A unified academic catalogue for books, journal articles, book chapters, proceedings papers, conference abstracts and semiotic research materials.
A unified academic catalogue for books, journal articles, proceedings papers, collection articles and semiotic research materials. Search across the full database; results are shown with pagination.
Italian Semiotics of Memory: Genealogies and Current Perspectives
In: Zeitschrift für Semiotik 2022, Volume 44, Issue 1-2: Italian Semiotics I
- Pages
- 49-82
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Identifier: https://doi.org/10.14464/zsem.v44i1-2.818
The “empirical vocation” of the semiotics of Umberto Eco in his works on the media and mass communication
In: Semiotica 2022, Issue 245
- Pages
- 175-192
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Identifier: DOI: 10.1515/sem-2021-0016
A walk through the history of Spanish thought influenced by Uexküll
In: Semiotica 2021, Issue 241
- Pages
- 61-86
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Identifier: DOI: 10.1515/sem-2018-0064
Distant time, distant gesture: speech and gesture correlate to express temporal distance
In: Semiotica 2021, Issue 241
- Pages
- 159-183
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Identifier: DOI: 10.1515/sem-2019-0120
Elements of language creativity
In: Semiotica 2021, Issue 241
- Pages
- 45-59
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Identifier: DOI: 10.1515/sem-2019-0121
Personality and climate change mitigation: a psychological and semiotic exploration of the sustainable choices of optimists
In: Semiotica 2021, Issue 241
- Pages
- 237-273
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Identifier: DOI: 10.1515/sem-2019-0056
Semiotic hybridization in Persian poetry and Iranian music
In: Semiotica 2021, Issue 241
- Pages
- 275-310
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Identifier: DOI: 10.1515/sem-2018-0096
Splits on Instagram: a case study of young adults’ selfies
In: Semiotica 2021, Issue 241
- Pages
- 185-218
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Identifier: DOI: 10.1515/sem-2019-0099
Stylistique et herméneutique des œuvres littéraires : pour une approche intégrative, via la notion de « stylisation »
In: Semiotica 2021, Issue 241
- Pages
- 121-137
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Identifier: DOI: 10.1515/sem-2017-0157
The degree zero of digital interfaces: a semiotics of audiovisual archives online
In: Semiotica 2021, Issue 241
- Pages
- 219-235
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Identifier: DOI: 10.1515/sem-2019-0043
The role of schemas and scripts in pictorial narration
In: Semiotica 2021, Issue 241
- Pages
- 1-27
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Identifier: DOI: 10.1515/sem-2019-0071
Vers une sémiotique sadienne
In: Semiotica 2021, Issue 241
- Pages
- 139-158
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Identifier: DOI: 10.1515/sem-2017-0115
A study by Umberto Eco and his colleagues on the history of early zoosemiotics: Commentary and bibliography
In: Sign Systems Studies 2018, Volume 46, Issue 2/3
- Pages
- 383-391
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Identifier: 10.12697/SSS.2018.46.2-3.11
Animal language before Sebeok
In: Sign Systems Studies 2018, Volume 46, Issue 2/3
- Pages
- 365-377
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Identifier: 10.12697/SSS.2018.46.2-3.09
Giorgio Prodi and the lower threshold of semiotics
In: Sign Systems Studies 2018, Volume 46, Issue 2/3
- Pages
- 343-351
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Identifier: 10.12697/SSS.2018.46.2-3.07
Umberto Eco on the biosemiotics of Giorgio Prodi
In: Sign Systems Studies 2018, Volume 46, Issue 2/3
- Pages
- 352-364
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Identifier: 10.12697/SSS.2018.46.2-3.08
“La morte non avrà signoria”: Domande per Umberto Eco
In: Semiotica 2016, Issue 211
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Identifier: DOI: 10.1515/sem-2016-0096
The Umberto Eco gaze
In: Semiotica 2016, Issue 211
- Pages
- 1-4
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Identifier: DOI: 10.1515/sem-2016-0092
Muotokuvia
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Other title information: Tulkintoja, Muistelmia, Tarnoita
Annotation: Portraits is a work in which culture, art and science are approached through the persons who practice them. Some are famous men and women in the Finnish context, from Mannerheim to Ville Vallgren and Anna Sahlstén, while others are international celebrities from Ludvig II and George Sand to Umberto Eco. Memoirs, documents, letters and anecdotes about the lives of the lesser-known are passed on to those who have not known them. Various life works attract the author to intellectual reflections and analyses. But through them the author also draws his own profile as a semiotician, musician and scholar.
Identifier: 9525431142
Status: Available
Kant and the platypus
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Other title information: essays on language and cognition
Notes: translated by Alastair McEwen, originally published in 1997
Annotation: This volume expplores how advances in the field of cognitive science can be incorporated into the study of literary interpretation. The last two decades have seen the establishment of cognitive studies as a valuable interdisciplinary approach in the humanities and beyond, However, what it can- or could- offer to the practice of literary interpretation is not entirely clear. In this volume fourteen papers by scholars from three continents address this issue.
