In: Synthesis in Diversity, Volume 1
- Pages
- 651-654
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The production of values: The concept of modality in textual discourse analysis
In: Semiotica 1997, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1997.113.1-2.43
The reality of crisis in Discepolo’s Daily Losses
In: Synthesis in Diversity, Volume 1
- Pages
- 441-444
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The reflected voices: Calvino’s “If on a winter’s night a traveler”
In: Synthesis in Diversity, Volume 1
- Pages
- 361-364
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The semiotics of Paul Valéry
In: Synthesis in Diversity, Volume 1
- Pages
- 465-468
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The specific regime of verisimilitude in the thriller
In: Synthesis in Diversity, Volume 1
- Pages
- 389-392
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The textual space in the novel
In: Synthesis in Diversity, Volume 1
- Pages
- 457-460
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The uniqueness of ontological hermeneutics among contemporary semiotic theories of interpretation
In: Synthesis in Diversity, Volume 1
- Pages
- 461-464
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The value of the notion of contract to literary interpretation: Greimas, Propp, and West’s Miss Lonelyhearts
In: Synthesis in Diversity, Volume 1
- Pages
- 381-384
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The written and the spoken poem: Generic practices in their social context
In: Synthesis in Diversity, Volume 1
- Pages
- 433-436
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Violating Shakespeare
In: Synthesis in Diversity, Volume 1
- Pages
- 615-618
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Vision as meaning: Visual iconicity of Basho’s haiku
In: Synthesis in Diversity, Volume 1
- Pages
- 421-424
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What’s black and white and misread all over? Race, identity and community in “Judge Priest”
In: Synthesis in Diversity, Volume 1
- Pages
- 655-658
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‘Cinema and...’
In: Semiotica 1996, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1996.112.1-2.207
Analyses filmiques inspirées sur Metz
In: Semiotica 1996, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1996.112.1-2.181
Appropriating images
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Other title information: The semiotics of visual representation
Annotation: Dr. Tomaselli forcefully underlines the relevance of a semiotic approach to visual representations. Using a large number of film examples the book covers the terrain of semiotic theory, the history of ethnographic film-making and theories of visual anthropology, visual sociology, and documentary film.
Identifier: 8789825055
Status: Available
Christian Metz et la fiction
In: Semiotica 1996, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1996.112.1-2.9
Christian Metz: Intelligence et amitié
In: Semiotica 1996, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1996.112.1-2.203
Communicative situations: The cinema and the television situation
In: Semiotica 1996, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1996.112.1-2.35
Contents/Sommaire Volume 110 (1996)
In: Semiotica 1996, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1996.110.3-4.391
Diagraming discourse structures: Illocution, interaction, or text?
In: Semiotica 1996, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1996.110.3-4.197
Eclaircies de la parole
In: Semiotica 1996, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1996.112.1-2.49
Entre les lignes du récit: l’image (l’imaginaire)
In: Semiotica 1996, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1996.112.1-2.155
Environmental noise as a sign
In: Semiotica 1996, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1996.109.1-2.29
Étude sémiologique des accessoires dans trois pièces de Beckett: En attendant Godot, Fin de partie, Oh les beaux jours
In: Semiotica 1996, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1996.110.3-4.273
Fifty key contemporary thinkers
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Other title information: from structuralism to postmodernity
Annotation: Fifty Key Contemporary Thinkers surveys the most important figures who have influenced post-war thought. The reader is guided through structuralism, semiotics, post-Marxism and Annales history, on to modernity and postmodernity. With its comprehensive biographical and bibliographical information, this book provides a vital reference work of the last fifty years
Identifier: 0415074088
Status: Available
Formal aspects of natural belief systems, their evolution and mapping: A semiotic analysis
In: Semiotica 1996, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1996.108.1-2.45
Heidegger says Being, and representation is dead
In: Semiotica 1996, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1996.110.3-4.311
Histoire, mémoire et leur ‘site’ dans le film
In: Semiotica 1996, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1996.112.1-2.77
Iconicity in literature
In: Semiotica 1996, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1996.110.1-2.37
Introduction
In: Semiotica 1996, Issue 2024-01-02 00:00:00
- Pages
- 1-8
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Identifier: DOI: 10.1515/semi.1996.112.1-2.1
La spécularité diffractée: Mise en abyme et début de film
In: Semiotica 1996, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1996.112.1-2.51
Le corps, le regard et le miroir
In: Semiotica 1996, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1996.112.1-2.93
Le flux et la grille
In: Semiotica 1996, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1996.112.1-2.167
Les sentiers intérieurs
In: Semiotica 1996, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1996.112.1-2.67
Metaphor, metonymy, and cross-cultural translation
In: Semiotica 1996, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1996.110.3-4.301
On re-reading Malory’s Le Morte d’Arthur: The Launcelot episode
In: Semiotica 1996, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1996.108.1-2.65
On the margins: Illusion, irony, and abjection in ‘The fakir act’ of a British circus
In: Semiotica 1996, Issue 2024-01-02 00:00:00
- Pages
- 1-30
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Identifier: DOI: 10.1515/semi.1996.108.1-2.1
Phanéroscopie du Moi artiste
In: Semiotica 1996, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1996.108.1-2.83
Propositions pour une typologie des documents audiovisuels
In: Semiotica 1996, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1996.112.1-2.123
Reproduction et expression: Essai sur les methodes sémiologique et esthétique de Christian Metz
In: Semiotica 1996, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1996.112.1-2.21
Review article
In: Semiotica 1996, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1996.110.3-4.341