Identifier: 009927695X
Status: Available
Contents/Sommaire Volume 124 (1999)
In: Semiotica 1999, Issue 2024-03-04 00:00:00
- Pages
- 397-397
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Identifier: DOI: 10.1515/semi.1999.124.3-4.397
From Goffman to semiotic sociology
In: Semiotica 1999, Issue 2024-03-04 00:00:00
- Pages
- 211-234
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Identifier: DOI: 10.1515/semi.1999.124.3-4.211
Le problème du lecteur dans l’oeuvre d’Umberto Eco
In: Semiotica 1999, Issue 2024-03-04 00:00:00
- Pages
- 255-268
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Identifier: DOI: 10.1515/semi.1999.124.3-4.255
Lectures de guerre: Contribution à une sémio-histoire
In: Semiotica 1999, Issue 2024-03-04 00:00:00
- Pages
- 235-254
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Identifier: DOI: 10.1515/semi.1999.124.3-4.235
Review article
In: Semiotica 1999, Issue 2024-03-04 00:00:00
- Pages
- 299-396
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Identifier: DOI: 10.1515/semi.1999.124.3-4.299
The micro-grading of procedural words as a metric of behaviors: The evolutionary sequenceability of verbs
In: Semiotica 1999, Issue 2024-03-04 00:00:00
- Pages
- 269-298
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Identifier: DOI: 10.1515/semi.1999.124.3-4.269
Umberto Eco
- Edition
- 1 edition
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Other title information: philosophy, semiotics, and the work of fiction
Annotation: The book provides a comprehensive introduction to the work and thought of Umberto Eco, retracing his impact on literary studies, semiotics, aesthetics and philosophy.
Identifier: 0745608493
Status: Available
Ways of the eyes: Observing Velázquez’s <i>Las Meninas</i>
In: Semiotica 1999, Issue 2024-03-04 00:00:00
- Pages
- 189-210
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Identifier: DOI: 10.1515/semi.1999.124.3-4.189
Some remarks on perfect languages
In: Synthesis in Diversity, Volume 1
- Pages
- 45-56
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Planning and semiotics
In: Semiotica 1992, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1992.92.3-4.189
Review article
In: Semiotica 1992, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1992.92.3-4.309
Semiotics and framing: Examples
In: Semiotica 1992, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1992.92.3-4.239
Sonstiges
In: Semiotica 1992, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1992.92.3-4.u
The audience as/for Accomplice: Code-breaking in the comedy thriller
In: Semiotica 1992, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1992.92.3-4.287
Umberto Eco and William of Baskerville: Partners in abduction
In: Semiotica 1992, Issue 2024-03-04 00:00:00
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Identifier: DOI: 10.1515/semi.1992.92.3-4.259
The open work
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Notes: Translated by Anna Cancogni, introduction by David Robey
Annotation: More than twenty years after its original appearance in Italian, The Open Work remains significant for its powerful concept of "openness"--the artist's decision to leave arrangements of some constituents of a work to the public or to chance--and for its striking anticipation of two major themes of contemporary literary theory: the element of multiplicity and plurality in art, and the insistence on literary response as an interactive process between reader and text. The questions Umberto Eco raises, and the answers he suggests, are intertwined in the continuing debate on literature, art, and culture in general.
Identifier: 0674639766
Status: Available
‘Dreaming of the Middle Ages’: An unpublished fragment
In: Semiotica 1987, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1987.63.1-2.239
Instructional semantics for presuppositions
In: Semiotica 1987, Issue 2024-01-02 00:00:00
- Pages
- 1-40
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Identifier: DOI: 10.1515/semi.1987.64.1-2.1
Semiotics narrated: Umberto Eco′s. The Name of t he Rose
In: Semiotica 1987, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1987.64.1-2.41
Umberto Eco: An Intellectual Biography
In: The Semiotic Web 1987
- Pages
- 3-22
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Art and beauty in the Middle Ages
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Notes: translated by Hugh Bredin, originally published in 1959
Annotation: In this authoritative, lively book, the celebrated Italian novelist and philosopher Umberto Eco presents a learned summary of medieval aesthetic ideas. Juxtaposing theology and science, poetry and mysticism, Eco explores the relationship that existed between the aesthetic theories and the artistic experience and practice of medieval culture.
Identifier: 0300093047
Status: Available
On fish and buttons: Semiotics and philosophy of language
In: Semiotica 1984, Issue 2024-01-02 00:00:00
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Identifier: DOI: 10.1515/semi.1984.48.1-2.97
Semiotics and the philosophy of language
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Annotation: Semiotics and the Philosophy of Language comprehends the entire tradition of the doctrine of signs, threading its way through the symbolic and allegorical readings of the Holy Scriptures, the varying insights of the fields of philosophy and rhetoric, and into (and out of) the various positions of modern literary criticism. Individual chapters are devoted to the nature of signs; the theory of definition; the cognitive function of metaphors and symbols; mirror images, painting, film, and television; and the role of inference in the interpretation of texts
Identifier: 0253351685
Status: Available
The role of the reader
- Dependent title
- Explorations in the semiotics of texts
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Annotation: In this erudite and imaginative book, Umberto Eco sets forth a dialectic between 'open' and 'closed' texts.
Identifier: 0253111390
Status: Available
Il Segno Dei Tre
- Dependent title
- Holmes, Dupin, Peirce
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Annotation: Sherlock Holmes, nei racconti di Conan Doyle, parla sovente del suo metodo, e ne parla sempre en termini di "deduzioneL. Da tempo anche i logici i filosofi della scienza, quando discutono del metodo scientifico /ovvero della logica, della scoperta), dedicano sempre alcume rige, e spesso alcune pagine, a Sherlock Holmes, perché si sono resi conto che, seppure en forma narrativa, il celebre detective stava espondendo dei criteri di osservazione e scoperta, che sono affini a quelli del medico che diagnosctica una malattia, dello scienziato che interroga un fenomeno naturale, de filologo che deve prendere una decisione su un testo lacunoso, dello storico che deve ricostruire una situazione del passato sulla base di impresice testimonianze.
Identifier: 8845201449
Status: Available
A Componential Analysis of the Architectural Sign /Column/
In: Semiotica 1972, Issue 2
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Identifier: DOI: 10.1515/semi.1972.5.2.97